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Recent years have seen a significant shift in the study of new
religious movements. In Satanism studies, interest has moved to
anthropological and historical work on groups and inviduals.
Self-declared Satanism, especially as a religion with cultural
production and consumption, history, and organization, has largely
been neglected by academia. This volume, focused on modern Satanism
as a practiced religion of life-style, attempts to reverse that
trend with 12 cutting-edge essays from the emerging field of
Satanism studies. Topics covered range from early literary
Satanists like Blake and Shelley, to the Californian Church of
Satan of the 1960s, to the radical developments that have taken
place in the Satanic milieu in recent decades. The contributors
analyze such phenomena as conversion to Satanism, connections
between Satanism and political violence, 19th-century decadent
Satanism, transgression, conspiracy theory, and the construction of
Satanic scripture. A wide array of methods are employed to shed
light on the Devil's disciples: statistical surveys,
anthropological field studies, philological examination of The
Satanic Bible, contextual analysis of literary texts, careful
scrutiny of obscure historical records, and close readings of key
Satanic writings. The book will be an invaluable resource for
everyone interested in Satanism as a philosophical or religious
position of alterity rather than as an imagined other.
Satanism is a current of thought that generates intense feelings.
It remains understudied by academics. This selection of key source
texts from the period 1841 to 2017 attempts to remedy that gap.
Ranging from the esoteric to the anti-clerical, countercultural,
and political, the texts span a wide variety of genres, from poetry
and polemical religious tracts to ritual instructions and internet
FAQ's. All are provided with comprehensive introductions, written
by specialists in the field, that offer readers both critical
historical context and expert scholarly interpretation.
Chronologically structured, the book can be read as a succinct
historical overview of the development of Satanism, with the
immediacy that only primary sources can provide. It is ideal for
both classroom and research use, as well as a fascinating read for
anyone with an interest in the occult, the transgressive,
secularization, and the fringes of the religious landscape.
Recent years have seen a significant shift in the study of new
religious movements. In Satanism studies, interest has moved to
anthropological and historical work on groups and inviduals.
Self-declared Satanism, especially as a religion with cultural
production and consumption, history, and organization, has largely
been neglected by academia. This volume, focused on modern Satanism
as a practiced religion of life-style, attempts to reverse that
trend with 12 cutting-edge essays from the emerging field of
Satanism studies. Topics covered range from early literary
Satanists like Blake and Shelley, to the Californian Church of
Satan of the 1960s, to the radical developments that have taken
place in the Satanic milieu in recent decades. The contributors
analyze such phenomena as conversion to Satanism, connections
between Satanism and political violence, 19th-century decadent
Satanism, transgression, conspiracy theory, and the construction of
Satanic scripture. A wide array of methods are employed to shed
light on the Devil's disciples: statistical surveys,
anthropological field studies, philological examination of The
Satanic Bible, contextual analysis of literary texts, careful
scrutiny of obscure historical records, and close readings of key
Satanic writings. The book will be an invaluable resource for
everyone interested in Satanism as a philosophical or religious
position of alterity rather than as an imagined other.
According to the Bible, Eve was the first to heed Satan's advice to
eat the forbidden fruit and thus responsible for all of humanity's
subsequent miseries. The notion of woman as the Devil's accomplice
is prominent throughout Christian history and has been used to
legitimize the subordination of wives and daughters. In the
nineteenth century, rebellious females performed counter-readings
of this misogynist tradition. Lucifer was reconceptualized as a
feminist liberator of womankind, and Eve became a heroine. In these
reimaginings, Satan is an ally in the struggle against a tyrannical
patriarchy supported by God the Father and his male priests. Per
Faxneld shows how this Satanic feminism was expressed in a wide
variety of nineteenth-century literary texts, autobiographies,
pamphlets, newspaper articles, paintings, sculptures, and even
artifacts of consumer culture like jewelry. He details how colorful
figures like the suffragette Elizabeth Cady Stanton, gender-bending
Theosophist H. P. Blavatsky, author Aino Kallas, actress Sarah
Bernhardt, anti-clerical witch enthusiast Matilda Joslyn Gage,
decadent marchioness Luisa Casati, and the Luciferian lesbian
poetess Renee Vivien embraced these reimaginings. By exploring the
connections between esotericism, literature, art and the political
realm, Satanic Feminism sheds new light on neglected aspects of the
intellectual history of feminism, Satanism, and revisionary
mythmaking.
Satanism is a current of thought that generates intense feelings.
It remains understudied by academics. This selection of key source
texts from the period 1841 to 2017 attempts to remedy that gap.
Ranging from the esoteric to the anti-clerical, countercultural,
and political, the texts span a wide variety of genres, from poetry
and polemical religious tracts to ritual instructions and internet
FAQ's. All are provided with comprehensive introductions, written
by specialists in the field, that offer readers both critical
historical context and expert scholarly interpretation.
Chronologically structured, the book can be read as a succinct
historical overview of the development of Satanism, with the
immediacy that only primary sources can provide. It is ideal for
both classroom and research use, as well as a fascinating read for
anyone with an interest in the occult, the transgressive,
secularization, and the fringes of the religious landscape.
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