A wide-ranging retrospective that reveals a master printer's own photographs to be technically brilliant work of remarkable breadth and complexity This book presents the first in-depth survey of photographs by Richard Benson (1943-2017), who approached photography as a thrilling set of technical challenges and used the medium to craft profound depictions of people, the spaces of their lives and work, and the products of their labor. An essay by curator Peter Barberie interweaves examination of Benson's photographic practices with the story of his ideas, writing, and reproductive printing, while photographer An-My Le, Benson's former student, offers her perspective on his teaching, family life, and art. The book begins with his stunning darkroom prints in silver and platinum and follows his trajectory toward extraordinary digital photography, culminating in later color prints that are at once elegant and garish, representing the contemporary world in vivid detail. Benson's democratic eye also extended to human subjects: he photographed loved ones and strangers with extraordinary attention, and directed the same gaze to the buildings and landscapes entwined with individual lives. Published in association with the Philadelphia Museum of Art Exhibition Schedule: Philadelphia Museum of Art (October 3, 2021-January 23, 2022)

In this book, the authors present current research on the challenges, practices and cultural influences of parenting. Topics discussed in this compilation include young maternal age along with pre-term birth and the transition to motherhood; parents' perceptions of their child's mental health problems; Asian-American parenting; culture and parenting; parental influence on children's mate choice; gay and lesbian parenting; and parenting practices in a global world.

The essays in More than One examine sequentiality and serialism in the practice of photography from the medium's earliest years to the present. Contributors explore nuances of syntax and sense raised by works like photographic albums, books, thematic portfolios, journalistic photo features, and documentations of performance art. Fully illustrated essays discuss, among other topics, the little-known volume Beyond This Point (1929), a collaborative experiment by American photographer Francis Bruguiere and London radio producer Lance Sieveking; the evolving relationship between public space and sexual self-definition in the early work of Minor White; and an important performance work by artist Ana Mendieta. The title essay surveys the social conditions and expressive motives that have given rise to serial and sequential forms throughout the history of photography. Distributed for the Princeton University Art Museum

This beautiful volume documents a historic gift of contemporary art from the Keith L. and Katherine Sachs Collection to the Philadelphia Museum of Art. The gift, comprising nearly 100 works, includes masterpieces by luminaries such as Ellsworth Kelly and Jasper Johns, exceptional pieces by major British and German artists, and important works of outdoor sculpture, large-scale photography, and video art. All of these works, plus some 70 more from Keith and Katherine Sachs's personal collection, are discussed in detail and beautifully illustrated. In addition to catalogue entries on the objects, the book includes essays on artists represented in depth-Robert Gober, Richard Hamilton, Howard Hodgkin, Johns, Kelly, Brice Marden, Charles Ray, Richard Serra, and Joel Shapiro-written by distinguished scholars. Other texts, including an interview with Keith and Katherine Sachs and a statement authored by them, offer insight into their background as collectors and provide an intimate account of their extraordinary collecting endeavors marked by their lasting association with the Philadelphia Museum of Art. Published in association with the Philadelphia Museum of Art Exhibition Schedule: Philadelphia Museum of Art 06/28/16-09/05/16

A fresh account of the career of one of the most important photographers of the 20th century Through his amazing variety of innovative images, photographer Paul Strand (1890-1976) played a crucial role in establishing the medium's significance as a modern art form. Celebrating the Philadelphia Museum of Art's recent acquisition of the core collection of Strand's prints from the Paul Strand Archive, this stunning book comprehensively reassesses the artist's career in light of current scholarship and critical debates about his work. Featuring more than 250 plates, the catalogue includes many of Strand's iconic early photos such as Wall Street and Blind Woman alongside lesser-known master prints from all phases of his career. Discussing the artist's prolific career, from his emergence in Alfred Stieglitz's circle in New York in the early part of the century to his years spent working abroad in places such as Mexico, France, Italy, and Africa, Peter Barberie positions Strand as a remarkably independent modernist whose priorities shifted at several points and often ran counter to prevailing trends. Amanda N. Bock focuses on the years 1930-50, when Strand thoroughly explored the role of politics in modern art and relentlessly sought to identify the greater purposes of photography and filmmaking. The edited transcript from a roundtable discussion among key scholars touches upon many aspects of Strand's various projects from the 1930s to the 1960s. A detailed chronology brings to light new information about the life and work of an extraordinarily important and influential 20th-century photographer. Published in association with the Philadelphia Museum of Art, in collaboration with Fundacion MAPFRE Exhibition Schedule: Philadelphia Museum of Art (10/21/14-01/04/15) Fotomuseum Winterthur, Switzerland (03/07/15-05/17/15) Fundacion MAPFRE, Madrid(06/03/15-08/30/15) The Victoria and Albert Museum, London (03/19/16-07/03/16)