Best known as one of the leading Irish poets of her generation, Paula Meehan is also an accomplished and much-admired playwright, and her stage work has been performed by, among others, Team Theatre Company, Rough Magic, Calypso Theatre Company and The National Theatre Company at the Peacock. As well as her work for stage, in recent years she has also written for radio, a medium which provides particular scope for the oral and sonic qualities so often admired in her writing. Music for Dogs presents, for the first time in print, a selection of that work for radio from a poet of "perfect pitch" (Midwest Book Review). Janey Mack is Going to Die, The Lover and Threehander were all written for and first performed on RT Radio 1.

A career-spanning selection of Thomas Kinsella's essays and reviews, this remarkable compendium makes available for the first time key works in modern Irish literature such as the poet's discussions of the Gaelic tradition. Alongside writings on such figures as W. B. Yeats, Ezra Pound, Austin Clarke, Louis le Brocquy, and Sean O Riada, this comprehensive reference extends understanding of Kinsella's work by including his reflections on his own poetry. In addition, Kinsella evaluates the works of fellow writers such as W. H. Auden, Donald Davie, William Empson, Robert Graves, and Marianne Moore. A previously unpublished address given by Kinsella at the University of Turin is also included.

Mysteries of the Home gathers into a single volume a selection of poems from Paula Meehan's two seminal mid-career collections, The Man who was Marked by Winter (1991) and Pillow Talk (1994), both of which won considerable praise from critics and readers alike. Included here are some of her best-known and best-loved poems - 'The Pattern', 'The Statue of the Virgin at Granard Speaks', 'My Father Perceived as a Vision of St Francis' and 'The Wounded Child' among them. They show an artist at the height of her powers producing work of "remarkable candour and ... stunning lyricism" (The Colby Quarterly). Paula Meehan was born in 1955 in Dublin where she still lives. Besides six collections of poems, the most recent of which are Dharmakaya (2000) and Painting Rain (2009), she has also written plays for both adults and children and conducted residencies in universities, in prisons and in the wider community. Paula Meehan is a member of Aosdana and the recipient of a number of awards, including the Marten Toonder Award for Literature in 1995 and the Denis Devlin Memorial Award in 2001.

Published to celebrate the seventieth birthday of acclaimed Irish poet Eavan Boland, this book brings together many of Boland's best known poems with her own striking photographs of her native city, Dublin. Through juxtaposition of text and image, place and memory, the book creates a unique portrait of the city: 'fragments', Boland says, 'can point at something accurately'. A Poet's Dublin also includes an introduction by Jody Allen Randolph and a conversation between Eavan Boland and Paula Meehan in which the two poets reflect on their shared city and the central role it has played in their lives and in their work.

Best known as one of the leading Irish poets of her generation, Paula Meehan is also an accomplished and much-admired playwright, and her stage work has been performed by, among others, Team Theatre Company, Rough Magic, Calypso Theatre Company and The National Theatre Company at the Peacock. As well as her work for stage, in recent years she has also written for radio, a medium which provides particular scope for the oral and sonic qualities so often admired in her writing. Music for Dogs presents, for the first time in print, a selection of that work for radio from a poet of "perfect pitch" (Midwest Book Review). Janey Mack is Going to Die, The Lover and Threehander were all written for and first performed on RT Radio 1.

Imaginary Bonnets with Real Bees in Them is the third volume in UCD Press's The Poet's Chair series, publishing the public lectures of the Ireland Professors of Poetry. The Ireland Chair of Poetry was established in 1998 following the award of the Nobel Prize of Literature to Seamus Heaney and is supported by Queen's University Belfast, Trinity College Dublin, University College Dublin, the Arts Council of Northern Ireland and the Arts Council/An Chomhairle Ealaion. Michael Longley's and Harry Clifton's lectures were published in 2015. Paula Meehan's volume of The Poet's Chair meditates on poetry and mythology, geology and the environment, teachers and the lyric, bees and bears, genetics, memory, personal history, and much else. In three wide-ranging lectures she charts a contemporary poet's relationship with community (emblematised by bees), family (emblematised by bears), and selfhood (emblematised by water). Upon her appointment as the Ireland Professor of Poetry, Meehan was praised as a poet of solidarity, whose work upheld the dignity of the human spirit and skilfully blended a shared and personal history.Now at the end of her tenure, this illuminating volume of her writings as Chair gives a remarkable insight into the creative processes of a poet who has contributed so much to the craft of Irish poetry.