Toni Morrison's visionary explorations of freedom and identity, self and community, against the backdrop of African American history have established her as one of the foremost novelists of her time; an artist whose seriousness of purpose and imaginative power have earned her both widespread critical acclaim and great popular success.

This guide to Morrison's work offers:

• an accessible introduction to Morrison's life and historical contexts
• a guide to her key works and the themes and concerns that run through them
• an overview of critical texts and perspectives on each of Morrison's works
• cross-references between sections of the guide, in order to suggest links between texts, contexts and criticism
• a chronology of Morrison's life and works.

Part of the Routledge Guides to Literature series, this volume is essential reading for all those beginning detailed study of Toni Morrison and seeking a guide to her work and a way into the wealth of contextual and critical material that surrounds it.

Love and Vulnerability: Thinking with Pamela Sue Anderson developed out of the desire for dialogue with the late feminist philosopher Pamela Sue Anderson’s extraordinary, previously unpublished, last work on love and vulnerability. The collection publishes this work for the first time, with a diverse, multidisciplinary, international range of contributors responding to it, to Anderson’s oeuvre as a whole and to her life and death. Anderson’s path-breaking work includes A Feminist Philosophy of Religion (1998) and Re-visioning Gender in Philosophy of Religion: Reason, Love and Epistemic Locatedness (2012). Her last work critiques, then attempts to rebuild, concepts of love and vulnerability. Reason, critical self-reflexivity, emotion, intuition and imagination, myth and narrative all have a role to play. Social justice, friendship, conversation, dialogue, collective work are central to her thinking. Contributors trace the emergence of Anderson’s late thinking, extend her conversations with the history of philosophy and contemporary voices such as hooks and Butler, and bring her work into contact with debates in theology; Continental and analytic philosophy; feminist, queer and transgender theory; postcolonial theory; African-American studies. Discussions engage with the Me Too movement and sexual violence, climate change, sweatshops, neoliberalism, death and dying, and the nature of the human. Originally published as a special issue of the journal, Angelaki, this large, wide-ranging collection, featuring a number of distinguished contributors, makes a significant contribution to the burgeoning interdisciplinary research on interpersonal relations, sympathy and empathy, affect and emotion.

This incredibly useful volume offers an introduction to the history of literary criticism and theory from classical antiquity to the present. It is almost impossible to read or study literature without acknowledging its relationship to criticism and this guide shows how the two have been inextricable since Plato.

Introducing theory and criticism through the texts themselves, Pelagia Goulimari examines:

• a variety of key thinkers from Plato and Aristotle through to Foucault and Derrida
• topics and themes in the history of literary criticism such as mimesis and creation, inspiration, the emotions, reason, aesthetic, history, morality, ethics, culture and discourse
• the main genres and movements in the history of literature including the epic, tragedy, comedy, romanticism, realism, modernism and postmodernism
• cross-historical connections between theories and theorists and the dissemination, appropriation and creative misunderstanding of concepts, ideas and arguments.

With handy features such as a glossary, annotated further reading, descriptive text boxes and instructive marginalia this book is the ideal introduction to anyone approaching theory and criticism for the first time.

Toni Morrison's visionary explorations of freedom and identity, self and community, against the backdrop of African American history have established her as one of the foremost novelists of her time; an artist whose seriousness of purpose and imaginative power have earned her both widespread critical acclaim and great popular success. This guide to Morrison's work offers: an accessible introduction to Morrison's life and historical contexts a guide to her key works and the themes and concerns that run through them an overview of critical texts and perspectives on each of Morrison's works cross-references between sections of the guide, in order to suggest links between texts, contexts and criticism a chronology of Morrison's life and works. Part of the Routledge Guides to Literature series, this volume is essential reading for all those beginning detailed study of Toni Morrison and seeking a guide to her work and a way into the wealth of contextual and critical material that surrounds it.

While celebrating the centenary of the “annus mirabilis” of modernism, we now encounter modernism after postmodernist, poststructuralist, postcolonial, critical race, feminist, queer and trans writing and theory. Out of the figures, narratives and concepts they have developed, a less universal, more global, decentred, context-specific, interconnected modernism emerges. In “after modernism” the meanings of “after” include periodisation, homage and critique. This book attends to neglected genealogies and intertexts—“high” and “low,” yet offering unacknowledged ontological, epistemological, conceptual and figurative resources. How have artists of the Global South negotiated the hierarchical division of art capital into Western high art vs. Global-South culture? Modernity’s location has been the Western metropolis, but other origin stories have been centring slavery, colonialism, the nation-state. If modernity did not originate once, why not multiple and still-to-come modernities? Instead of a universalizable Western modernity vs. local non-Western traditions, the contributors to this book discern multiple modern traditions. Rather than reifying their heterogeneity, the authors tunnel for lost transnational connections. The nation-state and the citizen have together defined Western modernity and the “civilized.” Yet they have required the gender binary, gender and sexual normativity, assimilation, exclusion, forced migration, partition, segregation. In-between the public and the private, humans and the natural world, this book explores a multiple, relational modern subjectivity, collectivity and cosmic interconnectivity, whose space is indivisible, entangled, ever folding and unfolding. It was originally published as a special issue of the journal Angelaki.

Love and Vulnerability: Thinking with Pamela Sue Anderson developed out of the desire for dialogue with the late feminist philosopher Pamela Sue Anderson's extraordinary, previously unpublished, last work on love and vulnerability. The collection publishes this work for the first time, with a diverse, multidisciplinary, international range of contributors responding to it, to Anderson's oeuvre as a whole and to her life and death. Anderson's path-breaking work includes A Feminist Philosophy of Religion (1998) and Re-visioning Gender in Philosophy of Religion: Reason, Love and Epistemic Locatedness (2012). Her last work critiques, then attempts to rebuild, concepts of love and vulnerability. Reason, critical self-reflexivity, emotion, intuition and imagination, myth and narrative all have a role to play. Social justice, friendship, conversation, dialogue, collective work are central to her thinking. Contributors trace the emergence of Anderson's late thinking, extend her conversations with the history of philosophy and contemporary voices such as hooks and Butler, and bring her work into contact with debates in theology; Continental and analytic philosophy; feminist, queer and transgender theory; postcolonial theory; African-American studies. Discussions engage with the Me Too movement and sexual violence, climate change, sweatshops, neoliberalism, death and dying, and the nature of the human. Originally published as a special issue of the journal, Angelaki, this large, wide-ranging collection, featuring a number of distinguished contributors, makes a significant contribution to the burgeoning interdisciplinary research on interpersonal relations, sympathy and empathy, affect and emotion.

This collection brings together an international, multicultural, multilingual, and multidisciplinary community of scholars and practitioners in different media seeking to question and re-theorize the contested terms of our title: "woman," "writing," "women's writing," and "across." "Culture" is translated into an open series of interconnected terms and questions. How might one write across national cultures; or across a national and a minority culture; or across disciplines, genres, and media; or across synchronic discourses that are unequal in power; or across present and past discourses or present and future discourses? The collection explores and develops recent feminist, queer, and transgender theory and criticism, and also aesthetic practice. "Writing across" assumes a number of orientations: posthumanist; transtemporal; transnationalist; writing across discourses, disciplines, media, genres, genders; writing across pronouns - he, she, they; writing across literature, non-literary texts, and life. This book was originally published as a special issue of Angelaki: Journal of the Theoretical Humanities.

This collection brings together an international, multicultural, multilingual, and multidisciplinary community of scholars and practitioners in different media seeking to question and re-theorize the contested terms of our title: "woman," "writing," "women's writing," and "across." "Culture" is translated into an open series of interconnected terms and questions. How might one write across national cultures; or across a national and a minority culture; or across disciplines, genres, and media; or across synchronic discourses that are unequal in power; or across present and past discourses or present and future discourses? The collection explores and develops recent feminist, queer, and transgender theory and criticism, and also aesthetic practice. "Writing across" assumes a number of orientations: posthumanist; transtemporal; transnationalist; writing across discourses, disciplines, media, genres, genders; writing across pronouns - he, she, they; writing across literature, non-literary texts, and life. This book was originally published as a special issue of Angelaki: Journal of the Theoretical Humanities.

This incredibly useful volume offers an introduction to the history of literary criticism and theory from classical antiquity to the present. It is almost impossible to read or study literature without acknowledging its relationship to criticism and this guide shows how the two have been inextricable since Plato.

Introducing theory and criticism through the texts themselves, Pelagia Goulimari examines:

• a variety of key thinkers from Plato and Aristotle through to Foucault and Derrida
• topics and themes in the history of literary criticism such as mimesis and creation, inspiration, the emotions, reason, aesthetic, history, morality, ethics, culture and discourse
• the main genres and movements in the history of literature including the epic, tragedy, comedy, romanticism, realism, modernism and postmodernism
• cross-historical connections between theories and theorists and the dissemination, appropriation and creative misunderstanding of concepts, ideas and arguments.

With handy features such as a glossary, annotated further reading, descriptive text boxes and instructive marginalia this book is the ideal introduction to anyone approaching theory and criticism for the first time.

This collection assembles many of the major theorists of postmodernism, across the humanities and the social sciences, to reconsider the nature and significance of the postmodern moment, as historical phase and as theoretical field. The authors look back on their own contributions to the postmodernism debate of the 1980s and 1990s and address the ways in which the contemporary world and their own concerns have developed, and the continuing validity or otherwise of 'postmodern' as a master designator of the contemporary. Following a substantial introductory survey, the 15 compact articles include contributions from: Linda Hutcheon, Robert Venturi, Zygmunt Bauman, Douglas Kellner, Arthur and Marilouise Kroker, Lawrence Grossberg, Gianni Vattimo and Ernesto Laclau. The collection provides an important testimonial source for researchers interested in contemporary theoretical developments, whether in the arts and humanities or the social sciences. It will be a useful text for teachers leading classes with a focus on postwar intellectual history and cultural theory. -- .