Peter Godman presents the first intellectual history of Florentine humanism from the lifetime of Angelo Poliziano in the later fifteenth century to the death of Niccolo Machiavelli in 1527. Making use of unpublished and rare sources, Godman traces the development of philological and official humanism after the expulsion of the Medici in 1494 up to and beyond their restoration in 1512. He draws long overdue attention to the work of Marcello Virgilio Adriani--Poliziano's successor in his Chair at the Studio and Machiavelli's colleague at the Chancery of Florence. And he examines in depth the intellectual impact of Savonarola and the relationship between secular and religious and oral and print cultures. Godman shows a complex reaction of rivalry and antagonism in Machiavelli's approach to Marcello Virgilio, who was the leading Florentine humanist of the day. But he also demonstrates that Florentine humanists shared a common culture, marked by a preference for secular over religious themes and by constant anxiety about surviving and prospering in the city's dangerous political climate. The book concludes with an appendix, drawn from previously incaccessible archives, about the censorship of Machiavelli by the Inquisition and the Index. From Poliziano to Machiavelli adds new depth to the intellectual history of Forence during his most dynamic period in its history. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Peter Godman presents the first intellectual history of Florentine humanism from the lifetime of Angelo Poliziano in the later fifteenth century to the death of Niccolo Machiavelli in 1527. Making use of unpublished and rare sources, Godman traces the development of philological and official humanism after the expulsion of the Medici in 1494 up to and beyond their restoration in 1512. He draws long overdue attention to the work of Marcello Virgilio Adriani--Poliziano's successor in his Chair at the Studio and Machiavelli's colleague at the Chancery of Florence. And he examines in depth the intellectual impact of Savonarola and the relationship between secular and religious and oral and print cultures. Godman shows a complex reaction of rivalry and antagonism in Machiavelli's approach to Marcello Virgilio, who was the leading Florentine humanist of the day. But he also demonstrates that Florentine humanists shared a common culture, marked by a preference for secular over religious themes and by constant anxiety about surviving and prospering in the city's dangerous political climate. The book concludes with an appendix, drawn from previously incaccessible archives, about the censorship of Machiavelli by the Inquisition and the Index. From Poliziano to Machiavelli adds new depth to the intellectual history of Forence during his most dynamic period in its history. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Im Mittelpunkt des Buches steht das sogenannte Karlsepos, das fruher auch als Aachener oder Paderborner Epos bezeichnet wurde. Aus verschiedenen Perspektiven erfolgt eine neue Auseinandersetzung mit dem Text, der in seiner literaturwissenschaftlichen Umgebung wie auch im zeitgenossischen politisch-geschichtlichen Kontext betrachtet und diskutiert wird. Dabei spielen die Ereignisse in Rom und Paderborn um das Jahr 800, aber auch die Einordnung in gesamteuropaische Zusammenhange eine besondere Rolle, so dass der vorliegende Band als eine Bestandsaufnahme der politischen, gesellschaftlichen, wirtschaftlichen und kulturellen Verhaltnisse des spaten 8. und fruhen 9. Jahrhunderts gelten darf."

For years, the policies of the Catholic Church during the rise and terribly destructive rule of the Nazis have been controversial. Pope Pius XII has been attacked as "Hitler's Pope," an anti-Semitic enabler who refused to condemn Nazism, much less urge Catholics to resist the German regime. The Church has been accused of standing by while the Nazis steadily revealed their evil designs. Yet all such arguments have been based only on sketchy evidence. The Vatican has kept its internal workings secret and locked away from scrutiny.

Until now. In February 2003, the Vatican opened its archives for the crucial years of the Nazi consolidation of power, up until 1939. Peter Godman, thanks to his long experience in Vatican sources and his reputation as an impartial, non-Catholic historian of the Church, was one of the first scholars to explore the new documents. The story they tell is revelatory and surprising and forces a major revision of the history of the 1930s. It is a story that reveals the innermost workings of the Vatican, an institution far more fractured than monolithic, one that allowed legalism to trump moral outrage.

Godman's narrative is doubly shocking: At first, the Church planned to condemn Nazism as heretical, and drafted several variations of its charges in the mid-1930s. However, as Mussolini drew close to Hitler, and Pope Pius XI grew more concerned about communism than fascism, the charge was reduced to a denunciation only of bolshevism. The Church abandoned its moral attack on the Nazis and retreated to diplomacy, complaining about treaty violations and delivering weak protests while the horrors of religious persecution mounted. As Godman demonstrates, the policiesof Pius XII were all determined by his predecessor, Pius XI. The Church was misled not so much by "Hitler's Pope" as by a tragic miscalculation and a special relationship with the Italian government. Mussolini toyed with the Church, even proposing that Hitler be excommunicated. Yet in the end, when presented with further evidence of Nazi depredations, Pius XI could only comment, "Kindly God, who has allowed all this to happen at present, undoubtedly has His purpose."

Reproducing the key Church documents in full and quoting verbatim conversations between Pius XI and his bishops, "Hitler and the Vatican" is the most extraordinary look inside the secretive Vatican ever written.

The autobiographical and confessional writings of Abelard, Heloise and the Archpoet were concerned with religious authenticity, spiritual sincerity and their opposite - fictio, a composite of hypocrisy and dissimulation, lying and irony. How and why moral identity could be feigned or falsified were seen as issues of primary importance, and Peter Godman here restores them to the prominence they once occupied in twelfth-century thought. This book is an account of the relationship between ethics and literature in the work of the most famous authors of the Latin Middle Ages. Combining conceptual analysis with close attention to style and form, it offers a major contribution to the history of the medieval conscience.

The autobiographical and confessional writings of Abelard, Heloise and the Archpoet were concerned with religious authenticity, spiritual sincerity and their opposite - fictio, a composite of hypocrisy and dissimulation, lying and irony. How and why moral identity could be feigned or falsified were seen as issues of primary importance, and Peter Godman here restores them to the prominence they once occupied in twelfth-century thought. This 2009 book is an account of the relationship between ethics and literature in the work of the most famous authors of the Latin Middle Ages. Combining conceptual analysis with close attention to style and form, it offers a major contribution to the history of the medieval conscience.

The opening of the archives of the Roman Inquisition and of the Index of Prohibited Books, in January 1998, enables us to think afresh about the history of two organisations more notorious than understood. Both have been considered, almost exclusively, from the perspective of their victims, such as Galileo Galilei. This book uses hitherto secret sources of the Inquisition and Index to reconstruct the history of Roman censorship in its first, formative years from the standpoint of Galileo's judge. Robert Bellarmine (1542-1621) was a censor for the Index and a "consultor" to the Holy Office, before becoming cardinal-inquisitor and (three centuries after his death) a saint and Doctor of the Church. His career provides a paradigm of how an intellectual could make his way to the top in Counter-Reformation Rome. Censored by Pope Sixtus V, Bellarmine responded by supressing the pontiff's version of the Vulgate and by repressing the Sistine Index of Prohibited Books. A new interpretation - including a revaluation of Galileo's first "trial"- of Roman censorship is offered in this book. Based on unpublished sources from the archives, which it edits and interprets for the first time, "The Saint as Censor" will alter our understanding of the Roman Inquisition and the Index.