This book discusses the return of geopolitical ideas and doctrines to the post-Soviet space with special focus on the new phenomenon of digital geopolitics, which is an overarching term for different political practices including dissemination of geopolitical ideas online, using the internet by political figures and diplomats for legitimation and outreach activity, and viral spread of geopolitical memes. Different chapters explore the new possibilities and threats associated with this digitalization of geopolitical knowledge and practice. Our authors consider new spatial sensibilities and new identities of global as well as local Selves, the emergence of which is facilitated by the internet. They explore recent reconfigurations of the traditional imperial conundrum of center versus periphery. Developing Manuel Castells' argument that social activism in the digital era is organized around cultural values, the essays discuss new geopolitical ideologies which aim to reinforce Russia's spiritual sovereignty as a unique civilization, while at the same time seeking to rebrand Russia as a greater soft power by utilizing the Russian-speaking diaspora or employing traditionalist rhetoric. Great Power imagery, enemy-making, and visual mappings of Russia's future territorial expansion are traditional means for the manipulation of imperial pleasures and geopolitical fears. In the age of new media, however, this is being done with greater subtlety by mobilizing the grassroots, contracting private information channels, and de-politicizing geopolitics. Given the political events of recent years, it is logical that the Ukrainian crisis should provide the thematic backdrop for most of the authors.

This book sheds new light on the continuing debate within political thought as to what constitutes power, and what distinguishes legitimate from illegitimate power. It does so by considering the experience of Russia, a polity where experiences of the legitimacy of power and the collapse of power offer a contrast to Western experiences on which most political theory, formulated in the West, is based. The book considers power in a range of contexts philosophy and discourse; the rule of law and its importance for economic development; the use of culture and religion as means to legitimate power; and liberalism and the reasons for its weakness in Russia. The book concludes by arguing that the Russian experience provides a useful lens through which ideas of power and legitimacy can be re-evaluated and re-interpreted, and through which the idea of "the West" as the ideal model can be questioned. "

This book sheds new light on the continuing debate within political thought as to what constitutes power, and what distinguishes legitimate from illegitimate power. It does so by considering the experience of Russia, a polity where experiences of the legitimacy of power and the collapse of power offer a contrast to Western experiences on which most political theory, formulated in the West, is based. The book considers power in a range of contexts philosophy and discourse; the rule of law and its importance for economic development; the use of culture and religion as means to legitimate power; and liberalism and the reasons for its weakness in Russia. The book concludes by arguing that the Russian experience provides a useful lens through which ideas of power and legitimacy can be re-evaluated and re-interpreted, and through which the idea of "the West" as the ideal model can be questioned.

More than 700 'utopian' novels are published in Russia every year. These utopias - meaning here fantasy fiction, science fiction, space operas or alternative history - do not set out merely to titillate; instead they express very real Russian anxieties: be they territorial right-sizing, loss of imperial status or turning into a 'colony' of the West. Contributors to this innovative collection use these narratives to re-examine post-Soviet Russian political culture and identity. Interrogating the intersections of politics, ideologies and fantasies, chapters draw together the highbrow literary mainstream (authors such as Vladimir Sorokin), mass literature for entertainment and individuals who bridge the gap between fiction writers and intellectuals or ideologists (Aleksandr Prokhanov, for example, the editor-in-chief of Russia's far-right newspaper Zavtra). In the process The Post-Soviet Politics of Utopia sheds crucial light onto a variety of debates - including the rise of nationalism, right-wing populism, imperial revanchism, the complicated presence of religion in the public sphere, the function of language - and is important reading for anyone interested in the heightened importance of ideas, myths, alternative histories and conspiracy theories in Russia today.

This book discusses the return of geopolitical ideas and doctrines to the post-Soviet space with special focus on the new phenomenon of digital geopolitics, which is an overarching term for different political practices including dissemination of geopolitical ideas online, using the internet by political figures and diplomats for legitimation and outreach activity, and viral spread of geopolitical memes. Different chapters explore the new possibilities and threats associated with this digitalization of geopolitical knowledge and practice. Our authors consider new spatial sensibilities and new identities of global as well as local Selves, the emergence of which is facilitated by the internet. They explore recent reconfigurations of the traditional imperial conundrum of center versus periphery. Developing Manuel Castells' argument that social activism in the digital era is organized around cultural values, the essays discuss new geopolitical ideologies which aim to reinforce Russia's spiritual sovereignty as a unique civilization, while at the same time seeking to rebrand Russia as a greater soft power by utilizing the Russian-speaking diaspora or employing traditionalist rhetoric. Great Power imagery, enemy-making, and visual mappings of Russia's future territorial expansion are traditional means for the manipulation of imperial pleasures and geopolitical fears. In the age of new media, however, this is being done with greater subtlety by mobilizing the grassroots, contracting private information channels, and de-politicizing geopolitics. Given the political events of recent years, it is logical that the Ukrainian crisis should provide the thematic backdrop for most of the authors.

More than 700 'utopian' novels are published in Russia every year. These utopias - meaning here fantasy fiction, science fiction, space operas or alternative history - do not set out merely to titillate; instead they express very real Russian anxieties: be they territorial right-sizing, loss of imperial status or turning into a 'colony' of the West. Contributors to this innovative collection use these narratives to re-examine post-Soviet Russian political culture and identity. Interrogating the intersections of politics, ideologies and fantasies, chapters draw together the highbrow literary mainstream (authors such as Vladimir Sorokin), mass literature for entertainment and individuals who bridge the gap between fiction writers and intellectuals or ideologists (Aleksandr Prokhanov, for example, the editor-in-chief of Russia's far-right newspaper Zavtra). In the process The Post-Soviet Politics of Utopia sheds crucial light onto a variety of debates - including the rise of nationalism, right-wing populism, imperial revanchism, the complicated presence of religion in the public sphere, the function of language - and is important reading for anyone interested in the heightened importance of ideas, myths, alternative histories and conspiracy theories in Russia today.