This collection of scholarly essays presents new work from an emerging line of inquiry: modern outlaw narratives and the textual and cultural relevance of food and feasting. Food, its preparation and its consumption, is presented in outlaw narratives as central points of human interaction, community, conflict, and fellowship. Feast scenes perform a wide variety of functions, serving as cultural repositories of manners and behaviors, catalysts for adventure, or moments of regrouping and redirecting narratives. The book argues that modern outlaw narratives illuminate a potent cross-cultural need for freedom, solidarity, and justice, and it examines ways in which food and feasting are often used to legitimate difference, create discord, and manipulate power dynamics.

This collection of scholarly essays presents new work from an emerging line of inquiry: modern outlaw narratives and the textual and cultural relevance of food and feasting. Food, its preparation and its consumption, is presented in outlaw narratives as central points of human interaction, community, conflict, and fellowship. Feast scenes perform a wide variety of functions, serving as cultural repositories of manners and behaviors, catalysts for adventure, or moments of regrouping and redirecting narratives. The book argues that modern outlaw narratives illuminate a potent cross-cultural need for freedom, solidarity, and justice, and it examines ways in which food and feasting are often used to legitimate difference, create discord, and manipulate power dynamics.

The legendary 1951 scroll draft of "On the Road," published as Kerouac originally composed it
IN THREE WEEKS in April of 1951, Jack Kerouac wrote his first full draft of "On the Road"atyped as a single-spaced paragraph on eight long sheets of tracing paper, which he later taped together to form a 120-foot scroll. A major literary event when it was published in Viking hardcover in 2007, this is the uncut version of an American classicarougher, wilder, and more provocative than the official work that appeared, heavily edited, in 1957. This version, capturing a moment in creative history, represents the first full expression of Kerouacas revolutionary aesthetic.

Five decades after it was first published, Jack Kerouac's seminal Beat novel On the Road finally finds its way to the big screen, in a production from award-winning director Walter Salles (Motorcycle Diaries) starring Sam Riley (Control, Brighton Rock), Garret Hedlund (Friday Night Lights), Kristen Stewart (Twilight), Kirsten Dunst, Amy Adams and Viggo Mortensen. This edition is transcribed from the original manuscript: hundreds of typed pages taped together by Kerouac to form a 'scroll', published word for word as it was originally composed. Sal Paradise (Sam Riley), a young innocent, joins his hero Dean Moriarty (Garrett Hedlund), a traveller and mystic, the living epitome of Beat, on a breathless, exuberant ride back and forth across the United States. Their hedonistic search for release or fulfilment through drink, sex, drugs and jazz becomes an exploration of personal freedom, a test of the limits of the American dream. A brilliant blend of fiction and autobiography, Jack Kerouac's exhilarating novel swings to the rhythms of 1950s underground America, racing towards the sunset with unforgettable exuberance, poignancy and autobiographical passion. One of the most influential and important novels of the 20th century, On the Road is the book that launched the Beat Generation and remains the bible of that literary movement. 'The most beautifully executed, the clearest and the most important utterance yet made by the generation Kerouac himself named years ago as "beat"' The New York Times