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Stocktakings - From an Apprenticeship (Hardcover): Pierre Boulez Stocktakings - From an Apprenticeship (Hardcover)
Pierre Boulez; As told to Paule Thevenin; Translated by Stephen Walsh; Introduction by Robert Piencikowski
R5,696 R4,706 Discovery Miles 47 060 Save R990 (17%) Ships in 12 - 17 working days

In these essays, the leading French composer and conductor Pierre Boulez explains many of his most significant ideas about music. The essays are divided into four parts, the first three concerned with common preoccupations (aesthetic, technical, and polemical) and the last a collection of entries intended for a music encyclopedia. Boulez offers penetrating and provocative analyses of the music of the major figures of twentieth-century music including Stravinsky, Schoenberg, Berg, Webern, Debussy, Messiaen, and Ravel. His illuminating comments arise from intimate knowledge of the music, and the resulting collection is an essential document of post-war modern music.

Antonin Artaud - Drawings and Portraits (Hardcover): Paule Thevenin, Jacques Derrida Antonin Artaud - Drawings and Portraits (Hardcover)
Paule Thevenin, Jacques Derrida; Translated by Mary Ann Caws
R1,237 R1,124 Discovery Miles 11 240 Save R113 (9%) Ships in 9 - 15 working days

Philosophical and biographical accounts of Antonin Artaud's late visual work, all reproduced in color. Antonin Artaud (1896-1948)-stage and film actor, director, writer, and visual artist-was a man of rage and genius. Expelled from the Surrealist movement for his refusal to renounce the theatre, he founded the Theater of Cruelty and wrote The Theater and Its Double, one of the key twentieth-century texts on the topic. Artaud spent nine years at the end of his life in asylums, undergoing electroshock treatments. Released to the care of his friends in 1946, he began to draw again.This book presents drawings and portraits from this late resurgence, all in color. Accompanying the images are texts by by Artaud's longtime friend and editor Paule Thevenin and the philosopher Jacques Derrida. "We won't be describing any paintings," Derrida warns the reader. Derrida struggles with Artaud's peculiar language, punctuating his text with agitated footnotes and asides (asking at one point, "How will they translate this?"). Thevenin offers a more straightforward biographical and historical account. (It was on the walls of her apartment that Derrida first saw Artaud's paintings and drawings.) These two texts were previously published by the MIT Press in The Secret Art of Antonin Artaud without the artwork that is their subject. This book brings together art and text for the first time in English.

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