'Ackroyd makes history accessible to the layman' - Ian Thomson, Independent The penultimate volume of Peter Ackroyd's masterful History of England series, Dominion begins in 1815 as national glory following the Battle of Waterloo gives way to post-war depression, spanning the last years of the Regency to the death of Queen Victoria in January 1901. In it, Ackroyd takes us from the accession of the profligate George IV whose government was steered by Lord Liverpool, who was firmly set against reform, to the reign of his brother, William IV, the 'Sailor King', whose reign saw the modernization of the political system and the abolition of slavery. But it was the accession of Queen Victoria, aged only eighteen, that sparked an era of enormous innovation. Technological progress - from steam railways to the first telegram - swept the nation and the finest inventions were showcased at the first Great Exhibition in 1851. The emergence of the middle classes changed the shape of society and scientific advances changed the old pieties of the Church of England, and spread secular ideas across the nation. But though intense industrialization brought boom times for the factory owners, the working classes were still subjected to poor housing, long working hours and dire poverty. It was a time that saw a flowering of great literature, too. As the Georgian era gave way to that of Victoria, readers could delight not only in the work of Byron, Shelley and Wordsworth but also the great nineteenth-century novelists: the Bronte sisters, George Eliot, Mrs Gaskell, Thackeray, and, of course, Dickens, whose work has become synonymous with Victorian England. Nor was Victorian expansionism confined to Britain alone. By the end of Victoria's reign, the Queen was also an Empress and the British Empire dominated much of the globe. And, as Ackroyd shows in this richly populated, vividly told account, Britannia really did seem to rule the waves.

Celebrated novelist, biographer and critic Peter Ackroyd paints a vivid picture of one of the world's greatest cities in this brilliant and original work, exploring how the city's many hues have come to shape its history and identity. Think of the colours of London and what do you imagine? The reds of open-top buses and terracotta bricks? The grey smog of Victorian industry, Portland stone and pigeons in Trafalgar square? Or the gradations of yellows, violets and blues that shimmer on the Thames at sunset - reflecting the incandescent light of a city that never truly goes dark? We associate green with royal parks and the District Line; gold with royal carriages, the Golden Lane Estate, and the tops of monuments and cathedrals. Colours of London shows us that colour is everywhere in the city, and each one holds myriad links to its past. The colours of London have inspired artists (Whistler, Van Gogh, Turner, Monet), designers (Harry Beck) and social reformers (Charles Booth). And from the city's first origins, Ackroyd shows how colour is always to be found at the heart of London's history, from the blazing reds of the Great Fire of London to the blackouts of the Blitz to the bold colours of royal celebrations and vibrant street life. This beautifully written book examines the city's fascinating relationship with colour, alongside specially commissioned colourized photographs from Dynamichrome, which bring a lost London back to life. London has been the main character in Ackroyd's work ever since his first novel, and he has won countless prizes in both fiction and non-fiction for his truly remarkable body of work. Here, he channels a lifetime of knowledge of the great city, writing with clarity and passion about the hues and shades which have shaped London's journey through history into the present day. A truly invaluable book for lovers of art, history, photography or urban geography, this beautifully illustrated title tells a rich and fascinating story of the history of this great and ever-changing city.

'Ackroyd makes history accessible to the layman' - Ian Thomson, Independent Innovation brings Peter Ackroyd's History of England to a triumphant close. In it, Ackroyd takes readers from the end of the Boer War and the accession of Edward VII to the end of the twentieth century, when his great-granddaughter Elizabeth II had been on the throne for almost five decades. A century of enormous change, encompassing two world wars, four monarchs (Edward VII, George V, George VI and the Queen), the decline of the aristocracy and the rise of the Labour Party, women's suffrage, the birth of the NHS, the march of suburbia and the clearance of the slums. It was a period that saw the work of the Bloomsbury Group and T. S. Eliot, of Kingsley Amis and Philip Larkin, of the end of the post-war slump to the technicolour explosion of the 1960s, to free love and punk rock and from Thatcher to Blair. A vividly readable, richly peopled tour de force, it is Peter Ackroyd writing at his considerable best.

All over the world there are places that became famous forever because something extraordinary happened there by chance. Beautifully illustrated and carefully researched Fame By Chance covers 380 such places with new insights and facts that are amusing, surprising and sometimes controversial. Foreword by Peter Ackroyd. All over the world there are places that became famous forever by chance - battles briefly waged, scenes of triumph and disater, sites of murder and intrigue, centres of influential creativity and noted mythical places from books and film. How and why did; Angora, Tabasco, Duffel and Fray Bentos give us products good and bad; Kohima's tennis court save India; Storyville's 269 brothels helped it to create jaz; Botany Bay never saw any British convicts; Tay Bridge was a disaster avoided by Marx and Engels; 'OK' stands for a farmhouse; Ferrari chose the 'Prancing Horse of Maranello'; Kyoto was saved from Hiroshoma's terrible fate; The British built the Great Hedge of India; With 432 pages beautifully illustrated and carefully researched Fame By Chance covers 380 such places with new insights and facts that are amusing, surprising and sometimes controversial.

Having written enthralling biographies of London and of its great river, the Thames, Peter Ackroyd now turns to England itself. This first volume of six takes us from the time that England was first settled, more than 15,000 years ago, to the death in 1509 of the first Tudor monarch, Henry VII. In it, Ackroyd takes us from Neolithic England, which we can only see in the most tantalising glimpses -- a stirrup found in a grave, some seeds at the bottom of a bowl -- to the long period of Roman rule; from the Dark Ages when England was invaded by a ceaseless tide of Angles, Saxons and Jutes, to the twin glories of medieval England -- its great churches and monasteries and its common law. With his extraordinary skill for evoking time and place, he tells the familiar story of king succeeding king in rich prose, with profound insight and some surprising details. The food we ate, the clothes we wore, the punishments we endured, even the jokes we told are all found here, too.

'Ackroyd makes history accessible to the layman' - Ian Thomson, Independent

The penultimate volume of Peter Ackroyd’s masterful History of England series, Dominion begins in 1815 as national glory following the Battle of Waterloo gives way to post-war depression, spanning the last years of the Regency to the death of Queen Victoria in January 1901.

In it, Ackroyd takes us from the accession of the profligate George IV whose government was steered by Lord Liverpool, who was firmly set against reform, to the reign of his brother, William IV, the 'Sailor King', whose reign saw the modernization of the political system and the abolition of slavery.

But it was the accession of Queen Victoria, aged only eighteen, that sparked an era of enormous innovation. Technological progress – from steam railways to the first telegram – swept the nation and the finest inventions were showcased at the first Great Exhibition in 1851. The emergence of the middle classes changed the shape of society and scientific advances changed the old pieties of the Church of England, and spread secular ideas across the nation. But though intense industrialization brought boom times for the factory owners, the working classes were still subjected to poor housing, long working hours and dire poverty.

It was a time that saw a flowering of great literature, too. As the Georgian era gave way to that of Victoria, readers could delight not only in the work of Byron, Shelley and Wordsworth but also the great nineteenth-century novelists: the Brontë sisters, George Eliot, Mrs Gaskell, Thackeray, and, of course, Dickens, whose work has become synonymous with Victorian England.

Nor was Victorian expansionism confined to Britain alone. By the end of Victoria’s reign, the Queen was also an Empress and the British Empire dominated much of the globe. And, as Ackroyd shows in this richly populated, vividly told account, Britannia really did seem to rule the waves.

Revolution, the fourth volume of Peter Ackroyd's enthralling History of England begins in 1688 with a revolution and ends in 1815 with a famous victory.

In it, Ackroyd takes readers from William of Orange's accession following the Glorious Revolution to the Regency, when the flamboyant Prince of Wales ruled in the stead of his mad father, George III, and England was - again - at war with France, a war that would end with the defeat of Napoleon at Waterloo.

Late Stuart and Georgian England marked the creation of the great pillars of the English state. The Bank of England was founded, as was the stock exchange, the Church of England was fully established as the guardian of the spiritual life of the nation and parliament became the sovereign body of the nation with responsibilities and duties far beyond those of the monarch. It was a revolutionary era in English letters, too, a time in which newspapers first flourished and the English novel was born. It was an era in which coffee houses and playhouses boomed, gin flowed freely and in which shops, as we know them today, began to proliferate in our towns and villages. But it was also a time of extraordinary and unprecedented technological innovation, which saw England utterly and irrevocably transformed from a country of blue skies and farmland to one of soot and steel and coal.

Rapier-sharp, witty, intriguing and mysterious: a new novel from Peter Ackroyd, set in 1960s London.
"Three Brothers" follows the fortunes of Harry, Daniel and Sam Hanway, born on a post-war council estate in Camden Town. Marked out from the start by curious coincidence, each boy is forced to make his own way in the world -- a world of dodgy deals and big business, of criminal gangs and crooked landlords, of newspaper magnates, back-biters and petty thieves.
London is the backdrop and the connecting fabric of these three lives, reinforcing Ackroyd's grand theme that place and history create, surround and engulf us. From bustling, cut-throat Fleet Street to hallowed London publishing houses, from the wealth and corruption of Chelsea to the smoky shadows of Limehouse and Hackney, this is an exploration of the city, peering down its streets, riding on its underground, and drinking in its pubs and clubs. Everything is possible -- not only in the new freedom of the 1960s but also in London's timeless past.

'London: A Pilgrimage' is a forgotten classic of social journalism, a frank and brutal look at the poverty striken, gin-swilling London of the nineteenth century, written in a perceptive, bold and gripping style.

The English Actor charts the uniquely English approach to stagecraft. In thirty chapters, Peter Ackroyd describes, with superb narrative skill, the genesis of acting – deriving from the Church tradition of Mystery Plays – through the flourishing of the craft in the Renaissance to modern methods that followed the advent of film and television. The biographies of the most notable and celebrated actors are also explored, right up to the present day. In this book, Ackroyd gives us an original and superbly entertaining appraisal of how actors have acted – and how audiences have responded – since the medieval period, and what we mean by the ‘magic of the stage’.

Acclaimed biographer Peter Ackroyd vibrantly resurrects the legendary epic of Camelot in this modern adaptation

The names of Arthur, Merlin, Lancelot, Guinevere, Galahad, the sword of Excalibur, and the court of Camelot are as recognizable as any from the world of myth. Although many versions exist of the stories of King Arthur and the Knights of the Round Table, "Le Morte d'Arthur" by Sir Thomas Malory endures as the most moving and richly inventive.

In this abridged retelling the inimitable Peter Ackroyd transforms Malory's fifteenth-century work into a dramatic modern story, vividly bringing to life a world of courage and chivalry, magic, and majesty. The golden age of Camelot, the perilous search for the Holy Grail, the love of Guinevere and Lancelot, and the treachery of Arthur's son Mordred are all rendered into contemporary prose with Ackroyd's characteristic charm and panache. Just as he did with his fresh new version of Chaucer's "The Canterbury Tales," Ackroyd now brings one of the cornerstones of English literature to a whole new audience.

In Civil War, Peter Ackroyd continues his dazzling account of England's history, beginning with the progress south of the Scottish king, James VI, who on the death of Elizabeth I became the first Stuart king of England, and ends with the deposition and flight into exile of his grandson, James II. The Stuart dynasty brought together the two nations of England and Scotland into one realm, albeit a realm still marked by political divisions that echo to this day. More importantly, perhaps, the Stuart era was marked by the cruel depredations of civil war, and the killing of a king. Ackroyd paints a vivid portrait of James I and his heirs. Shrewd and opinionated, the new King was eloquent on matters as diverse as theology, witchcraft and the abuses of tobacco, but his attitude to the English parliament sowed the seeds of the division that would split the country in the reign of his hapless heir, Charles I. Ackroyd offers a brilliant - warts and all - portrayal of Charles's nemesis Oliver Cromwell, Parliament's great military leader and England's only dictator, who began his career as a political liberator but ended it as much of a despot as 'that man of blood', the king he executed. England's turbulent seventeenth century is vividly laid out before us, but so too is the cultural and social life of the period, notable for its extraordinarily rich literature, including Shakespeare's late masterpieces, Jacobean tragedy, the poetry of John Donne and Milton and Thomas Hobbes' great philosophical treatise, Leviathan. Civil War also gives us a very real sense of the lives of ordinary English men and women, lived out against a backdrop of constant disruption and uncertainty.

"A romp for the ages" ("Vanity Fair")-now with a graphic cover and deluxe packaging
Renowned novelist, historian, and biographer Peter Ackroyd takes on what is arguably the greatest poem in the English language and presents it in a prose vernacular that makes it accessible to readers while preserving the spirit of the original. A mirror for medieval society, "The Canterbury Tales" concerns a motley group of pilgrims who meet in a London inn on their way to Canterbury and agree to take part in a storytelling competition. Ackroyd's contemporary prose emphasizes the humanity of these characters-as well as explicitly rendering their bawdy humor-yet still masterfully evokes the euphonies and harmonies of Chaucer's verse.

The English Actor charts the uniquely English approach to stagecraft. In thirty chapters, Peter Ackroyd describes, with superb narrative skill, the genesis of acting - deriving from the Church tradition of Mystery Plays - through the flourishing of the craft in the Renaissance to modern methods that followed the advent of film and television. The biographies of the most notable and celebrated actors are also explored, right up to the present day. In this book, Ackroyd gives us an original and superbly entertaining appraisal of how actors have acted - and how audiences have responded - since the medieval period, and what we mean by the 'magic of the stage'.

Following on from Foundation, Tudors is the second volume in Peter Ackroyd's astonishing series, The History of England. Rich in detail and atmosphere and told in vivid prose, Tudors recounts the transformation of England from a settled Catholic country to a Protestant superpower. It is the story of Henry VIII's cataclysmic break with Rome, and his relentless pursuit of both the perfect wife and the perfect heir; of how the brief reign of the teenage king, Edward VI, gave way to the violent reimposition of Catholicism and the stench of bonfires under 'Bloody Mary'. It tells, too, of the long reign of Elizabeth I, which, though marked by civil strife, plots against the queen and even an invasion force, finally brought stability. Above all, however, it is the story of the English Reformation and the making of the Anglican Church. At the beginning of the sixteenth century, England was still largely feudal and looked to Rome for direction; at its end, it was a country where good governance was the duty of the state, not the church, and where men and women began to look to themselves for answers rather than to those who ruled them.

Yellow fog is swirling through the streets of London and Sherlock Holmes himself is sitting in a cocaine-induced haze until the arrival of a distressed and beautiful young lady forces the great detective into action. Each year following the strange disappearance of her father, Miss Morstan has received a present of a rare and lustrous pearl. Now, on the day of the summons to meet her anonymous benefactor, she consults Sherlock Holmes.

Having written enthralling biographies of London and of its great river, the Thames, Peter Ackroyd now turns to England itself. This first volume of six takes us from the time that England was first settled, more than 15,000 years ago, to the death in 1509 of the first Tudor monarch, Henry VII. In Foundation, Ackroyd takes us from Neolithic England, which we can only see in the most tantalizing glimpses - a stirrup found in a grave, some seeds at the bottom of a bowl - to the long period of Roman rule; from the Dark Ages when England was invaded by a ceaseless tide of Angles, Saxons and Jutes, to the twin glories of medieval England - its great churches and monasteries and its common law. With his extraordinary skill for evoking time and place, he tells the familiar story of king succeeding king in rich prose, with profound insight and some surprising details. The food we ate, the clothes we wore, the punishments we endured, even the jokes we told are all found here, too.

‘And much of Madness and more of Sin
And Horror the Soul of the Plot’

This selection of Poe’s critical writings, short fiction and poetry demonstrates an intense interest in aesthetic issues and the astonishing power and imagination with which he probed the darkest corners of the human mind. The Fall of the House of Usher describes the final hours of a family tormented by tragedy and the legacy of the past. In the Tell Tale Heart, a murderer’s insane delusions threaten to betray him, while stories such as The Pit and the Pendulum and the Cask of Amontillado explore extreme states of decadence, fear and hate. These works display Poe’s startling ability to build suspense with almost nightmarish intensity.

David Galloway’s introduction re-examines the myths surrounding Poe’s life and reputation. This edition includes a new chronology and further reading by Tatiana Rapatzikou.

Originally published under the title Selected Writings

The Complete Works of Shakespeare contains the recognized canon of the bard’s plays, and his sonnets and poems. The texts were edited by the late Professor Peter Alexander, making it one of the most authoritative editions, recognized the world over for its clarity and scholarship. Described in the Guardian on its first publication in 1951 as ‘a symbol in the history of our national culture’, the Collins edition of the Complete Works of William Shakespeare, edited by the late Professor Peter Alexander, has long been established as one of the most authoritative editions of Shakespeare’s works, and was chosen by the BBC as the basis for its televised cycle of the plays. The book starts with two specially written articles – a biography of Shakespeare by Germaine Greer and a wide-ranging introduction to Shakespeare theatre by the late Anthony Burgess. Each play is also introduced by academics from Glasgow University, where Professor Alexander undertook his editing. New to this edition is an internet resources section, providing details of the most useful Shakespeare websites. In addition, the invaluable glossary of over 2,500 entries explaining the meaning of obsolete words and phrases (complete with line references) has been expanded and redesigned to make it much easier to use.

Two apparently harmless women reside in cottages one building apart in the idyllic English village of Little Camborne. Miss Finch and Miss Swallow, cousins, have put their pasts behind them and settled into conventional country life. But when a mysterious foreigner, Theodore Cadmus - from Caldera, a Mediterranean island nobody has heard of - moves into the middle cottage, the safe monotony of their lives is shattered. The fates of the two cousins and Mr Cadmus, and those of Little Camborne and Caldera, become inextricably enmeshed. Long-hidden secrets and long-held grudges threaten to surface, drawing all into a vortex of subterfuge, theft, violence, mayhem . . . and murder.

Two apparently harmless women reside in cottages one building apart in the idyllic English village of Little Camborne. Miss Finch and Miss Swallow, cousins, have put their pasts behind them and settled into conventional country life. But when a mysterious foreigner, Theodore Cadmus - from a Mediterranean island nobody has heard of - moves into the middle cottage, the safe monotony of their lives is shattered. Soon, long-hidden secrets and long-held grudges threaten to surface, drawing all into a vortex of subterfuge, theft, violence, mayhem . . . and murder.