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Pioneers of African-American Cinema (Blu-ray disc): Jimmy Marshall, Sam Robinson, Evelyn Preer, Iris Hall, Paul Robeson, Stella... Pioneers of African-American Cinema (Blu-ray disc)
Jimmy Marshall, Sam Robinson, Evelyn Preer, Iris Hall, Paul Robeson, … 1
R1,412 Discovery Miles 14 120 Ships in 10 - 17 working days

Collection of films from pioneers of African-American cinema such as Oscar Micheaux, Spencer Williams and Zora Neale Hurston. The collection includes: 'Two Knights of Vaudeville' (1915), 'A Reckless Rover' (1918), 'Within Our Gates' (1920), 'The Symbol of the Unconquered - A Story of the KKK' (1920), 'By Right of Birth' (1921), 'Body and Soul' (1925), 'Screen Snapshots' (1920), 'Regeneration' (1923), 'The Flying Ace' (1926), 'Ten Nights in a Barroom' (1926), 'Rev. S.S. Jones Home Movies' (2016), 'The Scar of Shame ' (1927), 'Eleven P.M.' (1928), 'Hellbound Train' (1930), 'The Darktown Revue' (1931), 'The Exile' (1931), 'The Girl from Chicago' (1932), 'Ten Minutes to Live' (1932), 'Veiled Aristocrats' (1932), 'Birthright' (1939), 'The Bronze Buckaroo' (1939), 'Zora Neale Hurston Fieldwork Footage' (1928), 'Commandent Keeper Church, Beaufort South Carolina, May 1940' (1940), 'The Blood of Jesus' (1941), 'Dirty Gertie from Harlem U.S.A.' (1946) and 'Moses Sisters Interview Pearl Bowser' (1978).

Oscar Micheaux and His Circle - African-American Filmmaking and Race Cinema of the Silent Era (Paperback, Annotated Ed):... Oscar Micheaux and His Circle - African-American Filmmaking and Race Cinema of the Silent Era (Paperback, Annotated Ed)
Charles Musser, Jane Marie Gaines, Pearl Bowser
R628 R596 Discovery Miles 5 960 Save R32 (5%) Ships in 10 - 15 working days

Oscar Micheaux-the most prolific African American filmmaker to date and a filmmaking giant of the silent period-has finally found his rightful place in film history. Both artist and showman, Micheaux stirred controversy in his time as he confronted issues such as lynching, miscegenation, peonage and white supremacy, passing, and corruption among black clergymen. In this important collection, prominent scholars examine Micheaux's surviving silent films, his fellow producers of race films who alternately challenged or emulated his methods, and the cultural activities that surrounded and sustained these achievements. The relationship between black film and both the stage (particularly the Lafayette Players) and the black press, issues of underdevelopment, and a genealogy of Micheaux scholarship, as well as extensive and more accurate filmographies, give a richly textured portrait of this era. The essays will fascinate the general public as well as scholars in the fields of film studies, cultural studies, and African American history. This thoroughly readable collection is a superb reference work lavishly illustrated with rare photographs.

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