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A WHIFF OF MURDER The Whiffenpoofs of Yale are the oldest and most
celebrated collegiate a cappella singing group in the nation. The
legendary group selects only fourteen seniors, musical stars - The
best of the best. Loc Quang Pham arrives at Yale with one ambition
- to become a Whiffenpoof. Raised in Oakland, Loc has a long way to
travel to take his place at Yale, and establish himself as one of
the most talented prospects in the a cappella scene. Loc expected
competition, hard work, and a grueling schedule of tours and
performances; he did not expect murder. The Whiffenpoofs: Gentlemen
Songsters off on a spree... until they find murder in their midst.
The story of the Whiffenpoofs is the story of Yale in the 20th
century. Loc's story is set alongside Yale's story. Fact and
fiction merge in this journey through the creeping ivy.
"On the first Saturday in October, Jo Benjamin awoke, pulled her
blanket closer, and thought about color." Jo Benjamin, emotionally
guarded wife and mother, is a woman who loves to quilt. She has
struggled in accepting love and friendship, but finds in quilting a
capacity for gratitude and for embracing the gifts her life
presents. "Maybe she could have recovered without quilting - for
example, books had always been a refuge for Jo - but there was
something about the quilting midwifery that went beyond hobby or
pastime; she was crafting herself out of scraps and tatters. Each
project called her to something important and allowed her to bear
witness to hope. Her quilts were affirmations of the better parts
of ordinary people." Opened by her craft to possibilities that she
had never recognized, Jo contends with the cost of living fully.
Each quilt tells a story, and each story propels Jo toward
understanding that she must complete a Christmas quilt. The
challenge is a daunting one, but working with fabric transforms Jo.
"It struck Jo that the swirl of contending thoughts in her mind was
quieted when she worked with fabric. Her delight in texture and
color, and the satisfaction she took in solving problems of
construction, made the time she spent in quilting seem a different
sort of time. Hours sped by, of course, and she had a lovely
artifact when she finished, but the gift for Jo was in the process
of finding out what the fabric had to say to her imagination."
Quilts seem to present themselves unbidden, exactly as Jo has need
of them. From the broken places in Jo, the neccesary next right
story emerges. A quilt begins with scraps. Each piece is entirely
itself and entirely necessary to the quilt as a whole. What, then,
is the quilt in the end? The intricate design? Or the pieces that
form the pattern? A quilt is a story and a story about stories. The
Christmas quilt is, finally, the story Jo was meant to tell. She
knew, too, that the act of imagining allowed her to recognize and
feel kindness and generosity of spirit as it worked in the world.
Somehow, as her hands moved, her capacity for gratitude was moved
as well.
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