Double bill featuring two spoof comedies. 'Epic Movie' (2007) tells the tale of four fully grown orphans: one the victim of snakes that attacked her plane, another raised by a kindly Louvre curator, the third a Mexican 'libre' wrestling refuge, and the last an average mutant from an 'X'-community. When the curious quartet visits a sprawling chocolate factory, they stumble across a magical wardrobe which transports them to the enchanted land of Gnarnia.

It seems that the wondrous fantasy land has recently fallen under the spell of the evil White Bitch (Jennifer Coolidge), and in order to bring peace back to Gnarnia these four bumbling mortals will have to join forces with a charismatic pirate, a painfully sincere group of aspiring wizards, and one particularly libidinous lion. 'Date Movie' (2006) stars Alyson Hannigan as a hopeless romantic who has finally met the man of her dreams Grant Funkyerdoder. But before they can have their 'Big Fat Greek Wedding', they'll have to 'Meet the Parents', hook up with 'The Wedding Planner' and contend with Grant's girlfriend, Andy, a spectacularly beautiful woman who wants to put a stop to her 'Best Friend's Wedding'.

Over the past two decades Global Legal Pluralism has become one of the leading analytical frameworks for understanding and conceptualizing law in the 21st century. Wherever one looks, there is conflict among multiple legal regimes. Some of these regimes are state-based, some are built and maintained by non-state actors, some fall within the purview of local authorities and jurisdictional entities, and some involve international courts, tribunals, and arbitral bodies, and regulatory organizations. Global Legal Pluralism has provided, first and foremost, a set of useful analytical tools for describing this conflict among legal and quasi-legal systems. At the same time, some pluralists have also ventured in a more normative direction, suggesting that legal systems might sometimes purposely create legal procedures, institutions, and practices that encourage interaction among multiple communities. These scholars argue that pluralist approaches can help foster more shared participation in the practices of law, more dialogue across difference, and more respect for diversity without requiring assimilation and uniformity. Despite the veritable explosion of scholarly work on legal pluralism, conflicts of law, soft law, global constitutionalism, the relationships among relative authorities, transnational migration, and the fragmentation and reinforcement of territorial boundaries, no single work has sought to bring together these various scholarly strands, place them into dialogue with each other, or connect them with the foundational legal pluralism research produced by historians, anthropologists, and political theorists. Paul Schiff Berman, one of the world's leading theorists of Global Legal Pluralism, has gathered over 40 diverse authors from multiple countries and multiple scholarly disciplines to touch on nearly every area of legal pluralism research, offering defenses, critiques, and applications of legal pluralism to 21st-century legal analysis. Berman also provides introductions to every part of the book, helping to frame the various approaches and perspectives. The result is the first comprehensive review of Global Legal Pluralism scholarship ever produced. This book will be a must-have for scholars and students seeking to understand the insights of legal pluralism to contemporary debates about law. At the same time, this volume will help energize and engage the field of Global Legal Pluralism and push this scholarly trajectory forward into another two decades of innovation.

During the past decade, the rise of online communication has proven to be particularly fertile ground for academic exploration at the intersection of law and society. Scholars have considered how best to apply existing law to new technological problems but they also have returned to first principles, considering fundamental questions about what law is, how it is formed and its relation to cultural and technological change. This collection brings together many of these seminal works, which variously seek to interrogate assumptions about the nature of communication, knowledge, invention, information, sovereignty, identity and community. From the use of metaphor in legal opinions about the internet, to the challenges posed by globalization and deterritorialization, to the potential utility of online governance models, to debates about copyright, free expression and privacy, this collection offers an invaluable introduction to cutting-edge ideas about law and society in an online era. In addition, the introductory essay both situates this work within the trajectory of law and society scholarship and summarizes the major fault lines in ongoing policy debates about the regulation of online activity.

We live in a world of legal pluralism, where a single act or actor is potentially regulated by multiple legal or quasi-legal regimes imposed by state, substate, transnational, supranational and nonstate communities. Navigating these spheres of complex overlapping legal authority is confusing and we cannot expect territorial borders to solve all these problems. At the same time, those hoping to create one universal set of legal rules are also likely to be disappointed by the sheer variety of human communities and interests. Instead, we need an alternative jurisprudence, one that seeks to create or preserve spaces for productive interaction among multiple, overlapping legal systems by developing procedural mechanisms, institutions and practices that aim to manage, without eliminating, the legal pluralism we see around us. Global Legal Pluralism provides a broad synthesis across a variety of legal doctrines and academic disciplines and offers a novel conceptualization of law and globalization.

Two boys on their way to college find themselves charged with murder in Hicksville, Alabama. One of the boys has a cousin, Vinny (Joe Pesci), who recently qualified as a lawyer, and he is persuaded to plead their case. Unfortunately, Vinny does not know anything about court procedure and gets the boys into even deeper water. Can his girlfriend Mona (Marisa Tomei) manage to save the day?

We live in a world of legal pluralism, where a single act or actor is potentially regulated by multiple legal or quasi-legal regimes imposed by state, substate, transnational, supranational, and nonstate communities. Navigating these spheres of complex overlapping legal authority is confusing, and we cannot expect territorial borders to solve all these problems because human activity and legal norms inevitably flow across such borders. At the same time, those hoping to create one universal set of legal rules are also likely to be disappointed by the sheer variety of human communities and interests. Instead, we need an alternative jurisprudence, one that seeks to create or preserve spaces for productive interaction among multiple, overlapping legal systems by developing procedural mechanisms, institutions, and practices that aim to manage, without eliminating, the legal pluralism we see around us. Such mechanisms, institutions, and practices can help mediate conflicts, and we may find that the added norms, viewpoints, and participants produce better decision making, better adherence to those decisions by participants and non-participants alike, and ultimately better real-world outcomes. Global Legal Pluralism provides a broad synthesis across a variety of legal doctrines and academic disciplines and offers a novel conceptualization of law and globalization.

Collection of three Wes Anderson films. In 'The Life Aquatic With Steve Zissou' (2004) internationally famous oceanographer Steve Zissou (Bill Murray) and his crew, Team Zissou, set sail on an expedition to hunt down the mysterious, elusive, possibly non-existant Jaguar Shark that killed Zissou's partner during the documentary filming of their last adventure. They are joined on their voyage by a young airline co-pilot who may or may not be Zissou's son (Owen Wilson), a beautiful journalist (Cate Blanchett) assigned to write a profile of Zissou, and Zissou's estranged wife and co-producer Eleanor (Anjelica Huston). They face overwhelming complications including pirates, kidnapping and bankruptcy. Narrated by Alec Baldwin, 'The Royal Tenenbaums' (2001) is about an oddball New York family of former child geniuses. Before their marriage floundered, Royal Tenenbaum (Gene Hackman) and his wife Etheline (Angelica Huston) succeeded in raising three prodigies: business supremo Chas (Ben Stiller), prize-winning playwright Margot (Gwyneth Paltrow) and tennis champion Richie (Luke Wilson). Now, after years of separation, and with the children grown-up and the memory of their prodigy faded, Royal returns to his family and tries to make amends. However, with Royal's history of lies and betrayal, his offspring - who all now have problems of their own - are going to have trouble welcoming him back. In 'Rushmore' (1998) Max Fischer (Jason Schwartzman) is a 10th grade pupil at Rushmore Academy. When not daydreaming, Max pours all of his energy into his beloved extra-curricular activities, often to the neglect of his studies. His determination to make a name for himself is sent into overdrive by the arrival of pretty new teacher Miss Cross (Olivia Williams). Outside of school, Max is taken under the wing of middle-aged steel tycoon Herman Blume (Murray), whose sons are boorish thugs. Things begin to go awry when Mr Blume falls for Miss Cross himself, and Max becomes unhinged with jealousy. His schemes to win the affections of his teacher grow ever more extreme, while his academic life threatens to collapse around him.

This acclaimed comedy stars Jason Schwartzman as Max Fischer, a 10th grade pupil at Rushmore Academy. When not daydreaming, Max pours all of his energy into his beloved extra-curricular activities, often to the neglect of his studies. His determination to make a name for himself is sent into overdrive by the arrival of pretty new teacher Miss Cross (Olivia Williams). Outside of school, Max is taken under the wing of middle-aged steel tycoon Herman Blume (Bill Murray), whose sons are boorish thugs. Things begin to go awry when Mr Blume falls for Miss Cross himself, and Max becomes unhinged with jealousy. His schemes to win the affections of his teacher grow ever more extreme, while his academic life threatens to collapse around him.

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