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The New York Subway Map Debate - At Cooper Union April 20, 7:30 pm (Paperback): Gary Hustwit The New York Subway Map Debate - At Cooper Union April 20, 7:30 pm (Paperback)
Gary Hustwit; Photographs by Stan Ries; Foreword by Paula Scher
R795 Discovery Miles 7 950 Ships in 12 - 17 working days

The New York Subway Map Debate documents a pivotal event in design history: the 1978 debate between designer Massimo Vignelli and cartographer John Tauranac over the future of the NYC Subway Map. The book features the full transcript and discussions that followed (made possible by the recent discovery of a lost audio tape of the event) along with never-before-seen photographs of the evening by Stan Ries. The New York Subway Map Debate opens a hyper-specific window into a moment in New York design history and the eternal battle between form and content. Edited by filmmaker and design historian Gary Hustwit, with a foreword by designer Paula Scher.

Paula Scher - Twenty-Five Years at the Public, A Love Story (Paperback): Paula Scher Paula Scher - Twenty-Five Years at the Public, A Love Story (Paperback)
Paula Scher
R818 Discovery Miles 8 180 Ships in 12 - 17 working days

A larger-than-life figure in the design community with a client list to match, Paula Scher turned her first major project as a partner at Pentagram into a formative twenty-five-year relationship with the Public Theater in New York. This behind-the-scenes account of the relationship between Scher and "the Public," as it's affectionately known, chronicles over two decades of brand and identity development and an evolving creative process in a unique "autobiography of graphic design." New Yorkers, designers, and theater fans everywhere will be thrilled to find hundreds of Scher's posters, including those for Hamilton, Bring in 'da Noise, Bring in 'da Funk, and numerous Shakespeare in the Park productions, collected in this one-of-a-kind volume along with other printed and process-related matter. Essays by two of the theater's artistic directors, George C. Wolfe and Oskar Eustis, and design critics Steven Heller and Ellen Lupton contextualize Scher's dynamic typographic treatment.

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