This Encyclopedia is the most comprehensive guide yet both to the nature and content of literature, and to literary criticism. In ninety essays by leading international critics and scholars, the volume covers both traditional topics such as literature and history, poetry, drama and the novel, and also newer topics such as the production and reception of literature. Current critical ideas are clearly and provocatively discussed, while the volume's arrangement reflects in a dynamic way the rich diversity of contemporary thinking about literature. Each essay seeks to provide the reader with a clear sense of the full significance of its subject as well as guidance on further reading. An essential work of reference, The Encyclopedia of Literature and Criticism is a stimulating guide to the central preoccupations of contemporary critical thinking about literature. Special Features * Clearly written by scholars and critics of international standing for readers at all levels in many disciplines * In-depth essays covering all aspects, traditional and new, of literary studies past and present * Useful cross-references within the text, with full bibliographical references and suggestions for further reading * Single index of authors, terms, topics

This "Encyclopedia" is the most comprehensive guide yet to both the nature and content of literature and to literary criticism. In ninety essays by leading international critics and scholars such as Catherine Belsey, Terrence Hawker, Catherine Hayles, Cora Kaplan, Christopher Norris and Don E. Wayne, the volume covers traditional topics such as literature and history, poetry, drama and the novel, and newer topics, including the production and reception of literature. Current critical ideas are clearly and provocatively discussed, while the volume's arrangement reflects in a dynamic way the rich diversity of contemporary thinking about literature.
The "Encyclopedia" includes important sections on criticism, the contexts of English literature and "other literatures" in English. Individual essays cover subjects as diverse as feminist theatre, postmodernism, medieval literature, romantic poetry, Marxist criticism, censorship, realism and the novel, contemporary American poetry, New Historicism, the origins of the modern stage, the renaissance, women and the poetic tradition, the printed book, and Shakespeare and eighteenth-century fiction. Each essay seeks to provide the reader with a clear sense of the full significance of its subject as well as guidance for further reading.
An essential work of reference, the "Encyclopedia of Literature and Criticism" is a stimulating guide to the central preoccupations of contemporary critical thinking about literature.

'It will be a grand book for thae Englishers for they winna understand a word of it' Hogg's boast to William Blackwood Witty, humorous and comical as the title implies, the eccentric nature of many of the poems collected here nevertheless belies the often serious and moral issues contained within. Newly available in paperback, and including many of Hogg's better known longer pieces, the present volume is based on the first edition of A Queer Book to be published since 1832 - though the similarity between the two editions ends with the running order. While the text for the original edition was substantially reworked by the publisher to smooth out Hogg's use of Scots, this volume brings together manuscripts from all over the world to provide material as near to his final copy as possible. The result is a vibrant collection including many poems which have never been studied critically before. A thorough introduction to the best of Hogg's poetry.

The picturesque (a set of theories, ideas, and conventions that grew up around the question of how we look at landscape) offers a valuable focus for new investigations into the literary, artistic, social, and cultural history of the late eighteenth and nineteenth centuries. This volume of essays by scholars from various disciplines in Britain and America incorporates a range of historically and theoretically challenging approaches to the topic. It covers the writers most closely identified with the exposition of the picturesque as a theory, and also traces the influence and implications of its aesthetic in a variety of fields in the Romantic period, including literary and pictorial works, estate management, and women's fashion. Several essays deal more specifically with radical critiques and appropriations of the picturesque in the nineteenth century, while in others its influence is traced beyond traditionally accepted geographical or historical bounds.

Edited by Peter Garside and Richard D. Jackson, with musical notations prepared by Peter Horsfall
Originally published in 1810, The Forest Minstrel represents the first full collection of songs by Hogg. The items contained include some of his first compositions as a shepherd in Ettrick, while others originate from early contact with the literary culture of Edinburgh. This edition for the first time supplies musical settings for the majority of items, whereas in 1810 Hogg only nominated tunes by title. These settings are based on extensive research in relevant pre-1810 Scottish music books. As a result, the modern reader is given access to the tunes which originally formed an integral part of the songs. An Introduction describes Hogg's development as a song-writer and the musical context in 1810; while full annotation is provided on both the texts of the songs and the related tunes.
The volume also includes a CD containing audio recordings of the seventy-two tunes which are provided by means of the notations.

The complexity of print culture in Britain between the seventeenth and nineteenth century is investigated in these wide-ranging articles. The essays collected here offer examinations of bibliographical matters, publishing practices, the illustration of texts in a variety of engraved media, little studied print culture genres, the critical and editorial fortunes of individual works, and the significance of the complex interrelationships that authors entertained with booksellers, publishers, and designers. They investigate how all these relationships affected the production of print commodities and how all the agents involved in the making of books contributed to the cultural literacy of readers and the formation of a canon of literary texts. Specific topics include a bibliographical study of Aphra Behn's Oroonoko and its editions from its first publication to the present day; the illustrations of John Bunyan's Pilgrim's Progress and the ways in which the interpretive matrices of book illustration conditioned the afterlife and reception of Bunyan's work; the almanac and the subscription edition; publishing history, collecting, reading, and textual editing, especially of Robert Burns's poems and James Thomson's The Seasons; the "printing for the author" practice; the illustrated and material existence of Sir Walter Scott's Waverley novels, and the Victorian periodical, The Athenaeum. Sandro Jung is Research Professor of Early Modern British Literature and Director of the Centre for the Study of Text and Print Culture at Ghent University. Contributors: Gerard Carruthers, Nathalie Colle-Bak, Marysa Demoor, Alan Downie, Peter Garside, Sandro Jung, Brian Maidment, Laura L. Runge.

Edward Waverley is a young, cultured man whose sensibilities lead to his involvement in the Jacobite Rising of 1745. In his journey into Scotland, down to Derby, and back up again he explores the cultural and political geography of Great Britain. "Waverley" was Scott's first novel, but like its final chapter, 'A Postscript which should have been a Preface', it appears last in this series, so that the full weight of experience gained from editing Scott's fiction can be brought to understanding his most influential novel, the one which gave its name to the Waverley Novels. To this edition, P. D. Garside brings new insights and new information, and he establishes a text which is significantly different from its predecessors. This is a great culmination to the Edinburgh Edition of the Waverley Novels.

Set in south-west Scotland in the immediate aftermath of the 1707 Union, The Black Dwarf was intended to be a story about the first, abortive, Jacobite uprising of 1708. Instead it developed into a gothic tale of the supernatural. This new edition brings out the virtues in the story, long overlaid by Scott's embellishments in later editions.

A TLS International Book of the Year (TLS, Dec 7, 2001) This now-famous book was given a hostile reception when it first appeared in 1824. It was not reprinted until the late 1830s, when a heavily bowdlerised version was included in a posthumous edition of Hogg's collected Tales and Sketches published by Blackie & Son of Glasgow. Thereafter Confessions of a Justified Sinner attracted little interest until the 1890s, when the unbowdlerised text was printed for the first time since the 1820s. However, the current high reputation of Hogg's novel did not fully begin to establish itself until 1947, when a warmly enthusiastic Introduction by Andre Gide appeared in a new edition of the unbowdlerised text. He went on to record how he had read 'this astounding book [!] with a stupefaction and admiration that increased at every page'. Many readers have subsequently shared Gide's enthusiasm, and Confessions of a Justified Sinner is now widely recognised as one of the outstanding British novels of the Romantic era. It has also been acclaimed as one of the defining texts of Scotland, with Iain Crichton Smith recently applauding 'a towering Scottish novel, one of the very greatest of all Scottish books'. Peter Garside's eagerly-awaited new Stirling / South Carolina edition (available in both hardback and paperback) excitingly opens out our understanding of Hogg's masterpiece. Its annotation adds very substantially to the contributions of previous editors, for example by showing various layers of hitherto undetected references. Through an impressive piece of scholarly detective-work, Garside has also uncovered the remarkable story of the first printing of the Justified Sinner and Hogg's battle with his London publishers, Longman, for his subversive and challenging novel to make its first appearance in a form he found satisfactory. This edition provides an illuminating and compelling new account of the genesis of Hogg's masterpiece, and of the cultural, theological, geographical, and historical contexts of this remarkable novel.

Guy Mannering, or The Astrologer, first published in 1815, was Walter Scott's second novel. Guy Mannering only half-believes in his art, but does believe in the ability of his patriarchal power, wealth and social position to sort out social confusion. However he has to learn the limits of a nabob's authority in a society that (in the 1780s) is no longer a single hierarchy but has many subsets, each with its own laws - gypsies, smugglers, Edinburgh lawyers, the Border store farmer, the traditional landowner. Guy Mannering is set at the time of the American Revolution, and represents a Scotland at once backward and advanced, patriarchal and commercial, traditional and modern, a country in very varied stages of progression. This is the first modern edition of one of Scott's finest works. It is based on the first edition, but is corrected from the manuscript, and restores around two thousand readings lost through error or misunderstanding. For the first time it includes Scott's extended portraits of the Edinburgh literati which were unaccountably omitted from the printed version.

The second of "Tales of the Crusaders," "The Talisman" is set in Palestine during the Third Crusade (1189 - 92). Scott constructs a story of chivalric action, apparently adopting a medieval romance view of the similarities in the values of both sides. But disguise is the leading theme of the tale: it is not just that characters frequently wear clothing that conceals their identity, but that professions and cultures hide their true nature.

In this novel the Christian leaders are divided by a factious criminality, and are contrasted to the magnanimity and decisiveness of Saladin, the leader of the Moslem armies. In a period when the west was fascinated with the exotic east, Scott represents the Moslem other as more humane than the Christian west.

"The Talisman" is one of Scott's great novels. It is a superb tale. It is also a bold departure as, for the first time, Scott explores not cultural conflict within a country or society but in the opposition of two world religions.

'It will be a grand book for thae Englishers for they winna understand a word of it' Hogg's boast to William Blackwood Witty, humorous and comical as the title implies, the eccentric nature of many of the poems collected here nevertheless belies the often serious and moral issues contained within. Newly available in paperback, and including many of Hogg's better known longer pieces, the present volume is based on the first edition of A Queer Book to be published since 1832 - though the similarity between the two editions ends with the running order. While the text for the original edition was substantially reworked by the publisher to smooth out Hogg's use of Scots, this volume brings together manuscripts from all over the world to provide material as near to his final copy as possible. The result is a vibrant collection including many poems which have never been studied critically before. A thorough introduction to the best of Hogg's poetry.

The Oxford History of the Novel in English is a 12-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction and written by a large, international team of scholars. The series is concerned with novels as a whole, not just the 'literary' novel, and each volume includes chapters on the processes of production, distribution, and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements, traditions, and tendencies. Volume 2 examines the period from1750-1820, which was a crucial period in the development of the novel in English. Not only was it the time of Smollett, Sterne, Austen, and Scott, but it also saw the establishment and definition of the novel as we know it, as well as the emergence of a number of subgenres, several of which remain to this day. Conventionally however, it has been one of the least studied areas-seen as a falling off from the heyday of Richardson and Fielding, or merely a prelude to the great Victorian novelists. This volume takes full advantage of recent major advances in scholarly bibliography, new critical assessments, and the fresh availability of long-neglected fictional works, to offer a new mapping and appraisal. The opening section, as well as some remarkable later chapters, consider historical conditions underlying the production, circulation, and reception of fiction during these seventy years, a period itself marked by a rapid growth in output and expansion in readership. Other chapters cover the principal forms, movements, and literary themes of the period, with individual contributions on the four major novelists (named above), seen in historical context, as well as others on adjacent fields such as the shorter tale, magazine fiction, children's literature, and drama. The volume also views the novel in the light of other major institutions of modern literary culture, including book reviewing and the reprint trade, all of which played a part in advancing a sense of the novel as a defining feature of the British cultural landscape. A focus on 'global' literature and imported fiction in two concluding chapters in turn reflects a broader concern for transnat onal literary studies in general.