The most sinister terrorists won't be sneaking through our borders from the Middle East.

They're already here.

This is the untold story about the silent, yet extremely dangerous threat from the Muslim establishment in America―an alarming expose of how Muslims have for years been secretly infiltrating American society, government, and culture, pretending to be peace-loving and patriotic, while supporting violent jihad and working to turn America into an Islamic state.

In this powder keg of a book, you'll learn:

• How radical Muslims have penetrated the U.S. military, the FBI, the Homeland Security Department, and even the White House―where subversive Muslims and Arabs have received top-secret clearance.
• How they've infiltrated the chaplains program in the federal and state prison systems―a top recruiting ground for al-Qaida.
• How they've successfully run influence operations against our political system with the help of both Democrats and Republicans, badgering corporate boards into Islamizing the workplace.
• How we've been utterly duped about what the Quran does and doesn't teach. Sadly, much of anti-Western terrorism is simply Islam in practice, the text of the Quran in action.

In a time when religious and political leaders are scrambling to smooth over differences in faith and beliefs, this book gives the terrifying truth abaout the very real, very deadly agenda of Islam and how it has already infiltrated key American institutions with agents, spies, and subversives.

Recent American Art Song: A Guide is a reference source devoted to songs with English texts by American composers, written for solo voice and piano. The book focuses exclusively on art song since 1980, a substantial period largely ignored by scholars. This is the first study to examine this repertory in detail, and many of the songs and composers are discussed in print for the first time. Keith E. Clifton has examined approximately 1000 songs by nearly 200 composers. Many songs employ musical idioms well beyond traditional classical styles, including references to jazz, musical theater, rap, and rock & roll, and several songs blur the boundaries between recital and stage works. Organized alphabetically by composer, entries contain complete biographical and bibliographical information, with major works and links to print resources and composer websites when available. In addition, Clifton provides detailed information on the vocal range, musical style, and appropriate voice type for individual songs. The book concludes with a full discography and bibliography, as well as indexes listing the works by poet, song cycle, title, voice type, and level of difficulty.

You may not realize it, but you helped pay for a $10 million, fourteen-month government "investigation" of the housing collapse. Only your $10 million didn't buy much, and it certainly didn't buy truth; any hope of that went out the window on day one.

The congressionally appointed panel--made up primarily of anti-market, historic revisionists--managed to shift the blame away from Washington and onto mortgage lenders and "greedy" Wall Street executives, while protecting the real culprits at the core of the crisis: POLITICIANS LIKE THEMSELVES.

It's not about Democrat or Republican, left or right, black or white. It's about the usual suspects--money and power and the people who use government to manipulate them for private advantage.

"The Great American Bank Robbery" maps out in detail exactly how Washington social engineers and their accomplices reshaped banking regulations and housing policies and gutted time-tested underwriting standards that led to the worst financial calamity since the 1930s, one that has robbed American households of $14 trillion in net worth.

And they're not done yet . . .

Recent American Art Song: A Guide is a reference source devoted to songs with English texts by American composers, written for solo voice and piano. The book focuses exclusively on art song since 1980, a substantial period largely ignored by scholars. This is the first study to examine this repertory in detail, and many of the songs and composers are discussed in print for the first time. Keith E. Clifton has examined approximately 1000 songs by nearly 200 composers. Many songs employ musical idioms well beyond traditional classical styles, including references to jazz, musical theater, rap, and rock & roll, and several songs blur the boundaries between recital and stage works. Organized alphabetically by composer, entries contain complete biographical and bibliographical information, with major works and links to print resources and composer websites when available. In addition, Clifton provides detailed information on the vocal range, musical style, and appropriate voice type for individual songs. The book concludes with a full discography and bibliography, as well as indexes listing the works by poet, song cycle, title, voice type, and level of difficulty.

Helen Keller had absolutely no hearing or eyesight from the age of two, but became one of the most inspiring and well known people to have ever lived. For a number of years she functioned, in her words, simply as "an unconscious clod of earth." Then quite suddenly, she experienced the impact of "another mind" within her own. Despite not knowing where it came from or how it got there, she awoke to a new awareness of being able to talk and listen with her hands. She learned to read and write, wrote at least ten books, and attended college. Her religion developed from living deeply within her spiritual self, cut off from normal sensation, and spending her life on a spiritual plane. She incorporated her own experiences with the teachings of Emanuel Swedenborg, a mystic born in 1688, and the Swedenborgian Church. Swedenborg, like Keller, had experienced other realms of spirit and transmitted deeper teachings that Helen saw with great clarity. She wrote this book after receiving many requests for her to describe her religious beliefs.