For over 125 years John Tenniel's superb illustrations for Alice's Adventures in Wonderland have been the perfect complement to Lewis Carroll's timeless story. In that time Alice has been illustrated by numerous artists, but not one has come close to matching the universal appeal of the original pictures.

This is the first Alice to reproduce Ternniel's exquisite drawings from prints taken directly from the original wood engravings. Here, Tenniel's fine line work is far crisper, delicate shadings are reproduced with more subtlety, and details never seen before are now visible.

Like most nineteenth-century children's books, the pictures for Alice were created by transferring the artist's drawings to woodblocks, But with Alice, the original blocks served as masters from which metal plates were made for printing. Unfortunately, these plates deteriorated from the repeated pressure applied during printing, and over time, many of the fine lines in Tenniel's pictures simply vanished altogether.As the year-, passed, the original woodblocks disappeared and were believed lost; then, in 1985 they were discovered in a London bank vault.

Now, for the first time, prints from these woodblocks have been used to produce a deluxe gift edition with clearer, more detailed images than have ever been seen before. At last, readers can see the Alice that Carroll and Tenniel had originally envisioned.

Lumphy is a stuffed buffalo. StingRay is a stuffed stingray. And Plastic... well, Plastic isn't quite sure "what" she is. They all belong to the Little Girl who lives on the high bed with the fluffy pillows.
Together is best for these three best friends. Together they look things up in the dictionary, explore the basement, and argue about the meaning of life. And together they face dogs, school, television commercials, the vastness of the sea and the terrifying bigness of the washing machine.

When The Wheels on the Bus, by Caldecott Medalist Paul O. Zelinsky, broke onto the scene twelve years ago, it created a sensation with its clever characters, sly subplots, luscious colors, and the incomparable flair of its moving parts. Almost a million young readers have enjoyed the wheels that go round, doors that open and shut, and people who go bumpety-bump. Today it remains as fresh and engaging as when it was first published.