In this first English translation of the prize-winning Dutch title Leven is Een Kunst, Paul van Tongeren creates a new kind of virtue ethics, one that centres on how to 'live well' in our contemporary world. While virtue ethics is based on the moral philosophy of Aristotle, it has had many interpretations and iterations throughout history and features prominently in the thinking of the Stoics, Christian narratives and the writings of Nietzsche. The Art of Living Well explores and expands upon these traditions, using them as a basis to form a new interpretation; one that foregrounds art and creativity as paramount to the struggle to act in an authentic and moral way. Acting as both a clear introduction to virtue ethics and moral philosophy and a serious work of original philosophy, this book connects philosophy with real lived experience and tackles, head-on, the perennial philosophical question: 'how do we live well?'

The Nietzsche Dictionary elucidates in detail some 300 terms from Nietzsche's vocabulary. The first volume presents some 65 of them. The number of occurrences is given, as are possible foci in his use of a word, word-forms and word-formation, synonyms and related words. Using numerous instances and examples, the various meanings of each word are presented, together with the components of the meaning and semantically relevant contexts for the particular word. In addition, Nietzsche's use of the word is localised in terms both of language history and the history of philosophy, and the structure of the meaning is described and elucidated by argument using results from Nietzsche research. The articles may also include a commentary on particular instances which display special difficulties, a description of the reception of the word concerned, and a bibliography.

The European Platform for Conflict Prevention convened 300 representatives from governments, research institutions, and nongovernmental organizations from more than 50 countries for the Towards Better Peacebuilding Practice international conference in October 2001. This book presents the results of that conference in the form of in-depth articles, case studies, best practice inventories, and extensive documentation. Issues of peace studies, conflict prevention, refugee programs, civil society building, and political conflicts are discussed to offer reflections and practical strategies for increasing peacebuilding efforts in the future.

In this first English translation of the prize-winning Dutch title Leven is Een Kunst, Paul van Tongeren creates a new kind of virtue ethics, one that centres on how to 'live well' in our contemporary world. While virtue ethics is based on the moral philosophy of Aristotle, it has had many interpretations and iterations throughout history and features prominently in the thinking of the Stoics, Christian narratives and the writings of Nietzsche. The Art of Living Well explores and expands upon these traditions, using them as a basis to form a new interpretation; one that foregrounds art and creativity as paramount to the struggle to act in an authentic and moral way. Acting as both a clear introduction to virtue ethics and moral philosophy and a serious work of original philosophy, this book connects philosophy with real lived experience and tackles, head-on, the perennial philosophical question: 'how do we live well?'

This book is a thorough study of Nietzsche's thoughts on nihilism, the history of the concept, the different ways in which he tries to explain his ideas on nihilism, the way these ideas were received in the 20th century, and, ultimately, what these ideas should mean to us. It begins with an exploration of how we can understand the strange situation that Nietzsche, about 130 years ago, predicted that nihilism would break through one or two centuries from then, and why, despite the philosopher describing it as the greatest catastrophe that could befall humankind, we hardly seem to be aware of it, let alone be frightened by it.The book shows that most of us are still living within the old frameworks of faith, and, therefore, can hardly imagine what it would mean if the idea of God (as the summit and summary of all our epistemic, moral, and esthetic beliefs) would become unbelievable. The comfortable situation in which we live allows us to conceive of such a possibility in a rather harmless way: while distancing ourselves from explicit religiosity, we still maintain the old framework in our scientific and humanistic ideals. This book highlights that contemporary science and humanism are not alternatives to, but rather variations of the old metaphysical and Christian faith. The inconceivability of real nihilism is elaborated by showing that people either do not take it seriously enough to feel its threat, or - when it is considered properly - suffer from the threat, and by this very suffering prove to be attached to the old nihilistic structures.Because of this paradoxical situation, this text suggests that the literary imagination might bring us closer to the experience of nihilism than philosophy ever could. This is further elaborated with the help of a novel by Juli Zeh and a play by Samuel Beckett. In the final chapter of the book, Nietzsche's life and philosophy are themselves interpreted as a kind of literary metaphorical presentation of the answer to the question of how to live in an age of nihilism.