After the success of Little Women, Louisa M. Alcott responded to demand for a sequel by writing Good Wives which continues to chart the lives of Meg, Jo, Beth and Amy. 3 women, 9 men

Comedy / adapted from the novel by Louisa M. Alcott / Casting: 5m, 7f / InteriorThe story of LITTLE WOMEN, Louisa M. Alcott's famous novel, is so well known and so well loved that it is hardly surprising that many attempts have been made to portray its characters upon the stage. None has yet been so successful, however, as this brilliant dramatization by Peter Clapham. The structure of the play faithfully covers that of the novel, interweaving the lives of the March girls, Meg, Jo, Beth and Amy, and Laurie, the boy next door, as they grow up happily together, yet the action is contained neatly in one set. All the overtones of gaiety and the undertones of sadness are here, bringing the story completely to life in a way which is both accurate and dramatically satisfying.

Upon discovering a rare piece of opera music, Christine Day (Jill Schoelen) becomes fascinated by it, and finds herself transported back in time to 1889. The composer, Erik Destler (Robert Englund), is the hideously deformed Phantom of the Opera. When Christine performs his music, Erik becomes obsessed with her, and will stop at nothing in his desire to possess her.