The Culture of Invention in the Americas takes the theoretical contribution of one of anthropology's most radical thinkers, Roy Wagner, as a basis for conceptual improvisation. It uses Wagner's most synthetic and complex insights - developed in Melanesia and captured in the title of his most famous book, The Invention of Culture - as a springboard for an exploration of other anthropological and societal imaginaries. What do the inherent reflexivity, recursiveness and limits of all and any peoples' anthropologies render for us to write and think about, and live within? Who is doing anthropology about whom? Which are the best ways to convey our partial grasp of these conundrums: theory, poetry, jokes? No claim is made to resolve what should not be seen as a problem. Instead, inspired by Roy Wagner's study and use of metaphor, this book explores analogical variations of these riddles. The chapters bring together ethnographic regions rarely investigated together: indigenous peoples of Mexico and Lowland South America; and Afro-American peoples of Brazil and Cuba. The `partial connections' highlighted by the authors' analytic conjunctions - Ifa divination practices and Yanomami shamanism, Ki~sedje (Amazonia) and Huichol (Mexico) anthropology of Whites, and Meso-American and Afro-American practices of sacrifice - show the inspirational potential of such rapprochements. As the first book to acknowledge the full range of Wagner's anthropological contributions, and an initial joint exploration of Native American and Afro-American ethnographies, this experimental work honours Wagner's vision of a multiplicity of peoples' anthropologies through and of each other. It concludes with a remarkable dialogue created by Roy Wagner's responses to each author's work. We don't have to imagine what Wagner might have made of this inspired collection: his concluding commentary on each of these extraordinary chapters is in effect a collection in itself. The sparks they together ignite make this an editorial and publishing triumph. Professor Dame Marilyn Strathern, University of Cambridge If Roy Wagner famously `invented' culture, the contributors to this volume `counter-invent' Wagner, at once engaging comprehensively and didactically with his thought, and exteriorizing it onto novel conceptual and geographical territories. A book from `tomorrow's yesterday' (Wagner), The Culture of Invention in the Americas anticipates for us the anthropology to come - playful, experimental, and deeply ethnographic. Alberto Corsin Jimenez, Spanish National Research Council

In contrast to western notions of the soul as the essence or most native part of a human being, the Tzeltal-speaking Indians of Chiapas, Mexico, regard the soul first and foremost as an Other. Made up of beings that personify the antithesis of their native selves-animals such as hummingbirds or jaguars, atmospheric phenomena like lightning bolts or rainbows, or spirits of European appearance such as Catholic priests or evangelical musicians-Tzeltal souls represent the maximum expression of that which is alien. And because their souls enfold that which is outside and Other, the Tzeltal contain within themselves the history of their relationship with Europeans from the beginning of the Spanish conquest to the present time. Thus, to understand the Indian self opens a window into the Tzeltal conception of culture and community, their notions of identity and alterity, and their interpretation of interethnic relations and types of historical memory. In this pathfinding ethnography, which was originally published in Spanish in 1996 as Ch'ulel: una etnografia de las almas tzeltales and is now extensively rewritten and amplified in English, Pedro Pitarch offers a new understanding of indigenous concepts of the soul, personhood, and historical memory in highland Chiapas. Exploring numerous aspects of indigenous culture and history-medicine and shamanism, geography and cosmology, and politics and kinship among them-he engages in a radical rethinking of classic issues in Mesoamerican anthropology, such as ethnicity and alterity, community and tradition, and change and permanence.

In recent years Latin American indigenous groups have regularly deployed the discourse of human rights to legitimate their positions and pursue their goals. Perhaps nowhere is this more evident than in the Maya region of Chiapas and Guatemala, where in the last two decades indigenous social movements have been engaged in ongoing negotiations with the state, and the presence of multinational actors has brought human rights to increased prominence. In this volume, scholars and activists examine the role of human rights in the ways that states relate to their populations, analyze conceptualizations and appropriations of human rights by Mayans in specific localities, and explore the relationship between the individualist and "universal" tenets of Western-derived concepts of human rights and various Mayan cultural understandings and political subjectivities.

The collection includes a reflection on the effects of truth-finding and documenting particular human rights abuses, a look at how Catholic social teaching validates the human rights claims advanced by indigenous members of a diocese in Chiapas, and several analyses of the limitations of human rights frameworks. A Mayan intellectual seeks to bring Mayan culture into dialogue with western feminist notions of women's rights, while another contributor critiques the translation of the United Nations Declaration of Human Rights into Tzeltal, an indigenous language in Chiapas. Taken together, the essays reveal a broad array of rights-related practices and interpretations among the Mayan population, demonstrating that global-local-state interactions are complex and diverse even within a geographically limited area. So too are the goals of indigenous groups, which vary from social reconstruction and healing following years of violence to the creation of an indigenous autonomy that challenges the tenets of neoliberalism.

"Contributors" Robert M. Carmack, Stener Ekern, Christine Kovic, Xochitl Leyva Solano, Julian Lopez Garcia, Irma Otzoy, Pedro Pitarch, alvaro Reyes, Victoria Sanford, Rachel Sieder, Shannon Speed, Rodolfo Stavenhagen, David Stoll, Richard Ashby Wilson