The United States has never had an officially established church. Since the time of the first British colonists, it has instead developed a strong civil religion that melds national symbols to symbols of God. In a deft exploration of American civil religious symbols ranging from the Liberty Bell and Vietnam Memorial to Mount Rushmore and Disney World, Peter Gardella explains how the places, objects, and symbols that Americans hold sacred came into being and how they have changed over time. In addition to examining revered historical sites and structures, he analyzes such sacred texts as the Declaration of Independence, the Constitution, the Gettysburg Address, the Kennedy Inaugural, and the speeches of Martin Luther King, and shows how five patriotic songs-''The Star-Spangled Banner,'' ''The Battle Hymn of the Republic'' ''America the Beautiful,'' ''God Bless America,'' and ''This Land Is Your Land''-have been elevated into hymns. Arguing that certain values-personal freedom, political democracy, world peace, and cultural tolerance-have held American civil religion together, this book chronicles the numerous forms those values have taken, from Jamestown and Plymouth to the September 11, 2001, Memorial in New York.

From figurines to bumper stickers, Broadway to prime-time TV, angels have taken over America. Our fascination with angels has become big business but, as Peter Gardella shows, this phenomenon has extended well beyond the commercial world to attract and inspire people from all walks of life for a diverse array of reasons.

Gardella's engaging study is the first to look objectively at the place of angels in American culture. He explores in particular the emergence of a domestic religion of "useful angels"-especially outside mainstream churches-that has created a uniquely American faith, one that addresses everything from the sexuality of angels to how angels and demons literally figure in the War on Terror.

Gardella explores the history of angels in America from Spanish colonialism and Puritan sermons to the modern angel craze that overtook the nation in the 1990s in the wake of Sophy Burnham's bestselling A Book of Angels. He argues that our collective fascination with angels seems especially linked to their perceived utility as helpmates and describes how they have been incorporated into everything from healing practices and child rearing to warding off evil and evoking love. But, Gardella argues, these angels are often perceived as servants of man rather than agents of God, and this very servitude has helped codify our sense of national uniqueness and righteousness.

Angel enthusiasm may be centered in America's heartland--home of the Hallmark empire and Precious Moments chapel--but it extends everywhere, including our music, popular literature, advertising, television shows, and Hollywood movies like "It's a Wonderful Life," "Michael," and "City of Angels." And, as Gardella shows, whether New Age or evangelical, these angels are becoming more multicultural, more physical, and more intimately engaged with us all the time.

Beautifully and sympathetically written, but with a scholar's eye for pattern and detail, American Angels mixes theology, psychology, sociology of religion, gender theory, and even film criticism to create an unusually well-rounded survey of a uniquely American phenomenon. It shows us how the utility of angels speaks to the very core of religion and will enlighten skeptics and believers alike.

Though they disagree on virtually everything else, evangelicals and gays, Catholics and agnostics all agree that sex should be innocent and ecstatic. For most of Western history people have not had such expectations. Innocent Ecstasy shows how Christianity led Americans to hope for so much from sex. The book explains how the sexual revolution could have occurred in a nation so deeply imbued with Christian ethical values. Tracing our strange journey from the hands of Jonathan Edward's angry Puritan God to the loving embrace of Marabel Morgan's Total Woman, Gardella draws his surprising evidence from widely disparate sources, ranging from Catholic confessionals to methodist revival meetings, from evangelical romances to The Song of Bernadette. He reveals the sexual messages of mainstream Protestant theology and the religious aspirations of medical texts found at the Kinsey Institute for Sex Research. He sheds new light on such well-known figures as Henry Adams, Margaret Sanger, Aimee Semple McPherson, and Harriet Beecher Stowe, and introduces us to such fascinating, lesser-known characters as Dr. John Harvey Kellogg and Sylvester Graham, inventors of corn flakes and Graham crackers, who devised their products as anti-aphrodisiacs. While detailing the development of moral obligations to pursue sexual pleasure and to follow certain patterns of sexual practice, Gardella incidentally provides one of the few books to bring together the liberal Protestant, Roman Catholic, and evangelical perspectives on any aspect of American culture. Gardella attributes the American ethic of sexual pleasure to the eagerness of Americans to overcome original sin. This led to a quest for perfection, or complete freedom from guilt, combined with a quest for ecstatic experience. The result, he maintains, is an attitude that looks to sex for what was once expected from religion. In this new edition, a new conclusion explores how popular music, gay liberation, and recovery from sexual abuse have substantially expanded innocent ecstasy during the past thirty years while continuing the Christian themes of redemption and mission. A new afterword deals with contemporary developments in popular culture and offers thoughts about the future

The United States has never had an officially established church. Since the time of the first British colonists, it has instead developed a strong civil religion that melds national symbols to symbols of God. In a deft exploration of American civil religious symbols ranging from the Liberty Bell and Vietnam Memorial to Mount Rushmore and Disney World, Peter Gardella explains how the places, objects, and symbols that Americans hold sacred came into being and how they have changed over time. In addition to examining revered historical sites and structures, he analyzes such sacred texts as the Declaration of Independence, the Constitution, the Gettysburg Address, the Kennedy Inaugural, and the speeches of Martin Luther King, and shows how five patriotic songs-''The Star-Spangled Banner,'' ''The Battle Hymn of the Republic'' ''America the Beautiful,'' ''God Bless America,'' and ''This Land Is Your Land''-have been elevated into hymns. Arguing that certain values-personal freedom, political democracy, world peace, and cultural tolerance-have held American civil religion together, this book chronicles the numerous forms those values have taken, from Jamestown and Plymouth to the September 11, 2001, Memorial in New York.

Though they disagree on virtually everything else, evangelicals and gays, Catholics and agnostics all agree that sex should be innocent and ecstatic. For most of Western history people have not had such expectations. Innocent Ecstasy shows how Christianity led Americans to hope for so much from sex. It is the first book to explain how the sexual revolution could have occurred in a nation so deeply imbued with Christian ethical values.
Tracing our strange journey from the hands of Jonathan Edward's angry Puritan God to the loving embrace of Marabel Morgan's Total Woman, Gardella draws his surprising evidence from widely disparate sources, ranging from Catholic confessionals to methodist revival meetings, from evangelical romances to The Song of Bernadette. He reveals the sexual messages of mainstream Protestant theology and the religious aspirations of medical texts found at the Kinsey Institute for Sex Research. He sheds new light on such well-known figures as Henry Adams, Margaret Sanger, Aimee Semple McPherson, and Harriet Beecher Stowe, and introduces us to such fascinating, lesser-known characters as Dr. John Harvey Kellogg and Sylvester Graham, inventors of corn flakes and Graham crackers, who devised their products as anti-aphrodisiacs. While detailing the development of moral obligations to pursue sexual pleasure and to follow certain patterns of sexual practice, Gardella incidentally provides one of the few books to bring together the liberal Protestant, Roman Catholic, and evangelical perspectives on any aspect of American culture.
Gardella attributes the American ethic of sexual pleasure to the eagerness of Americans to overcome original sin. This led to a quest for perfection, or complete freedom from guilt, combined with a quest for ecstatic experience. The result, he maintains, is an attitude that looks to sex for what was once expected from religion.