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Bill and Evelyn Harrison lead dauntingly normal lives. Until, that is, they fall victims to their Hormones.Testosterone, in between working on Bill's bald patch and making him needlessly aggressive, is spurring him on to make idiotic remarks: 'Oi! You! How dare you say my wife's attractive!'Evelyn's Oestrogen and Progesterone, meanwhile, are in love with their power: 'We're soothing.''.but spiteful.''We're regular.''.but unpredictable.''We could spend the morning giving her cramps.''.or take the week off an let her worry about her period being late.''We're a paradox.'They're your conflicting impulses; they're your basest instincts; they're the perpetrators of your most embarrassing and humiliating moments, and the instigators of pure bliss. They're the realisation of your worst fears.Meet the Hormones.

'This sentence is false' - is that true? The 'Liar paradox' embodied in those words exerted a particular fascination on the logicians of the Western later Middle Ages, and, along with similar 'insoluble' problems, forms the subject of the first group of articles in this volume. In the following parts Professor Spade turns to medieval semantic theory, views on the relationship between language and thought, and to a study of one particular genre of disputation, that known as 'obligationes'. The focus is on the Oxford scholastics of the first half of the 14th century, and it is the name of William of Ockham which dominates these pages - a thinker with whom Professor Spade finds himself in considerable philosophical sympathy, and whose work on logic and semantic theory has a depth and richness that have not always been sufficiently appreciated.

A "powerful tale of romantic regret" (The Seattle Post-Intelligencer), Los Angeles Times Best Book of 2001, and finalist for the French Prix Medicis, On the Water tells the poignant story of Anton and David, two oarsmen trained by a mysterious German coach in the golden Amsterdam summer of 1939. Anton stands on the banks of his beloved river years later, on the wintry eve of Holland's liberation, and mourns a lost world. David, his Jewish teammate and quiet obsession from that magical summer, has disappeared, and the boathouse is now derelict and deserted. Spare, lyrical, and nuanced, On the Water is quietly enormous, capturing a moment so precise and exact it is as if caught in amber -- a rowing club in Amsterdam and two of its competitors from very different backgrounds, set against the backdrop of the oncoming war. The menace of tragedy to come is subtly woven into the story of the two boys whose only concerns are practices, races, and themselves. In the end, all that is left for Anton is the memory of his supreme happiness that summer. ."..beautiful, vivid writing...van den Brink describes the grace, ecstasy, and agony of rowing, the miracle of its teamwork harmony." -- Carmela Ciuraru, The Washington Post Book World "[A] small miracle of a book." -- Daniel Topolski, The Guardian

Following in the footsteps of C?line and Joyce, and anticipating the gritty worldview of Burroughs and Bukowski...

The Flemish writer Dani?l Robberechts (1937-1992) refused to identify his books as novels, stories, or essays, according them all equal status as, simply, writing. This liberation from genre gives his work, for all its apparent simplicity, an elusive, hypnotic quality, and no more so than in his debut, "Arriving in Avignon," which records a young man's first encounter with that labyrinthine city, and his likewise meandering relationship with a girl from his home town--and indeed virtually every woman he meets. Hesistant and cautious, unable quite to enter nor turn away, the young man seems to circle Avignon endlessly, in the process attempting to delay his inevitable descent into maturity and monogamy. What seems at first like a cross between a memoir and a guidebook comes in time to be the story of a young man's dogged yet futile quest to know his own mind--unless it's the ancient city of Avignon itself that is our real protagonist: a mystery that can be approached, but never wholly solved.

From the West Indies to Shanghai, this collection of contemporary short stories opens up a new world of Dutch writing to English language readers. Subjects range from poetry to paranoia, power and desire as the reader is taken on a voyage around the globe, or focussed on a claustrophobic homeland. The variety of style, subject and thinking among authors from a small country may surprise, until we remind ourselves that Holland has been both a crossroads in Europe and an imperial power. This is an intense, powerful collection which sets the internal world of individuals against backgrounds such as the politics of post-Cold War Europe, and colonial, seafaring traditions. "In Praise of Navigation" provides an overarching view of twentieth century Dutch writing in a field where many outstanding writers are poorly represented in translation and deserve a wider audience. It is a companion volume to "In a Different Light" - a collection of contemporary Dutch-language poets in translation, published by Seren in 2002.

Myrna, a caribbean environmentalist, meets Arno, a high ranking dutch civil servant at the world food summit in the Netherlands. Arno suffers from delibitating insomnia, and Myrna has access to a traditional technique of sleep therapy that she has learnet from her grand mother. The string of stories that Myrna narrates to Arno as therapy evokes her own journey adulthood. They also describe the political turmoil of the Caribbean islands, and events unfold the realities of the colonial past.

`I was born in Belgium, I’m Belgian. / But Belgium was never born in me.’ So writes Leonard Nolens in `Place and Date’, which captures a mood of political and social disillusionment amid a generation of Dutch-speaking Belgians. And throughout this selection we encounter a poet engaged with the question of national identity. Frequently the poet moves into that risky terrain, the firstperson plural, in which he speaks as and for a generation of Flemings, embodying an attitude towards artistic and political commitment that he considers its defining mark. `We curled up dejectedly in the spare wheel of May sixtyeight’, he writes in the selection’s central sequence `Breach’. Nolens’ poetry is haunted by giants of twentieth-century European lyricism, by Rilke, Valéry, Neruda, Mandelstam and Celan, with whom he has arguably more affinity than with much poetry from the Dutch-language canon.

Signaling by diffusible morphogens, such as Hedgehog, Wingless, TGF-ss, and various growth factors, is essential during embryogenesis. The establishment of concentration gradients of these morphogens is vital for developmental patterning, ensuring that distinct differentiated cell types appear in the right place and at the right time in forming tissues.
Written and edited by experts in the field, this collection from Cold Spring Harbor Perspectives in Biology explores how morphogen gradients are generated and interpreted during development. The contributors examine the regulation of morphogen synthesis, trafficking, and diffusion, as well as the complex webs of signaling mechanisms and transcriptional responses in recipient cells --whose fates are dictated by these morphogens. Including discussion of the roles of morphogen gradients in various tissues in organisms from yeast to humans, the volume is a vital reference for developmental biologists and cell biologists wishing to know how cell fate is determined during embryogenesis