Why, asks Pem Davidson Buck, is punishment so central to the functioning of the United States, a country proclaiming "liberty and justice for all"? The Punishment Monopoly challenges conventional American historiography. It focusses on the constructions of race, class, and gender upon which the United States was built, and which still support racial capitalism and the carceral state. After all, Buck writes, "a state, to be a state, has to punish ... bottom line, that is what a state and the force it controls is for." Using stories of her European ancestors, who arrived in colonial Virginia in the seventeenth and eighteenth centuries, and following their descendants into the early nineteenth century, Buck shows how struggles over the right to punish, backed by the growing power of the state governed by a white elite, made possible the dispossession of Africans, Native Americans, and poor whites. Those struggles led to the creation of the low-wage working classes that capitalism requires, locked in by a metastasizing white supremacy that Buck's ancestors, with many others, defined as white, helped establish and manipulate. Examining those foundational struggles illuminates some of the most contentious issues of the twenty-first century: the exploitation and detention of immigrants; mass incarceration as a central institution; Islamophobia; white privilege; judicial and extra-judicial killings of people of color and some poor whites. The Punishment Monopoly makes it clear that none of these injustices was accidental or inevitable; that shifting our state-sanctioned understandings of history is a step toward liberating us from its control of the present.

Worked to the Bone is a provocative examination of race and class in the United States and the mechanics of inequality. In an elegant and accessible style that combines thoroughly documented sociological insight with her own compelling personal narrative, Pem Buck illustrates the ways in which constructions of race and the promise of white privilege have been used at specific historical moments to divide those in the United Statesspecifically, in two Kentucky countieswho might have otherwise acted on common class interests. From the initial creation of the concept of "whiteness" and early strategies focused on convincing Europeans, regardless of their class position, to identify with the eliteto believe that what was good for the elite was good for themto the moment between 1750 and 1800 when most people who were identified by their European descent finally came to believe that skin color was as integral to their identity as gender, the promise of white privilege underpinned the Kentucky system.

Pem Buck examines the long term effects of these developments and discusses their impact on the lives of working people in Kentucky. She also analyzes the role of local tobacco-growing and corporate elites in the underdevelopment of the state, highlighting the ways in which relationships between poor white and poor black working people were continuously manipulated to facilitate that process.

Documentary material includes speeches, songs, photographs, charts, cartoons, and ads presented in a large, visually appealing format.

Examines the roots of white supremacy and mass incarceration from the vantage point of history Why, asks Pem Davidson Buck, is punishment so central to the functioning of the United States, a country proclaiming "liberty and justice for all"? The Punishment Monopoly challenges our everyday understanding of American history, focusing on the constructions of race, class, and gender upon which the United States was built, and which still support racial capitalism and the carceral state. After all, Buck writes, "a state, to be a state, has to punish ... bottom line, that is what a state and the force it controls is for." Using stories of her European ancestors, who arrived in colonial Virginia in the seventeenth and eighteenth centuries, and following their descendants into the early nineteenth century, Buck shows how struggles over the right to punish, backed by the growing power of the state governed by a white elite, made possible the dispossession of Africans, Native Americans, and poor whites. Those struggles led to the creation of the low-wage working classes that capitalism requires, locked in by a metastasizing white supremacy that Buck's ancestors, with many others defined as white, helped establish and manipulate. Examining those foundational struggles illuminates some of the most contentious issues of the twenty-first century: the exploitation and detention of immigrants; mass incarceration as a central institution; Islamophobia; white privilege; judicial and extra-judicial killings of people of color and some poor whites. The Punishment Monopoly makes it clear that none of these injustices was accidental or inevitable; that shifting our state-sanctioned understandings of history is a step toward liberating us from its control of the present.

Worked to the Bone is a provocative examination of race and class in the United States and the mechanics of inequality. In an elegant and accessible style that combines thoroughly documented sociological insight with her own compelling personal narrative, Pem Buck illustrates the ways in which constructions of race and the promise of white privilege have been used at specific historical moments to divide those in the United Statesspecifically, in two Kentucky countieswho might have otherwise acted on common class interests. From the initial creation of the concept of "whiteness" and early strategies focused on convincing Europeans, regardless of their class position, to identify with the eliteto believe that what was good for the elite was good for themto the moment between 1750 and 1800 when most people who were identified by their European descent finally came to believe that skin color was as integral to their identity as gender, the promise of white privilege underpinned the Kentucky system.

Pem Buck examines the long term effects of these developments and discusses their impact on the lives of working people in Kentucky. She also analyzes the role of local tobacco-growing and corporate elites in the underdevelopment of the state, highlighting the ways in which relationships between poor white and poor black working people were continuously manipulated to facilitate that process.

Documentary material includes speeches, songs, photographs, charts, cartoons, and ads presented in a large, visually appealing format.