The University of Cape Town (UCT), South Africa's oldest university, celebrates its treasures in this glossy, gorgeous book. This venerable institution's treasures lie in its architecture, its landscape, its students, its works of art, its archives and collections, and its famous moments, all of which are richly portrayed in color photographs and descriptive text. Rated as one of the most beautiful universities in the world, and the best university in Africa, UCT has reason to boast. The book is designed to display it at its best, at the same time as opening fresh paths of reflection on the university's place in history and the context of its treasures.

Paul Weinberg spent 30 years in the Emergency Room (or ER) as a medical doctor and has seen everything, Described as "a strange career" by the author, entry into the field is unrestricted and open to all who are brave (or foolish) enough to start into the stream without the knowledge of the tsunami ahead. The strangeness of the practice is apparent from the very first visit to a busy urban ER. The swarm of commotion and great vividness of the scene can be dizzying. The relentlessness of the torrent and its strange day and night rhythms can enthral and repel like no other practice or job. In turns shocking, sad and funny, this book contains remarkable tales, inside stories and the experiences of a doctor's career in ER. Emergency medicine in America is a critical asset to its healthcare system. The ER doctor is located at the interface of the public and the first point of healthcare. If a doctor is needed outside of office hours, nights, or holidays, if the patient is uninsured or has inadequate insurance, or is of such a social state that they might be unpleasant to be around, no one is turned away at the ER. In short, the life of the ER doc is one where no situation is off limits.

The photographic journey begins in the streets of Jo'burg in the late 1970's and ends in the rural and desert landscapes of the millennium. It is not a political A to Z or a documentary of our political past, but an observation of the lives of ordinary people and their daily survival choices as they have struggled and overcome the limiting circumstances of their lives - or simply reflected the tenor of their times. Most of the images are unpublished because they were taken in a time when there was no space for the ordinary. They 'fell through the cracks' because they were often considered too 'off beat' to make it. These photographs capture glimpses of life between the cracks before, after and while the political wheel was turning. They are about how people try to survive in so many different and extraordinary ways and the survival choices they make under often extreme conditions of hardship how they reflected themselves and how I absorbed their reflections, how they danced with reality, made light in the dark spaces, embraced each other at great risk.

Founded in Toronto in 1968, the Praxis Corporation was a progressive research institute mandated to spark political discussion about a range of social issues, such as poverty, homelessness, anti-war activism, community activism and worker organization. Deemed a radical threat by the Canadian state, Praxis was put under RCMP surveillance. In 1970, Praxis's office was burgled and burned to the ground. No arrests were made, but internal documents and records stolen from Praxis ended up in the hands of the RCMP Security Service. All this occurred as Pierre Trudeau's Liberal government shifted away from social spending and poverty reduction towards the economic regime of austerity and neoliberalism that we have today. In When Poverty Mattered, Paul Weinberg combines insights gleaned from internal government documents, access to information requests and investigative journalism to provide both a history of radical politics in 1960s Canada and an illustration of misdeeds and dirty tricks the Canadian government orchestrated in order to disrupt activist organizations fighting for a more just society.

This book is a personal journey into the family archives of photographer Paul Weinberg. As a child his sorties into an old black trunk that the family had at home where he encountered stamps, letters, photographs and most importantly postcards, excited his imagination to a world far beyond the borders of South Africa and the African continent. They became a collection of connections to his grandparents, to their 'roots' in eastern Europe and his own. The book explores his past as he retraces his family footprints in South Africa. It takes him to far-flung small towns in the interior of South Africa where the family eventually found a niche for themselves in the hotel trade. In the form of postcards to his great grandfather, Edward, it is on one hand a visual narrative of this journey and on another a multi-layered travel book as he pieces the jigsaw of his family's footprints together. A sub-theme of the book is a story of the 'old hotel' which was at one point so central and dynamic in the lives of many of these small towns. Weinberg revisits these hotels and explores their whereabouts, and their evolution. Weaving history, historiographies, memoir and archive into a personal pilgrimage, this book offers fresh insights and perspectives on a family who made this country their 'adopted home'. Through the metaphor of the postcard this book sets up a dialogue between the author, his great grandfather, the past and the present, and asks important questions about who writes history, and who is left out.

Embark on a trip through time, a two-hundred-year, multi-generational journey starting from the western strip of Russia, the Pale of Settlement, and making several stops across Europe at the major Jewish-populated cities of Kalush and Lodz before crossing the Atlantic Ocean. This moving biography and well-researched family saga begins with Paul Weinberg's ancestors in the 1790s.

Two families from the town of Kalush, Ukraine, are united when a young man moves to New York and brings his first cousin to the new country to be his wife. "My Word Is My Bond" follows the families of Paul's parents, David and Dorothy, as they make their home in America. It is also their love story, which unfolds like a richly embroidered tapestry.

Life wasn't easy for Dorothy, the second daughter of immigrant parents, or David, the third child of poor, uneducated parents who had lived under the rule of the czar. David, who rose from a temporary employee at the Bank for Savings to being appointed vice president, faced peer hatred because he was a Jew, yet he conquered the barrier of discrimination.

This personal memoir pays tribute to one family's history and their perseverance to overcome widespread anti-Semitism.

Embark on a trip through time, a two-hundred-year, multi-generational journey starting from the western strip of Russia, the Pale of Settlement, and making several stops across Europe at the major Jewish-populated cities of Kalush and Lodz before crossing the Atlantic Ocean. This moving biography and well-researched family saga begins with Paul Weinberg's ancestors in the 1790s.

Two families from the town of Kalush, Ukraine, are united when a young man moves to New York and brings his first cousin to the new country to be his wife. "My Word Is My Bond" follows the families of Paul's parents, David and Dorothy, as they make their home in America. It is also their love story, which unfolds like a richly embroidered tapestry.

Life wasn't easy for Dorothy, the second daughter of immigrant parents, or David, the third child of poor, uneducated parents who had lived under the rule of the czar. David, who rose from a temporary employee at the Bank for Savings to being appointed vice president, faced peer hatred because he was a Jew, yet he conquered the barrier of discrimination.

This personal memoir pays tribute to one family's history and their perseverance to overcome widespread anti-Semitism.

This book offers a remarkable and moving portrayal of a people in transition, clinging to the last vestiges of their fabled culture as they struggle to adapt to the pressures of the modern world.

South Africa has experienced one of the world's most dramatic political transformations. David Goodman, a journalist and activist who has witnessed South Africa's struggles since the darkest days of apartheid, chronicles the historic transition from apartheid to democracy. This story is told through the lives of four pairs of South Africans who have experienced apartheid from opposite sides of the racial and political divide. Taken together, these profiles provide an in-depth look at the social dynamics of post-apartheid South Africa.;Part social history and part personal drama, "Fault Lines" is an account of what happens to real people when their country is reinvented around them. The struggle to reconcile past evils is captured in the stories of a former police assassin and his intended victim. The rise and fall of South African racism is portrayed through the lives of the late Prime Minister H.F. Verwoerd - the notorious "architect of apartheid" - and his grandson, now a member of the ruling African National Congress. The battle to break out of poverty is detailed in the story of two black women: one an impoverished domestic worker and new city councillor, the other a Mercedes-d

Traces and Tracks is the culmination of a thirty-year journey that photographer Paul Weinberg has undertaken with the San of southern Africa, with his first visit to these communities being in 1984. He had previously studied the San at university and was aware of their special relationship with nature, survival skills and their hunter-gatherer existence. Celebrated filmmaker, John Marshall, was Weinberg’s first guide to the San, but nothing could have prepared him for what he was about to see. Many of the San men in Eastern Bushmanland, like in other parts of Namibia and even Angola, had been recruited into the South African army to fight against SWAPO, who at the time were engaged with others in a struggle for independence and liberation. In this first encounter, he witnessed signs of a society under severe pressure, grappling to hold on to their land, way of life, culture and values. The conversion of a people’s way of life that was dependent on the land into cash wages from the South African army presented sad and traumatic scenes. People would in a day or two after being paid blow up their wages on alcohol and often inappropriate consumer goods because of a lack of understanding of the value of modern money. The San, from the perspective of the protected environment of the academy and their reality, as he had observed, were drastically out of sync. It begged questions and answers and set him on this journey. For the next three decades he travelled to communities in Namibia, Botswana and South Africa to document the lives of the modern San and share their stories. In 2013 and 2014, with the support of !Khwa ttu, he embarked on trips to communities that he previously visited, and reconnected with many people whom he had known before and acquainted himself with new voices from these landscapes. He recorded over 20 video interviews with the title, ‘San Voices’, along with many photographs, which all formed part of the exhibition ‘Traces and Tracks’. He also ran workshops for young emergent San storytellers, whose insights and perspectives are also included in the book and exhibition. While today there are an estimated 113 000 San who live in southern Africa, predominately in Namibia, Botswana and to a lesser extent in South Africa, their one-time harmonic relationship with nature and the environment has been under serious threat ever since they interacted with other settlers. In the last 70 years or so, these communities have struggled hard to hang on to their way of life and land. As Weinberg notes, ‘My collective journeys that began in the last quarter of the 20th century and continued into the 21st, have been to understand and document the conundrum between these peace-loving communities and the challenges they face in a modern and fast-changing world. How can they hold onto and share their culture, heritage and skills with others who wish to dispossess them? How can their lifestyle be accommodated into various shifting ecologies?’ The book, published by Jacana Media, will be launched on Wednesday, 12 April at 6pm at the Origins Centre at Wits University, along with an exhibition of more than a hundred photographs and two video installations. The exhibition will be on for two months before embarking on a national and international tour.

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