An engaging and illuminating biography focused on the formative and highly influential early years of “rock’s first supergroup” (Rolling Stone) Crosby, Stills, Nash, and Young—when they were the most successful, influential, and politically potent band in America. After making their marks in popular bands such as the Hollies and the Byrds, David Crosby, Stephen Stills, and Graham Nash released their first album in May 1969. By the time they arrived at Woodstock a few months later, Neil Young had joined their ranks and together, their transcendent harmonies and evocative lyrics channeled all the romantic idealism and radical angst of their time. Now, music journalist Peter Doggett chronicles these legendary musicians and the movement they came to represent at the height of their popularity and influence: 1969 to 1974. Based on interviews with the band and colleagues, along with exclusive access to CSNY’s archive, Doggett provides new insights into their incredible catalog, from their delicate acoustic confessionals like “Suite: Judy Blue Eyes” to their timeless classics such as “Our House.” Doggett also uncovers plenty of new stories and perspectives on the four tenacious and volatile songwriters’ infamously reckless, hedonistic, and often combative lifestyles that led to their continuous breakups and behaviors—extreme even by rock star standards. “A must for CSNY fans and anyone who remembers the era when it ruled the pop charts” (Kirkus Reviews, starred review), CSNY is a quintessential and definitive account of one of the biggest bands of the Woodstock generation.

'An excellent book' David Aaronovitch, The Times Was the 1960s really that great time of liberation, joyful experimentation and celebration of youth? Growing Up takes an unflinching look at the dark underbelly of the sexual revolution. No era in recent history has been both more celebrated and vilified than the 1960s. For some it was a time when music, fashion and drugs enabled young people to express their individuality and freedom, their hopes and dreams of a different, perhaps better, world. For others, the decade marked the advent of the permissive society, with its undermining of authority, family values and common decency. At the heart of this continuing controversy is sex. For this wide-ranging and eye-opening survey of the sexual landscape of the 1960s Peter Doggett has assembled a dozen little-known stories that reveal how the sexual revolution transformed people's lives. Growing Up provides an honest, often disturbing portrait of a constant battle between two forces: the urge to free the body from guilt and restraint; and the desire to control, cannibalise and exploit that liberation for profit or pleasure. It is a battle that divides opinion to this day.

The world stopped in 1970 when Paul McCartney announced that he was through with the Beatles. Though the Beatles' breakup was widely viewed as a cultural tragedy, one of the most fascinating phases of their story was just beginning.

In You Never Give Me Your Money, journalist Peter Doggett tells the behind-the-scenes story of the personal rivalries and legal feuds that have dominated the Beatles' lives since 1969. It is both a compelling human drama and an equally rich and absorbing story of the creative and financial empire the band members set up to safeguard their interests but that ultimately controlled their lives. You Never Give Me Your Money charts the Shakespearean battles between Lennon and McCartney, George Harrison's raging inner conflict between spirituality and fame, and the struggle with alcoholism that nearly cost Richard Starkey his life. From tragedy to triumphant reconciliation, from individual chart success to bitter courtroom battles, this meticulously researched work tells the previously untold story of a group and a legacy that will never be forgotten.

Between 1965 and 1972, political activists around the globe prepared to mount a revolution, from the Black Panthers to the Gay Liberation Front, from the Yippies to the IRA. Rock and soul music supplied the revolutionary tide with anthems and iconic imagery; and renowned musicians such as John Lennon, Mick Jagger and Bob Dylan were particularly influential in the movement. This is the definitive account of this unique period in modern history; a compelling portrait of an era when revolutionaries turned into rock stars, and rock stars dressed up as revolutionaries.

'An important reappraisal of a decade that changed us, for good and ill' Sunday Times No era in recent history has been both more celebrated and vilified than the 1960s. And at the heart of all that controversy - the music, drugs, fashion, hopes, dreams and political movements - is sex. But were the 1960s really a great time of liberation, joyful experimentation and celebrations of youth? Growing Up takes an unflinching look at the dark underbelly of the sexual revolution. In this wide-ranging and eye-opening survey of the sexual landscape of the 1960s, Peter Doggett has assembled a dozen little-known stories that reveal how the sexual revolution transformed people's lives - for better or worse. 'Fascinating...shows rather conclusively that the sixties was not a sexual paradise' Evening Standard 'Creates an account of the 1960s that, unlike most popular histories, does not edit out the grim bits' Mail on Sunday

Read the first biography of Crosby, Stills, Nash and Young, whose music and career illuminate the journey and legacy of 1960s counterculture. Between 1969 and 1974, Crosby, Stills, Nash and Young were the most successful, influential and politically potent rock band in America. More than any of their peers, they channelled and broadcast all the radical anger, romantic idealism and generational angst of their era. The vast emotional range of their music, from delicate acoustic confessionals to raucous counter-culture anthems, was mirrored in the turbulence of their personal lives. Crosby, Stills, Nash & Young is the first major biography of a band whose first two albums are undisputed rock classics, and which continues to attract a large and loyal following to their sporadic reunions. At the same time, Peter Doggett illuminates the pivotal years of 1960s counterculture through the story of four of its key protagonists, whose music, beliefs and relationships with each other chronicle both its trajectory and its legacy.

Ambitious and groundbreaking, Electric Shock tells the story of popular music, from the birth of recording in the 1890s to the digital age, from the first pop superstars of the twentieth century to the omnipresence of music in our lives, in hit singles, ringtones and on Spotify. Over that time, popular music has transformed the world in which we live. Its rhythms have influenced how we walk down the street, how we face ourselves in the mirror, and how we handle the outside world in our daily conversations and encounters. It has influenced our morals and social mores; it has transformed our attitudes towards race and gender, religion and politics. From the beginning of recording, when a musical performance could be preserved for the first time, to the digital age, when all of recorded music is only a mouse-click away; from the straitlaced ballads of the Victorian era and the 'coon songs' that shocked America in the early twentieth century to gangsta rap, death metal and the multiple strands of modern dance music: Peter Doggett takes us on a rollercoaster ride through the history of music. Within a narrative full of anecdotes and characters, Electric Shock mixes musical critique with wider social and cultural history and shows how revolutionary changes in technology have turned popular music into the lifeblood of the modern world.

No artist offered a more compelling portrayal of the landscape of the 1970s than David Bowie. From his first hit, "Space Oddity," in 1969 to the release of the LP Scary Monsters (and Super Creeps) in 1980, Bowie cultivated an innovative and shocking brand of performance, a mesmerizing blend of high-concept science fiction and old-fashioned rock 'n' roll, delivered in skintight spandex and operatic alien makeup. Through songs at once prescient and esoteric, beautiful and haunting, Bowie cut hard against the grain of '60s and '70s pop music, replacing it with something far more intriguing: a dark, fantastical vision that heralded the dawn of a new decade.

In The Man Who Sold the World, acclaimed journalist Peter Doggett explores the rich heritage of Bowie's most productive and inspired decade. Viewing the artist through the lens of his music and his many guises, Doggett offers a detailed analysis--musical, lyrical, conceptual, social--of every song Bowie wrote and recorded during that period, as well as a brilliant exploration of the development of a performer who profoundly affected popular music and the idea of stardom itself.

"The Man Who Sold the World" is a critical study of David Bowie's most inventive and influential decade, from his first hit, "Space Oddity," in 1969, to the release of the LP "Scary Monsters (and Super Creeps") in 1980. Viewing the artist through the lens of his music and his many guises, the acclaimed journalist Peter Doggett offers a detailed analysis--musical, lyrical, conceptual, social--of every song Bowie wrote and recorded during that period, as well as a brilliant exploration of the development of a performer who profoundly affected popular music and the idea of stardom itself.

Dissecting close to 250 songs, Doggett traces the major themes that inspired and shaped Bowie's career, from his flirtations with fascist imagery and infatuation with the occult to his pioneering creation of his alter-ego self in the character of Ziggy Stardust. What emerges is an illuminating account of how Bowie escaped his working-class London background to become a global phenomenon. "The Man Who Sold the World" lays bare the evolution of Bowie's various personas and unrivaled career of innovation as a musician, singer, composer, lyricist, actor, and conceptual artist. It is a fan's ultimate resource--the most rigorous and insightful assessment to date of Bowie's artistic achievement during this crucial period.