The Roosevelts is a brilliant and controversial account of twentieth-century American political culture as seen through the lens of its preeminent political dynasty. Peter Collier shows how Theodore and Franklin Roosevelt, along with their descendants, scrambled to define the direction that American politics would take. The Oyster Bay clan, influenced by the flamboyant Teddy, was extroverted, eccentric, tradition-bound, and family-oriented. They represented an age of American innocence that would be replaced by Franklin's Hyde Park Roosevelts, who were aloof and cold yet individualistic and progressive.

Drawing on extensive interviews and brimming with trenchant anecdotes, this historical portrait casts new light on the pivotal events and personalities that shaped the Roosevelt legacy -- from Eleanor's often brutal relationship with her children and Theodore Jr.'s undoing in the 1924 New York gubernatorial race, to the heroism of Teddy's sons during both World Wars and FDR's loveless marriage.

The Roosevelts is history at its most penetrating, a crucial work that illuminates the foundations of contemporary, American politics.

Modern Western biography has become one of the most popular and most controversial forms of literature. Critics have attacked its tendency to rely on a strong narrative drive, its focus on a single person's life and its tendency to delve ever more deeply into that person's inner, private experience, though these tendencies seem to have only increased biography's popularity. To date, however, biography has been a rarely studied literary from. Little serious attention has been given to the light biographies can shed on philosophical problems, such as the intertwining of knowledge and power, or the ways in which we can understand lives, or terms like 'the self'. Should selves be seen as relational or as autonomous? What of the 'lies and silences' of biographies, the ways in which embodiment can be ignored? A study of these problems allows engagement with a range of philosophers and literary theorists, including Roland Barthes, Lorraine Code, Michel Foucault, Emmanuel Levinas, Alasdair MacIntyre, Ray Monk, Friedrich Nietzsche, Paul Ricoeur, Richard Rorty and Charles Taylor. Biography can be a dangerous art, claiming to know just how you feel'. This book explores the double-edged nature of biography, looking at what it reveals about both narratives and selves.

This is the fifth and final volume based on the lectures given by Pierre Bourdieu at the Collège de France in the early 1980s under the title ‘General Sociology’. In these lectures, Bourdieu sets out to define and defend sociology as an intellectual discipline, and in doing so he introduces and clarifies all the key concepts which have come to define his distinctive intellectual approach. In this volume, Bourdieu develops his view of the social world as the site of a struggle for the legitimate vision of the world, a struggle in which the agents confronting one another are unequally armed.  The specific weapon used in these struggles is what Bourdieu calls symbolic capital, which is economic, cultural or social capital when perceived through suitable categories of perception.  All forms of power seek to impose their own categories of perception in a way that is both recognized and misrecognized.  This is how forms of power establish themselves as legitimate, because legitimacy is a force of recognition based on misrecognition, that is, recognized insofar as it prevents us from recognizing the arbitrariness at the source of its efficacy. By rejecting the opposition between structuralist objectification and subjectivist constructivism, sociology, on Bourdieu’s account, can seek to grasp both the objective structure of social fields and the properly political strategies that agents produce in order to establish and impose their viewpoint.  And it can do this without forgetting that the whole world of social construction, whereby agents participate in producing social realities and inscribing them into the lasting objectivity of structures, is oriented by the perception they have of the social world, which depends on their position in these structures and their dispositions, themselves fashioned by the structures. An ideal introduction to some of Bourdieu’s most important ideas, the five volumes of this series will be of great value to students and scholars who study and use Bourdieu’s work across the social sciences and humanities, and they will be of interest to general readers who want to know more about the work of one of the most important sociologists and social thinkers of the 20th century. 

This volume collects 22 papers presented at the 4th International Symposium of the ICA Commission on the History of Cartography, held at Eotvos Lorand University, Budapest, Hungary, on 28-29 June 2012. The overall conference theme is 'Exploration - Discovery - Cartography', but preference has been given to papers dealing with cartography in the 19th and 20th centuries. The papers are classified according to regional sub-themes, i.e. papers on the Americas, papers on Africa, etc.

This is the second of five volumes based on the lectures given by Pierre Bourdieu at the Collège de France in the early 1980s under the title 'General Sociology'. In these lectures, Bourdieu sets out to define and defend sociology as an intellectual discipline, and in doing so he introduces and clarifies all the key concepts which have come to define his distinctive intellectual approach. In this volume, Bourdieu focuses on two of his most important and influential concepts: habitus and field.  For the social scientist, the object of study is neither the individual nor the group but the relation between these two manifestations of the social in bodies and in things: that is, the obscure, dual relation between the habitus – as a system of schemas of perception, appreciation and action – and the field as a system of objective relations and a space of possible actions and struggles aimed at preserving or transforming the field. The relation between the habitus and the field is a two-way process: it is a relation of conditioning, where the field structures the habitus, and it is also a relation of knowledge, with the habitus helping to constitute the field as a world that is endowed with meaning and value. The specificity of social science lies in the fact that it takes as its object of knowledge a reality that encompasses agents who take this same reality as the object of their own knowledge. An ideal introduction to some of Bourdieu's most important concepts and ideas, this volume will be of great interest to the many students and scholars who study and use Bourdieu's work across the social sciences and humanities, and to general readers who want to know more about the work of one of the most important sociologists and social thinkers of the 20th century.

As leading New Leftists in the Sixties, Peter Collier and David Horowitz were intimately involved in the radicalism of the day. Later on, they became the first of their generation to publicly reject the objectives of that revolutionary era and point out the cultural chaos it had left behind. Part memoir, part political analysis, part social history, DESTRUCTIVE GENERATION is the compelling story of their intellectual journey into and out of the radical trenches. Telling stories of the New Left's most famous (and infamous) personalities and events, Collier and Horowitz reveal the destructive legacy of the Sixties and the way in which that decade continues to cast a long shadow over politics and culture today. When it was first published more than a decade ago, DESTRUCTIVE GENERATION was a controversial bestseller that some critics compared to Whittaker Chambers' powerful political testament, WITNESS. This new edition contains new material which makes this classic work more relevant than ever in our own divided time.

The Kennedys may well be the most photographed, written about, talked about, admired, hated, and controversial family in American history. But for all the words and pictures, the real story was not told until Peter Collier and David Horowitz spent years researching archives and interviewing both family members and hundreds of people close to the Kennedys. An immediate classic, The Kennedys combines intimate knowledge with a perspective free of obligations to family loyalties and myths, bringing the story of four generations of "America's family" fully into view. Collier and Horowitz capture the strain of ambition; the dynastic ebb and flow; the invention of a mythic identity; the corrosive underside of the dream of Camelot-developed over four generations-that led one young Kennedy to say, "We broke the rules and in turn we were broken by them." The Kennedys: An American Drama is a fascinating and brilliantly comprehensive history that brings together, for the first time, all the complex strains of the story of the Kennedys' rise and fall. The authors have added new material showing the effect of the death of John F. Kennedy Jr., and the other family tragedies of the last few years, on the Kennedys and their mythic role in American life. In addition to The Kennedys, Peter Collier and David Horowitz are the authors of dynastic biographies of the Fords, Roosevelts, Rockefellers, and Fondas.

Memory has always been crucial to French literature and culture as a means of mediating the relationship between perception and knowledge of the individual coming to terms with his identity in time. Relatively recently, memory has also emerged as the key force in the creation of a collective consciousness in the wider perspective of French cultural history. This collection of essays, selected from the proceedings of a seminar on 'Memory' given by Dr Emma Wilson at the University of Cambridge, offers a fresh evaluation of memory as both a cultural and an individual phenomenon in modern and contemporary French culture, including literature, cinema and the visual arts. 'Anamnesia', the book's title, develops the Aristotelian concept of anamnesis: recollection as a dynamic and creative process, which includes forgetting as much as remembering, concealment as much as imagination. Memory in this extremely diverse range of essays is therefore far from being presented as a straightforward process of recalling the past, but emerges as the site of research and renegotiation, of contradictions and even aporia.

Modern French poetry is unique in the boldness and creativity of its experiments in form and genre, from classical verse to vers libre, from calligrammes to prose poems and poesie sonore. This anthology includes 32 poems by French and francophone poets, each followed by an accessibly written, detailed commentary. The different approaches adopted in the close readings by specialists in their field reflect the major trends in current literary criticism and theory. A foreword by one of France's foremost poets, Yves Bonnefoy, a general introduction, and an afterword provide a helpful theoretical framework for the study of modern poetry. An extensive bibliography, concise biographies of the poets, and a glossary of literary terms are included. Students of French and of comparative literature will gain a deeper understanding of the development of French verse and of the artistic movements (especially in the visual arts) which have shaped twentieth-century French poetry.

The paper in this volume challenge the concept of form and aim to set out, explore and develop different theories and examples of 'the formless'. In so doing, they raise questions of form, and notions of formlessness (as distinct from something called 'the formless'). The starting point for many of the contributors is Georges Bataille's highly influential article entitled 'informe' ('formless'). Here, in a context where art, philosophy and anthropology were merging, Bataille tried to question the idea of formlessness as simply applying to things without form. This book, through a diversity of articles in various domains, asks how and why 'the formless' is such a dominant idea from the nineteenth century onwards and it asks the question: 'what is formless?'

European Intertexts is the first fruit of an ongoing collaborative study aiming to challenge the isolationism of much critical work on English literature by exploring the interdependence of English and continental European literatures in writing by women. While later volumes will deal with specific texts, this introductory volume provides a descriptive framework and a theoretical basis for studies in the field. Covering issues such as the role of English as a world language, the definition of 'Europe', and the current state of Translation Studies, the book also surveys theories of intertextuality and demonstrates intertextual links between written and visual and film texts. This book is itself pioneering in making a systematic approach to women's writings in English in the context of other European cultures. Although Europe is a political reality, this cultural interpenetration remains largely unexamined, and these essays represent an important first step towards revealing that unexplored richness.

Published on the eve of the philosopher-play-wright's centenary, this study offers a wide-ranging re-appraisal of Sartre's complete dramatic opus, from the inaugural 'nativity' play, Bariona (1940), to the swan-song chorus of Armageddon, Les Troyennes (1965). It draws on a close reading of Sartre's writings in philosophy, literature and criticism, and provides an extensive survey of journalistic and academic reception. Each play is situated in relation both to Sartre's intellectual evolution and to the broader historical context. This is the first full-length study in English, for more than thirty years, covering the whole of Sartre's theatre, and it will interest students of twentieth-century European drama, as well as those of modern French literature and ideas.

This volume collects 22 papers presented at the 4th International Symposium of the ICA Commission on the History of Cartography, held at Eotvos Lorand University, Budapest, Hungary, on 28-29 June 2012. The overall conference theme is 'Exploration - Discovery - Cartography', but preference has been given to papers dealing with cartography in the 19th and 20th centuries. The papers are classified according to regional sub-themes, i.e. papers on the Americas, papers on Africa, etc.

Modern French poetry is unique in the boldness and creativity of its experiments in form and genre, from classical verse to vers libre, from calligrammes to prose poems and poesie sonore. This anthology includes 32 poems by French and francophone poets, each followed by an accessibly written, detailed commentary. The different approaches adopted in the close readings by specialists in their field reflect the major trends in current literary criticism and theory. A foreword by one of France's foremost poets, Yves Bonnefoy, a general introduction, and an afterword provide a helpful theoretical framework for the study of modern poetry. An extensive bibliography, concise biographies of the poets, and a glossary of literary terms are included. Students of French and of comparative literature will gain a deeper understanding of the development of French verse and of the artistic movements (especially in the visual arts) which have shaped twentieth-century French poetry.

Proust's famous novel A la recherche du temps perdu (Remembrance of Things Past) is a fascinating exploration not only of memory and desire, of high society and everyday life, but also of art. The study focuses on Venice, one of the hero's central obsessions, and shows how a whole network of allusions to art (from Titian to Turner, from Ruskin to Emile Male, from Giotto to Bellini, from Byzantine mosaic to the dresses designed by Fortuny after paintings by Carpaccio) ties in with the hero's quest for self-knowledge and self-fulfilment. Peter Collier demonstrates how an understanding of the writer's artistic sources and reworkings can shed light both on Proust's complex prose style and on the aesthetic theory proposed by his novel. Most importantly, Venice and Italian art provide a new key to the central themes of the novel: memory and desire.

Zola's masterpiece of working life, Germinal (1885), exposes the inhuman conditions of miners in northern France in the 1860s. By Zola's death in 1902 it had come to symbolise the call for freedom from oppression so forcefully that the crowd which gathered at his State funeral chanted 'Germinal! Germinal!'. The central figure, Etienne Lantier, is an outsider who enters the community and eventually leads his fellow-miners in a strike protesting against pay-cuts - a strike which becomes a losing battle against starvation, repression, and sabotage. Yet despite all the violence and disillusion which rock the mining community to its foundations, Lantier retains his belief in the ultimate germination of a new society, leading to a better world. Germinal is a dramatic novel of working life and everyday relationships, but it is also a complex novel of ideas, given fresh vigour and power in this new translation. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

"What's the point of being Irish anyway if you don't think the world will break your heart?" asks Jack Kennedy. He is spellbound by a song about Ireland's neverland of dreams: "How Are Things in Glocca Morra?" No one better knew the real JFK's dreams and passions than Lem Billings, a prep-school roommate who made himself "sidekick everlasting." The late Peter Collier had the great fortune to obtain oral histories from Billings himself, and they became the basis for a vivid biographical novel in Lem's voice. On assignment with the Hearst newspapers, Jack goes with Lem to Hollywood, that neverland of dreams he loves for "the feeling that something might happen." Things do. Communists and gangsters vie for control of the film industry. There are labor strikes, blackmail, assassinations. And there are glamorous actresses. Joseph Kennedy Sr. hovers oppressively over his son and aims to derail his romance with Valentina, survivor of an Italian prison camp and daughter of a mobster. The world breaks Jack's heart, and he dives into politics with steely purpose. But the interlude in Hollywood sends ripples through the Kennedys' lives. When Lem gets the news of JFK's assassination, he instantly thinks of Val's father-a man whose middle name is vendetta. Billings never got the answers he sought about Jack's death. As for his intimate knowledge of the Kennedys, he remained ever discreet, but left a trove of recollections to be opened by a later generation. Channeled through Collier's lively and imaginative prose, they illuminate shadowy corners of an extraordinary American saga.

Riveting real-life accounts of heroism from Medal of Honor recipients, including Clinton Romesha (author of Red Platoon: A True Story of American Valor) and exceptional civilians like schoolteacher Jencie Fagan How does an ordinary person become a hero? It happens in a split second, a moment of focus and clarity, when a choice is made. Here are the gripping accounts of Medal of Honor recipients who demonstrated guts and selflessness on the battlefield and confronted life-threatening danger to make a difference. There are the stories of George Sakato and Vernon Baker--both of whom overcame racial discrimination to enlist in the army during World War II (Sakato was a second-generation Japanese American, Baker an African American) and went on to prove that heroes come in all colors--and Clint Romesha, who led his outnumbered fellow soldiers against a determined enemy to prevent the Taliban from taking over a remote U.S. Army outpost in Afghanistan. Also included are civilians who have been honored by the Congressional Medal of Honor Foundation for outstanding acts of bravery in crisis situations, from a school shooting to the 9/11 attacks on the World Trade Center. Adding depth and context are illuminating essays on the combat experience and its aftermath, covering topics such as overcoming fear; a mother mourning the loss of her son; and "surviving hell" as a prisoner of war.

'What holds sway over this country without morals, beliefs, or feelings? Gold and pleasure.' Sexual attraction, artistic insight, and the often ironic relationship between them is the dominant theme in the three short works collected in this volume. In Sarrasine an impetuous young sculptor falls in love with a diva of the Roman stage, but rapture turns to rage when he discovers the reality behind the seductiveness of the singer's voice. The ageing artist in The Unknown Masterpiece, obsessed with his creation of the perfect image of an ideal woman, tries to hide it from the jealous young student who is desperate for a glimpse of it. And in The Girl with the Golden Eyes, the hero is a dandy whose attractiveness for the mysterious Paquita has an unexpected origin. These enigmatic and disturbing forays into the margins of madness, sexuality, and creativity show Balzac spinning fantastic tales as profound as any of his longer fictions. His mastery of the seductions of storytelling places these novellas among the nineteenth-century's richest explorations of art and desire. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

‘Proust redefined the terms of fiction … a profound and often very witty masterpiece whose influence continues to pervade the body politic of imaginative prose’ 
Robert McCrum, Guardian Favourite Books of the Twentieth Century

The Prisoner and The Fugitive fulfill Swann’s much earlier warning to Marcel: ‘Though the subjection of the woman may briefly allay the jealousy of the man, it eventually makes it even more demanding’, as Marcel and Albertine are locked in a cycle of mistrust that threatens both their identities. But these are also novels of great lyrical excitement and beauty – in the Parisian street cries, the Vinteuil concert and Proust’s virtuoso description of Venice. Above all, these two works deal with the theme of the explosion and impact of memory that runs throughout In Search of Lost Time, pointing the reader towards its resolution.