Robert Morgan and Kathryn Stripling Byer, Al Maginnes and Cathy Smith Bowers, Thomas Raine Crowe and Michael McFee, as well as many new voices. . . Indeed, the variegation of the Tar Heel State's landscapes, as well as its rich history, is reflected through the myriad voices of its contemporary verse. As with other volumes of "The Southern Poetry Anthology," this book--full of a wide gamut of poetic styles and approaches--will appeal to many readers, prove an excellent teaching resource for North Carolina students of literature, and serve as the definitive poetic document for North Carolina for many years.
Conceived by Series Editor William Wright in 2003, "The Southern Poetry Anthology" is a projected twelve-to-sixteen volume project celebrating established and emerging poets of the American South, published by Texas Review Press. Inspired by single-volume anthologies such as Leon Stokesbury's "The Made Thing," Gil Allen's "A Ninety-Six Sampler," and Guy Owen and Mary C. Williams' "Contemporary Southern Poetry: an Anthology," "The Southern Poetry Anthology" aspires to provide readers with a documentary-like survey of the best poetry being written in the American South at the present moment.
Specifically, the editors' goals are twofold: first, to re-establish poetry of the South as a major presence in American literature, and second, to include a greater range of poets from the South to introduce a new poetic geography, a fresh corpus of what we understand to be "Southern Poetry."

This is a collection of work by Robert Holland including his poetry, fiction and children's tales, newspaper columns and his letters.

This book traces the evolution of the Browning Automatic Rifle from the Model of 1918, first to face combat in World War I, through its various configurations in all arenas of combat all the way to the present-day1918 A3 SLR developed and manufactured by Ohio Ordnance Works.
The Browning Automatic Rifle, known simply as the BAR, was a shoulder-fired light machine gun fed by a twenty-round box magazine of 30-06, the same ammunition used by the 1903 Springfield. Weighing in at under twenty pounds, it could easily be carried by one soldier, who could drape a bandolier with twelve magazines over his shoulder, giving him a total of 260 rounds (counting those in the mounted magazine). Generally accompanied by at least one companion carrying an additional bandolier with twelve magazines, the BAR man could exercise some serious firepower. Used sparingly during World War I because of the United States' late entry into the war, it played a major role during World War II and the Korean Conflict, offering a very reliable combination of rapid fire and penetration. Few weapons of war ever pressed into service have offered the romantic allure of the BAR.
Ohio Ordnance Works, Inc. manufactures a semi-automatic version of this rifle, the 1918 A3, keeping alive this icon of American military weaponry. The only one of its kind in production anywhere in the world, it is manufactured with some of the original USGI WWI and WWII parts. Only the highest quality Ohio Ordnance original and USGI standard parts are used in its production. The heart of the 1918 A3 is the receiver made from 8620 steel casting that has been carburized and induction heat treated. The castings are machined on state-of-the-art CNC machining centers. Every rifle is fully assembled, inspected, test-fired, and re-inspected under the direct supervision of a master armorer.

Edited by William Wright and Paul Ruffin, "The Southern Poetry Anthology, Volume V" Georgia brings together over one hundred of Georgia's poets, including David Bottoms, Natasha Trethewey, Leon Stokesbury, Thomas Lux, Kathryn Stripling Byer, Alice Friman, Judson Mitcham, and Stephen Corey, as well as myriad other luminous voices. The volume marks the fifth of the series "Art & Literature" has called "one of the most ambitious projects in contemporary Southern letters."

Every place has its own poetry. For some places, the poetry appears in the tones of voice between neighbors in the grocery store, or in the spirit people share when a high school football team brings them out of their houses on Friday evenings, or even through the sounds engines make as they idle in traffic on the road out of the city after a workday. The poetry of Appalachia sings in all those familiar ways, but also in the music of the particular poems collected in The Southern Poetry Anthology, Volume III: Southern Appalachia. This anthology of contemporary poetry arrives from one of America's most vibrant literary communities, an area with a rich storytelling history and beautiful natural landscape, the often misunderstood Appalachian South. Readers familiar with writing from Appalachia will be pleased to see work from such favorites as Charles Wright, Robert Morgan, and Fred Chappell, yet will be intrigued by the already distinctive voices of emerging talents like Melissa Range and D. Antwan Stewart. This collection of poems is the only one of its kind, a snapshot album of a timeless place, as it is represented at the present moment. "For reasons that are not entirely clear, there has been an explosion of poetry in the Southern Appalachian region in recent years. Perhaps this creative surge has been inspired by the rapid changes in the region, as the vast hunting ranges of the Cherokees are crossed by superhighways, and golf courses, casinos, condominiums, and shopping malls spread into the shadows of the highest peaks. Or perhaps the poetry is a celebration of a region still discovering itself, its heritage and resources. What is clear is that much of the best poetry of our time is being written in or about the Southern mountains, with unprecedented diversity, artistry, freshness, and humanity. Here is a poetry of place and people, of history, sometimes sad, often comic, a poetry of haunting voices, vision, music and story. This anthology is a showcase of some of the best poetry we have, from the place the music comes from."--Robert Morgan