Structural information theory is a coherent theory about the way the human visual system organises a raw visual stimulus into objects and object parts. To humans, a visual stimulus usually has one clear interpretation even though, in theory, any stimulus can be interpreted in numerous ways. To explain this, the theory focuses on the nature of perceptual interpretations rather than on underlying process mechanisms and adopts the simplicity principle which promotes efficiency of internal resources rather than the likelihood principle which promotes veridicality in the external world. This theoretically underpinned starting point gives rise to quantitative models and verifiable predictions for many visual phenomena, including amodal completion, subjective contours, transparency, brightness contrast, brightness assimilation and neon illusions. It also explains phenomena such as induced temporal order, temporal context effects and hierarchical dominance effects, and extends to evaluative pattern qualities such as distinctiveness, interestingness and beauty.

Perceptual organization is the neuro-cognitive process that enables us to perceive scenes as structured wholes consisting of objects arranged in space. Simplicity in Vision explores the intriguing idea that these perceived wholes are given by the simplest organizations of the scenes. Peter A. van der Helm presents a truly multidisciplinary approach to answer fundamental questions such as: Are simplest organizations sufficiently reliable to guide our actions? What is the nature of the regularities that are exploited to arrive at simplest organizations? To account for the high combinatorial capacity and speed of the perceptual organization process, he proposes transparallel processing by hyperstrings. This special form of distributed processing not only gives classical computers the extraordinary computing power that seemed reserved for quantum computers, but also explains how neuronal synchronization relates to flexible self-organizing cognitive architecture in between the relatively rigid level of neurons and the still elusive level of consciousness.

Perceptual organization is the neuro-cognitive process that enables us to perceive scenes as structured wholes consisting of objects arranged in space. Simplicity in Vision explores the intriguing idea that these perceived wholes are given by the simplest organizations of the scenes. Peter A. van der Helm presents a truly multidisciplinary approach to answer fundamental questions such as: Are simplest organizations sufficiently reliable to guide our actions? What is the nature of the regularities that are exploited to arrive at simplest organizations? To account for the high combinatorial capacity and speed of the perceptual organization process, he proposes transparallel processing by hyperstrings. This special form of distributed processing not only gives classical computers the extraordinary computing power that seemed reserved for quantum computers, but also explains how neuronal synchronization relates to flexible self-organizing cognitive architecture in between the relatively rigid level of neurons and the still elusive level of consciousness.

Structural information theory is a coherent theory about the way the human visual system organises a raw visual stimulus into objects and object parts. To humans, a visual stimulus usually has one clear interpretation even though, in theory, any stimulus can be interpreted in numerous ways. To explain this, the theory focuses on the nature of perceptual interpretations rather than on underlying process mechanisms and adopts the simplicity principle which promotes efficiency of internal resources rather than the likelihood principle which promotes veridicality in the external world. This theoretically underpinned starting point gives rise to quantitative models and verifiable predictions for many visual phenomena, including amodal completion, subjective contours, transparency, brightness contrast, brightness assimilation and neon illusions. It also explains phenomena such as induced temporal order, temporal context effects and hierarchical dominance effects, and extends to evaluative pattern qualities such as distinctiveness, interestingness and beauty.