The definitive survey, combining current scholarship with a vibrant narrative. Carefully informed by feedback from dozens of scholars, it remains the book that students and teachers trust to explain what's important, where it fits and why it matters. Peter Burkholder weaves a compelling story of people, their choices and the western musical tradition that emerged. From chant to hip-hop, he connects past to present to create a context for tomorrow's musicians.

The definitive survey, combining current scholarship with a vibrant narrative. Carefully informed by feedback from dozens of scholars, it remains the book that students and teachers trust to explain what's important, where it fits and why it matters. Peter Burkholder weaves a compelling story of people, their choices and the western musical tradition that emerged. From chant to hip-hop, he connects past to present to create a context for tomorrow's musicians.

The definitive survey, combining current scholarship with a vibrant narrative. Carefully informed by feedback from dozens of scholars, it remains the book that students and teachers trust to explain what's important, where it fits, and why it matters. Peter Burkholder weaves a compelling story of people, their choices, and the western musical tradition that emerged. From chant to hip-hop, he connects past to present to create a context for tomorrow's musicians.

The definitive survey, combining current scholarship with a vibrant narrative. Carefully informed by feedback from dozens of scholars, it remains the book that students and teachers trust to explain what's important, where it fits and why it matters. Peter Burkholder weaves a compelling story of people, their choices and the western musical tradition that emerged. From chant to hip-hop, he connects past to present to create a context for tomorrow's musicians.

"The leading academic vehicle for scholarly publication in the field of medieval warfare." Medieval Warfare The essays in this volume of the Journal continue its proud tradition of presenting cutting-edge research with a wide chronological and geographical range, from eleventh-century Georgia (David IV's use of the methods described in De velitatione bellica) to fifteenth-century England and France (a detailed analysis of the use of the under-appreciated lancegay and similar weapons). Iberia and the Empire are also addressed, with a study of Aragonese leaders in the War of the Two Pedros, a discussion of Prince Ferdinand's battle-seeking strategy prior to the battle of Toro in 1476, and an analysis and transcription of a newly-discovered Habsburg battle plan of the early sixteenth century, drawn up for the war against Venice. The volume also embraces different approaches, from cultural-intellectual history (the afterlife of the medieval Christian Warrior), to experimental archaeology (the mechanics of raising trebuchets), to comparison of "the face of battle" in a medieval illuminated manuscript with its depiction in modern films, to archivally-based administrative history (recruitment among the sub-gentry for Edward I's armies). Contributors: David S. Bachrach, Daniel Bertrand, Peter Burkholder, Ekaitz Etxeberria Gallastegi, Michael John Harbinson, Steven Isaac, Donald J. Kagay, Tomaz Lazar, Mamuka Tsurtsumia

The most up-to-date research in the period from the Anglo-Saxons to Angevins. The latest volume of the Haskins Society Journal presents recent research on the Anglo-Saxon, Anglo-Norman, and Angevin worlds broadly conceived, and includes topics ranging from the origins of Welsh law and the evidence for the development of the chivalric tournament in the Norman chroniclers to the use of saints to cement regional power, the reception of Dudo of St Quentin, the regional divides in the Norman Kingdom of Sicily, and more. The volume is particularly noteworthy for several studies that bring together historical and archaeological evidence in new and challenging ways. Contributors: DOMINIQUE BARTHELEMY, ROBIN CHAPMAN STACEY, ROBIN FLEMING, BERNARD BACHRACH, AUSTIN MASON, ALECIA ARCEO, PETER BURKHOLDER, PAUL OLDFIELD, KATHERINE LACK, SAMANTHA HERRICK, NICOLE MARAFIOTI, DAVID BACHRACH

Performers include: * Early music ensembles, such as Chapelle Royale, Lionheart, Sequentia, and the Tallis Scholars * Singers Dietrich Fischer-Dieskau, Renee Fleming, and Joan Sutherland * Cellist Yo-Yo Ma * Pianists Pierre-Laurent Aimard, Malcolm Bilson, and Artur Rubenstein * The Berlin Philharmonic, the Chicago Symphony Orchestra, and the London Symphony Orchestra * Conductors Pierre Boulez, John Eliot Gardiner, James Levine, and Michael Tilson Thomas * String quartets, such as the Concord String Quartet and the Tokyo String Quartet * Jazz artists Louis Armstrong, Duke Ellington, and Dizzy Gillespie

Performers include: * Early music ensembles, such as Chapelle Royale, Lionheart, Sequentia, and the Tallis Scholars * Singers Dietrich Fischer-Dieskau, Renee Fleming, and Joan Sutherland * Cellist Yo-Yo Ma * Pianists Pierre-Laurent Aimard, Malcolm Bilson, and Artur Rubenstein * The Berlin Philharmonic, the Chicago Symphony Orchestra, and the London Symphony Orchestra * Conductors Pierre Boulez, John Eliot Gardiner, James Levine, and Michael Tilson Thomas * String quartets, such as the Concord String Quartet and the Tokyo String Quartet * Jazz artists Louis Armstrong, Duke Ellington, and Dizzy Gillespie

Performers include: * Early music ensembles, such as Chapelle Royale, Lionheart, Sequentia, and the Tallis Scholars * Singers Dietrich Fischer-Dieskau, Renee Fleming, and Joan Sutherland * Cellist Yo-Yo Ma * Pianists Pierre-Laurent Aimard, Malcolm Bilson, and Artur Rubenstein * The Berlin Philharmonic, the Chicago Symphony Orchestra, and the London Symphony Orchestra * Conductors Pierre Boulez, John Eliot Gardiner, James Levine, and Michael Tilson Thomas * String quartets, such as the Concord String Quartet and the Tokyo String Quartet * Jazz artists Louis Armstrong, Duke Ellington, and Dizzy Gillespie

Recent research on the Anglo-Saxon, Anglo-Norman, Viking and Angevin worlds of the eleventh and twelfth centuries. The eleventh volume of the Haskins Society Journal presents recent research on the Anglo-Saxon, Anglo-Norman, Viking and Angevin worlds of the eleventh and twelfth centuries. Topics include reconsideration of aspects of Charles Homer Haskins' Renaissance of the Twelfth Century seventy years after its publication, as well as studies of the Liber Eliensis, the English coronation ordo, several studies of ecclesiastical politics, and more. This volume of the Haskins Society Journal includes papers read at the 16th Annual Conference of the Charles Homer Haskins Society in Houston in November 1997 and at other conferences in the year following the Haskins. Contributors include MARCIA COLISH, JENNIFER PAXTON, H.E.J. COWDREY, GEORGE GARNETT, JOHN FRANCE, PETER BURKHOLDER, BARBARA YORKE, TOM KEEFE, EMILY ALBU, KARL MORRISON.

Charles Ives is widely regarded as the first, great American composer of classical music. But listening to his music is an adventure-hearing how a piece begins may not prepare you for what comes next, or how it ends. Knowing one Ives piece may not prepare you for another. Award-winning music historian J. Peter Burkholder provides an introduction to the composer's diverse musical output and unusual career to readers of any background, discussing about thirty of the best and most characteristic pieces framed with biographical sketches. Burkholder shows how Ives mastered each tradition he encountered: from American popular music to classical European genres, from Protestant church music to his own unique experimental idiom, and interweaving elements from all these traditions in the astonishing works of his maturity. Burkholder provides compelling and accessible walkthroughs of select pieces, bringing the music alive and guiding listeners to a newfound appreciation of the composer. Ultimately, it reveals that there is an Ives piece for everyone

"An extremely important and gracefully written book on a significant and controversial topic. It is the most thoroughgoing study of Ives's compositional procedures that has yet been attempted."-Larry Starr, author of A Union of Diversities: Style in the Music of Charles Ives "A unique in-depth study of Ives's works, the most panoramic view of the music ever written, based on a new and convincing perspective."-H. Wiley Hitchcock, City University of New York "A unique, pathbreaking, and utterly convincing study of Ives's music."-David Nicholls, BBC Music Magazine "A well-balanced view of Ives's music. . . . A] pathbreaking study."-David Nicholls, Times Literary Supplement "This book should be in the library of every scholar with a serious interest in Ives's music. . . . Burkholder's writing throughout . . . is refreshingly clear, and his ability to organize vast amounts of detail into coherent and logical sequences is one of the greatest strengths of the book, and particularly appropriate to its subject."-Kathryn Bumpass, Notes "The book is well stocked with music examples and tables, enabling it to be used as a reference work, and has almost 100 pages of notes and bibliography. It abundantly fulfils its promise 'to help us hear the music better' and enriches our experience of Ives in a way that is totally sympathetic to the man and his music."-Peter Dickinson, Music & Letters "Burkholder's remarkable book succeeds in creating a different composite portrait of the musical consciousness of a great composer."-Judith Tick, American Music Winner of the Choice 1996 Outstanding Academic Book Award

Although Charles Ives has long been viewed as the quintessential American composer, he was also closely linked to the European classical tradition, say the Ives scholars in this book. Contributors explore the influences on Ives of his musical predecessors and the parallels between Ives and his European contemporaries, revealing him as culturally unique and yet reliant on the classical tradition for aesthetic philosophy and musical techniques. A stimulating and important contribution to Ives scholarship and to the understanding of twentieth-century music.-Larry Starr, University of Washington A valuable addition to Ives scholarship.-Library Journal Illuminates Ive's music by comparing it with that of other composers in Europe and the U.S. Begins with essays that examine the influences of his musical predecessors, and concludes with essays that find parallels between Ives and European contemporaries including Mahler, Schoenberg, Berg, and Stravinsky.-Reference & Research Book News Each of the essays in Charles Ives is provided with copious and detailed notes. A general index covers the entire book. This work is essential reading for scholars interested in Ives and his music.-Kathryn Bumpass, Notes