Fresh examinations of the role of medicinal plants in medieval thought and practice and how they contributed to broader ideas concerning the body, religion and identity. The important and ever-shifting role of medicinal plants in medieval science, art, culture, and thought, both in the Latin Western medical tradition and in Byzantine and medieval Arabic medicine, is the focus of this new collection. Following a general introduction and a background chapter on Late Antique and medieval theories of wellness and therapy, in-depth essays treat such wide-ranging topics as medicine and astrology, charms and magical remedies, herbal glossaries, illuminated medical manuscripts, women's reproductive medicine, dietary cooking, gardens in social and political context, and recreated medieval gardens. They make a significant contribution to our understanding ofthe place of medicinal plants in medieval thought and practice, and thus lead to a greater appreciation of how medieval theories and therapies from diverse places developed in continuously evolving and cross-pollinating strands,and, in turn, how they contributed to broader ideas concerning the body, religion, identity, and the human relationship with the natural world. Contributors: MARIA AMALIA D'ARONCO, PETER DENDLE, EXPIRACION GARCIA SANCHEZ, PETER MURRAY JONES, GEORGE R. KEISER, DEIRDRE LARKIN, MARIJANE OSBORN, PHILIP G. RUSCHE, TERENCE SCULLY, ALAIN TOUWAIDE, LINDA EHRSAM VOIGTS

This is a comprehensive overview of zombie movies in the first 11 years of the new millennium, the most dynamic and vital period yet in the history of the zombie genre. It serves not only as a follow-up to its predecessor (The Zombie Movie Encyclopedia, McFarland 2001), which covered movies from 1932 up until the late 1990s, but also as a fresh exploration of what uniquely defines the genre in the 2000s. In-depth entries provide critical analysis of the zombie as creature in more than 280 feature-length movies, from 28 countries and filmed on six continents. An appendix offers shorter entries for more than 100 shorts and serials.

Zombies are cautionary forms of humankind's most universally cherished ideal--life after death. Often ragged, unkempt, ill-spoken, rotting individuals, zombies (or the post-dead) seem socially awkward in comparison to the more popular and more aristocratic, undead, like Count Dracula and his peers. And so, the humble zombie remains, for the most part, unappreciated and unacknowledged--until now. No longer will films devoted to them be buried in the last pages of horror movie guides.

The exhumation of zombie films from obscurity is accomplished in terrifying detail in The Zombie Movie Encyclopedia. The first exhaustive overview of the subject, this book evaluates over 200 movies from 16 countries over a 65-year period starting from the early 1930s. It mostly treats feature-length films, covering everything from large studio productions to backyard videography, but also touches on memorable episodes of television series and miscellaneous shorts. Lengthy entries point out interesting or innovative features of the zombie portrayal in each movie, while an introduction traces the evolution of the genre and interprets the broader significance of the zombie in contemporary Western mythology. Productions credits, a brief plot summary, and alternate titles accompany each entry.