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Modern approaches to the study of symplectic 4-manifolds and
algebraic surfaces combine a wide range of techniques and sources
of inspiration. Gauge theory, symplectic geometry,
pseudoholomorphic curves, singularity theory, moduli spaces, braid
groups, monodromy, in addition to classical topology and algebraic
geometry, combine to make this one of the most vibrant and active
areas of research in mathematics. It is our hope that the five
lectures of the present volume given at the C.I.M.E. Summer School
held in Cetraro, Italy, September 2-10, 2003 will be useful to
people working in related areas of mathematics and will become
standard references on these topics.
The volume is a coherent exposition of an active field of
current research focusing on the introduction of new methods for
the study of moduli spaces of complex structures on algebraic
surfaces, and for the investigation of symplectic topology in
dimension 4 and higher.
Papers based on selected lectures given at the Current Development
Mathematics Conference, held in November 2017 at Harvard
University.
This is an EXACT reproduction of a book published before 1923. This
IS NOT an OCR'd book with strange characters, introduced
typographical errors, and jumbled words. This book may have
occasional imperfections such as missing or blurred pages, poor
pictures, errant marks, etc. that were either part of the original
artifact, or were introduced by the scanning process. We believe
this work is culturally important, and despite the imperfections,
have elected to bring it back into print as part of our continuing
commitment to the preservation of printed works worldwide. We
appreciate your understanding of the imperfections in the
preservation process, and hope you enjoy this valuable book.
This is a reproduction of a book published before 1923. This book
may have occasional imperfections such as missing or blurred pages,
poor pictures, errant marks, etc. that were either part of the
original artifact, or were introduced by the scanning process. We
believe this work is culturally important, and despite the
imperfections, have elected to bring it back into print as part of
our continuing commitment to the preservation of printed works
worldwide. We appreciate your understanding of the imperfections in
the preservation process, and hope you enjoy this valuable book.
This is a reproduction of a book published before 1923. This book
may have occasional imperfections such as missing or blurred pages,
poor pictures, errant marks, etc. that were either part of the
original artifact, or were introduced by the scanning process. We
believe this work is culturally important, and despite the
imperfections, have elected to bring it back into print as part of
our continuing commitment to the preservation of printed works
worldwide. We appreciate your understanding of the imperfections in
the preservation process, and hope you enjoy this valuable book.
This is an EXACT reproduction of a book published before 1923. This
IS NOT an OCR'd book with strange characters, introduced
typographical errors, and jumbled words. This book may have
occasional imperfections such as missing or blurred pages, poor
pictures, errant marks, etc. that were either part of the original
artifact, or were introduced by the scanning process. We believe
this work is culturally important, and despite the imperfections,
have elected to bring it back into print as part of our continuing
commitment to the preservation of printed works worldwide. We
appreciate your understanding of the imperfections in the
preservation process, and hope you enjoy this valuable book.
This is an EXACT reproduction of a book published before 1923. This
IS NOT an OCR'd book with strange characters, introduced
typographical errors, and jumbled words. This book may have
occasional imperfections such as missing or blurred pages, poor
pictures, errant marks, etc. that were either part of the original
artifact, or were introduced by the scanning process. We believe
this work is culturally important, and despite the imperfections,
have elected to bring it back into print as part of our continuing
commitment to the preservation of printed works worldwide. We
appreciate your understanding of the imperfections in the
preservation process, and hope you enjoy this valuable book.
Dieses mit grosser Hingabe verfasste Buch befasst sich mit dem
Verhaltnis Friedrichs des Grossen zur bildenden Kunst. Tatsachlich
war der Einfluss des ausgewiesenen Freundes der Kunst wesentlich
grosser als allgemein angenommen und allein seine Sammlungen
pragten weite Teile der zeitgenossischen Kunstschaffenden. Das
akribisch recherchierte Werk darf getrost heute noch als Stand der
Dinge angesehen werd
Dieses mit grosser Hingabe verfasste Buch befasst sich mit dem
Verhaltnis Friedrichs des Grossen zur bildenden Kunst. Tatsachlich
war der Einfluss des ausgewiesenen Freundes der Kunst wesentlich
grosser als allgemein angenommen und allein seine Sammlungen
pragten weite Teile der zeitgenossischen Kunstschaffenden. Das
akribisch recherchierte Werk darf getrost heute noch als Stand der
Dinge angesehen werd
This is a reproduction of a book published before 1923. This book
may have occasional imperfections such as missing or blurred pages,
poor pictures, errant marks, etc. that were either part of the
original artifact, or were introduced by the scanning process. We
believe this work is culturally important, and despite the
imperfections, have elected to bring it back into print as part of
our continuing commitment to the preservation of printed works
worldwide. We appreciate your understanding of the imperfections in
the preservation process, and hope you enjoy this valuable book.
++++ The below data was compiled from various identification fields
in the bibliographic record of this title. This data is provided as
an additional tool in helping to ensure edition identification:
++++ Festschrift ... Wilhelm II. Paul Seidel
Dieses mit grosser Hingabe verfasste Buch befasst sich mit dem
Verhaltnis Friedrichs des Grossen zur bildenden Kunst. Tatsachlich
war der Einfluss des ausgewiesenen Freundes der Kunst wesentlich
grosser als allgemein angenommen und allein seine Sammlungen
pragten weite Teile der zeitgenossischen Kunstschaffenden. Das
akribisch recherchierte Werk darf getrost heute noch als Stand der
Dinge angesehen werd
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