Paul Robeson Jr dicusses the bitter legacy of race in America and confronts today's challenges.

In this powerful and forward-looking indictment of contemporary American politics, Robeson melds history and analysis in a sweeping panoramic discussion of why black empowerment has failed, what it will take for Black Americans to finally cross over to the status of fully empowered citizens, and what the ramifications of this change can be for the country as a whole.

The eagerly awaited second volume of Paul Robeson Jr.'s acclaimed biography of his father, the legendary singer, actor, and social activist.

The greatest scholar-athlete-performing artist in U.S. history, Paul Robeson was one of the most compelling figures of the twentieth century. In this final volume of his groundbreaking biography, Paul Robeson Jr. tells the untold, inside story of his father's life from World War II until his death, including his fight against racism and injustice and his courageous defiance of persecution by government agencies.Breaks new ground, using unpublished photographs and source materials from private diaries, letters, and government documentsOffers unprecedented insight into how Robeson bridged the contradictions of his personal and public lifePraised as ""an accomplished and moving memoir"" ("Boston Globe," on Vol. 1) and ""an important, well-wrought addition to African-American, Cold War and theater scholarship"" ("Publishers Weekly")

Revealing a multifaceted figure who moved among major roles as a performer, political activist, husband, and father, "The Undiscovered Paul Robeson" traces the dramatic arc of one of the world's most distinguished performing artists and passionate leaders in the fight for universal human rights.

The national protests sparked by the murder of George Floyd in the summer of 2020, made clear what many already knew to be true: policing-in all its iterations-must be abolished. The nationwide uprisings saw the burning of the third precinct in Minneapolis, the creation of autonomous zones in Seattle, and the toppling of statues and memorials to white supremacists, colonizers, and confederates. How We Stay Free chronicles the protests in the city of Philadelphia and the Black organizers that led, sustained, and nurtured the movement for abolition. In the midst of a global pandemic, Philadelphians took to the streets establishing mutual aid campaigns, jail support networks, bail funds, and housing encampments for their community, removing the statue of Frank Rizzo, the former mayor and face of racist policing, called for the release of all political prisoners including Mumia Abu-Jamal, and protested, marched, and agitated in all corners of the city. From Philadelphia, which dating back at least to W.E.B. DuBois has served as a vista to understand Black life in the US, How We Stay Free collects and presents reflections and testimonies, prose and poetry from those on the frontlines to take stock of where the movement started, where it stands, and where we go from here. How We Stay Free is both a celebration of the organizing that sustained the uprising and a powerful call-to-action-demanding all of us to take to the streets, organize our communities, and revolt for the creation of new, better, and freer worlds.

Collection of films from pioneers of African-American cinema such as Oscar Micheaux, Spencer Williams and Zora Neale Hurston. The collection includes: 'Two Knights of Vaudeville' (1915), 'A Reckless Rover' (1918), 'Within Our Gates' (1920), 'The Symbol of the Unconquered - A Story of the KKK' (1920), 'By Right of Birth' (1921), 'Body and Soul' (1925), 'Screen Snapshots' (1920), 'Regeneration' (1923), 'The Flying Ace' (1926), 'Ten Nights in a Barroom' (1926), 'Rev. S.S. Jones Home Movies' (2016), 'The Scar of Shame ' (1927), 'Eleven P.M.' (1928), 'Hellbound Train' (1930), 'The Darktown Revue' (1931), 'The Exile' (1931), 'The Girl from Chicago' (1932), 'Ten Minutes to Live' (1932), 'Veiled Aristocrats' (1932), 'Birthright' (1939), 'The Bronze Buckaroo' (1939), 'Zora Neale Hurston Fieldwork Footage' (1928), 'Commandent Keeper Church, Beaufort South Carolina, May 1940' (1940), 'The Blood of Jesus' (1941), 'Dirty Gertie from Harlem U.S.A.' (1946) and 'Moses Sisters Interview Pearl Bowser' (1978).

The long-awaited, untold, inside story of the rise of the legendary actor, singer, scholar, and activist. The first volume of this major biography breaks new ground.

The greatest scholar-athlete-performing artist in U.S. history, Paul Robeson was one of the most compelling figures of the twentieth century.

Now his son, Paul Robeson Jr., traces the dramatic arc of his rise to fame, painting a definitive picture of Paul Robeson’s formative years. His father was an escaped slave; his mother, a descendent of freedmen; and his wife, the brilliant and ambitious Eslanda Cardozo Goode. With a law degree from Columbia University; a professional football career; title roles in Eugene O’Neill’s plays and in Shakespeare’s Othello; and a concert career in America and Europe, Robeson dominated his era.

This unprecedented biography reveals the depth of Robeson’s cultural scholarship, explores the contradictions he bridged in his personal and political life, and describes his emergence as a symbol of the anticolonial and antifascist struggles. Filled with previously unpublished photographs and source materials from the private diaries and letters of Paul and Eslanda Robeson, this is the epic story of a forerunner who now stands as one of America’s greatest heroes.

The Messenger was the third most popular magazine of the Harlem Renaissance after The Crisis andOpportunity. Unlike the other two magazines, The Messenger was not tied to a civil rights organization. Labor activist A. Philip Randolph and economist Chandler Owen started the magazine in 1917 to advance the cause of socialism to the black masses. They believed that a socialist society was the only one that would be free from racism.

The socialist ideology of The Messenger "the only magazine of scientific radicalism in the world published by Negroes," was reflected in the pieces and authors published in its pages. The Messenger Reader contains poetry, stories, and essays from Paul Robeson, Zora Neale Hurston, Wallace Thurman, and Dorothy West.

The Messenger Reader, will be a welcome addition to the critically acclaimed Modern Library Harlem Renaissance series.