One of the most innovative tendencies in contemporary literary and cultural studies is the investigation of space and geography, a trend which is proving particularly important for modernist studies. This volume explores the interface between modernism and geography in a range of writers, texts and artists across the twentieth century.
Cross-disciplinary essays test and extend a variety of methodological approaches and reveal the reach of this topic into every corner of modernist scholarship. From Imagist poetry and the orient to teashops and modernism in London, or from mapping and belonging in James Joyce or Joseph Conrad to the space of new media artists, this remarkable volume offers fresh, invigorating research that ranges across the field of modernism, but also serves to signal the many exciting new directions that future studies may take.
With ground-breaking essays from an international team of highly-regarded scholars, "Geographies of Modernism" is an important step forward in literary and cultural studies.

First Published in 2002. Modes and categories inherited from the past no longer seem to fit the reality experienced by a new generation. 'New Accents' is intended as a positive response to the initiative offered by such a situation. Each volume in the series will seek to encourage rather than resist the process of change, to stretch rather than reinforce the boundaries that currently define literature and its academic study. This selection of essays is an attempt to open up some of the as yet unsurveyed territory of English Studies and to introduce a new, more positive tone and greater range of voices to discussions of the future of the subject.

The Glossary of Literary and Cultural Theory provides researchers and students with an up-to-date guide through the vibrant and changing debates in Literary and Cultural Studies. In a field where meanings are frequently complex and ambiguous, this text is remarkable for its clarity and usefulness. This third edition includes 17 entirely new entries and updates to more than a dozen others which address key concepts and contemporary positions in both literary and cultural theory. New entries include: * Actor Network Theory * Anthropocene * Ecocriticism * Digital Humanities * Postcapitalism * World Literature

The concepts of 'Modernism' and 'Postmodernism' constitute the single most dominant issue of twentieth-century literature and culture and are the cause of much debate. In this influential volume, Peter Brooker presents some of the key viewpoints from a variety of major critics and sets these additionally alongside challenging arguments from Third World, Black and Feminist perspectives. His excellent Introduction and detailed headnotes for each section and essay provide an indispensable guide to interpreting the many different opinions, and prove to be valuable contributions in their own right.

Reflecting the continuing change and development in modern literary theory, the key features of this book includes its clarity, brevity, equal coverage of the main literary theories and useful bibliographies of further reading. Literature students will find its clearly defined sections easy to navigate and whilst avoiding over-simplification, it makes a complex subject accessible. Features-Accesible, easy to use guide C-onsiders 'New Aestheticism' and engages with the ideas of 'Post-Theory' -Contains extensive guides to further reading, web and electronic resources to ensure the quality of students' research -A glossary defines key theoretical and critical terms -Contains a guide to relevant journals New to this Edition-Coverage of 'new aestheticism' -Updated and expanded Derrida section -More historical context included in the introduction -Marxism section to include updated material on Benjamin -Postcolonial section updated and expanded -Annotated reading lists, including web and electronic resources -New glossary of terms -Updated and expanded further reading section

A Reader's Guide to Contemporary Literary Theory is a classic introduction to the complex yet crucial area of literary theory. This book is known for its clear, accessible style and its thorough, logical approach, guiding the reader through the essentials of literary theory. It includes two new chapters: 'New Materialisms' which incorporates ecocriticism, animal studies, posthumanism and thing theory; '21st Century and Future Developments' which includes technology, digital humanities, ethics and affect.

First published in 1988, this books argues with received accounts to reclaim Brecht's emphasis on his self-described 'dialectical theatre', re-examining firstly the concepts of Gestus and Verfremdung and their realisation in Brecht's poetry in terms of his attempt to consciously apply the methods of dialectical materialism to art and cultural practice. The author also takes issue with the customary view of Brecht's career and politics which sees him as compromising either with Communist party dogma or bourgeois aesthetics, to find developing parallels between Brecht's political and artistic though and the critical dialectics of Marx, Lenin and Mao. This development is examined in later chapters in relation to the early and late plays, The Measures Taken and Days of the Commune as well as in relation to Brecht's changed circumstances in the years of war-time exile and in post-war East Germany.

In this original study, Peter Brooker takes issue with the simplified opposition of postmodernism to modernism in accounts of the modern period. Instead, he follows the course of modernity in the spectacular example of New York, to reveal the complexities of both modernist and postmodern responses to the city. Brooker's study refers us to the fiction of Doctorow, Don DeLillo and Toni Morrison and especially to the new urban `ethnic' writing. Here the voice of creative dissent and cultural hybridity expresses the best in a tradition of Amerian newness; this Peter Brooker calls the `new modern'. The text is an important contribution to contemporary debates on modernism and postmodernism, providing a thorough interdisciplinary study of new American writing within the socio-economic context of New York City and will be of great interest to students of American Studies, Cultural Studies and Literature.

This introductory reader consists of extracts from critical analyses, largely by 20th-century Anglo-American literary critics, set around major literary texts that undergraduate students are known to be familiar with. It is pecifically targetted to present literary criticism to 1st and 2nd year undergraduates through practical examples of essays by the literary theorists themselves, on texts both within and outside the literary canon. Four example essays are included for each author/text presented.

In this original study, Peter Brooker takes issue with the simplified opposition of postmodernism to modernism in accounts of the modern period. Instead, he follows the course of modernity in the spectacular example of New York, to reveal the complexities of both modernist and postmodern responses to the city. Brooker's study refers us to the fiction of Doctorow, Don DeLillo and Toni Morrison and especially to the new urban `ethnic' writing. Here the voice of creative dissent and cultural hybridity expresses the best in a tradition of Amerian newness; this Peter Brooker calls the `new modern'. The text is an important contribution to contemporary debates on modernism and postmodernism, providing a thorough interdisciplinary study of new American writing within the socio-economic context of New York City and will be of great interest to students of American Studies, Cultural Studies and Literature.

A Reader's Guide to Contemporary Literary Theory is a classic introduction to the complex yet crucial area of literary theory. This book is known for its clear, accessible style and its thorough, logical approach, guiding the reader through the essentials of literary theory. It includes two new chapters: 'New Materialisms' which incorporates ecocriticism, animal studies, posthumanism and thing theory; '21st Century and Future Developments' which includes technology, digital humanities, ethics and affect.

First published in 1988, this books argues with received accounts to reclaim Brecht's emphasis on his self-described 'dialectical theatre', re-examining firstly the concepts of Gestus and Verfremdung and their realisation in Brecht's poetry in terms of his attempt to consciously apply the methods of dialectical materialism to art and cultural practice. The author also takes issue with the customary view of Brecht's career and politics which sees him as compromising either with Communist party dogma or bourgeois aesthetics, to find developing parallels between Brecht's political and artistic though and the critical dialectics of Marx, Lenin and Mao. This development is examined in later chapters in relation to the early and late plays, The Measures Taken and Days of the Commune as well as in relation to Brecht's changed circumstances in the years of war-time exile and in post-war East Germany.

The Glossary of Literary and Cultural Theory provides researchers and students with an up-to-date guide through the vibrant and changing debates in Literary and Cultural Studies. In a field where meanings are frequently complex and ambiguous, this text is remarkable for its clarity and usefulness. This third edition includes 17 entirely new entries and updates to more than a dozen others which address key concepts and contemporary positions in both literary and cultural theory. New entries include: * Actor Network Theory * Anthropocene * Ecocriticism * Digital Humanities * Postcapitalism * World Literature

This introduction to practicing literary theory is a reader consisting of extracts from critical analyses, largely by 20th century Anglo-American literary critics, set around major literary texts that undergraduate students are known to be familiar with. It is specifically targeted to present literary criticism through practical examples of essays by literary theorists themselves, on texts both within and outside the literary canon. Four example essays are included for each author/text presented.

One of the most innovative tendencies in contemporary literary and cultural studies is the investigation of space and geography, a trend which is proving particularly important for modernist studies. This volume explores the interface between modernism and geography in a range of writers, texts and artists across the twentieth century.
Cross-disciplinary essays test and extend a variety of methodological approaches and reveal the reach of this topic into every corner of modernist scholarship. From Imagist poetry and the orient to teashops and modernism in London, or from mapping and belonging in James Joyce or Joseph Conrad to the space of new media artists, this remarkable volume offers fresh, invigorating research that ranges across the field of modernism, but also serves to signal the many exciting new directions that future studies may take.
With ground-breaking essays from an international team of highly-regarded scholars, "Geographies of Modernism" is an important step forward in literary and cultural studies.

The concepts of 'Modernism' and 'Postmodernism' constitute the single most dominant issue of twentieth-century literature and culture and are the cause of much debate. In this influential volume, Peter Brooker presents some of the key viewpoints from a variety of major critics and sets these additionally alongside challenging arguments from Third World, Black and Feminist perspectives. His excellent Introduction and detailed headnotes for each section and essay provide an indispensable guide to interpreting the many different opinions, and prove to be valuable contributions in their own right.