Persons only develop in relation to environment, much in the same way we develop psychologically in relation to our parents and caregivers. Neither child nor parent is properly conceptualized, modelled, or understood without the inclusion of the other in the map or model of psychological/ecological development. Likewise, we perceive, think, and feel with and not just about environment and material artifacts. The achievement of sustainability then implies making changes to minds that are mediated, extended and distributed across brains, bodies, and the materiality of one's environment. Our inherited world, however broken, guides our individual and collective becoming much as a parent guides the development of a child. The traces of (un-) sustainability perspective refutes the economistic conceptual model whereby rational economic actors are misperceived and misunderstood to have the moral right, if not the duty, to actively participate in the destruction of our collective future with ethical immunity. The presumed intelligence and naturalness of the market-based economic system is exposed as primarily a historically inherited culture-based delusion. If values and attitudes can be at least partially transformed by transforming the mundane materiality which is co-constitutive of our social mind, then an important milestone will have been achieved in our understanding of (un-) sustainability.

British crime drama starring Griffith Jones, Ursula Howells and Honor Blackman. When the body of a wealthy woman, identified as Lucille Ainsworth (Howells), is discovered in Hampstead Heath it appears there are many possible motives and suspects for her murder and it's the job of Detective Inspector Marshall (Ewen Solon) to solve the mystery. Her husband, banker Robert Ainsworth (Jones), had suspected her of being unfaithful and had begun to follow her, placing him firmly in Marshall's sights and making him compelled to prove his innocence.

The French New Wave is an essential anthology of writings by and about the critics and filmmakers of this revolutionary cinematic movement, which has had a radical impact on film practice and the way we think and write about film. The volume includes foundational writings such as Francois Truffaut's A Certain Tendency in French Cinema and Andre Bazin's La Politique des auteurs, as well writings by Jean-Luc Godard, Claude Chabrol and Alexandre Astruc. This new edition now represents writings by and about women critics and film-makers, including important articles by the critics Evelyne Sullerot, Michele Firk and Francoise Aude, addressing issues of gender and representation, as well as considering New Wave films in the context of contemporary political events, notably France's colonialist war on the Algerian independence movement. To accompany the case study of Godard's A bout de souffle, the new edition includes a case study of the critical reception of two films by Agnes Varda: La Pointe Courte and Cleo de 5 a 7 . The articles have been specially translated for the volume by Peter Graham, and some are published for the first time in English. These classic writings are accompanied by contextualising introductions by Ginette Vincendeau, updated for this new edition, to form a unique resource on this key cinematic movement and its practitioners.

All 14 episodes from the second series of the BBC's classic yarn of 19th-century love and passion on the high seas. This series heralds the end of the American Civil War, leading to new opportunities for the shipping trade - but James (Peter Gilmore) is preoccupied with both business and personal troubles. Meanwhile, as struggling seamen prepare to strike, Anne (Anne Stallybrass) is torn between her principles and loyalty to her husband. Episodes are: 'The Hard Case', 'Pound and Pint', 'A Woman Alone', 'Fetch and Carry', 'Yellow Jack', 'Survivor', 'Coffin Ship', 'Frisco Bound', 'Beyond the Upper Sea', 'An Inch of Candle', 'Goodbye, Goodbye', 'Bloody Week', 'The Challenge' and 'Race for Power'.

Series one of the BBC's classic yarn of 19th century love and passion on the high seas. Ship's captain James Onedin has ambitions to one day run his own shipping line. He tries to gain the financial backing of his brother, Robert. Meanwhile, their sister Elizabeth must choose between her fiancé Daniel and the doting shipbuilder's son, Mr Fraser. When the schooner Charlotte Rhodes comes up for auction, her owner, Ann Webster, makes James an offer of a partnership. Episodes comprise: 'The Wind Blows Free', 'Plain Sailing', 'Other Points of the Compass', 'High Price', 'Catch as Can', 'Salvage', 'Passage to Pernambuco', 'The Homecoming', 'When My Ship Comes Home', 'A Very Important Passenger', 'Mutiny', 'Cry of the Blackbird', 'Shadow of Doubt', 'Blockade' and 'Winner Take All'.

Although administrative policy-making is overshadowed by the drama of judicial decision-making, it is a vital part of the judicial process. Peter Graham Fish examines the structure and legislative history of the various institutions of the federal judicial administration, their development, and their operation. He focuses on the lower courts to show that, although it is delimited by a network of formal institutions, the federal judicial administration is characterized by informality and voluntarism and depends, as he emphasizes, on the roles played by individual judges. As administrators, judges become deeply involved in politics, and Peter Graham Fish concentrates on the politics of the national judicial administration. Within this framework he raises enduring issues: Shall local federal judges be wholly independent or must they conform to uniform standards of law and administration? Shall administration be separate and diffused or united and centralized? Shall politics be superior or subordinate to so-called standards of "'efficiency"? Shall the interests of trial judges prevail over or be subordinate to the regional and national interests of appellate judges? How shall money, manpower, jurisdictional, and structural changes be distributed among the courts? To what extent, if any, should judges modify their behavior or institutions to meet external criticism? Originally published in 1973. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Although administrative policy-making is overshadowed by the drama of judicial decision-making, it is a vital part of the judicial process. Peter Graham Fish examines the structure and legislative history of the various institutions of the federal judicial administration, their development, and their operation. He focuses on the lower courts to show that, although it is delimited by a network of formal institutions, the federal judicial administration is characterized by informality and voluntarism and depends, as he emphasizes, on the roles played by individual judges. As administrators, judges become deeply involved in politics, and Peter Graham Fish concentrates on the politics of the national judicial administration. Within this framework he raises enduring issues: Shall local federal judges be wholly independent or must they conform to uniform standards of law and administration? Shall administration be separate and diffused or united and centralized? Shall politics be superior or subordinate to so-called standards of "'efficiency"? Shall the interests of trial judges prevail over or be subordinate to the regional and national interests of appellate judges? How shall money, manpower, jurisdictional, and structural changes be distributed among the courts? To what extent, if any, should judges modify their behavior or institutions to meet external criticism? Originally published in 1973. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

A ramble and rummage along the Crab & Winkle Line in Kent in search of what is left of the railway that once connected Canterbury and Whitstable. This book is the second in a series of such searches for Railway Remnants. It includes a section on the Trust dedicated to remembering and promoting the line. This book will be of interest to railway enthusiasts, railway historians, all walkers and those with an interest in how the British countryside has changed over time.

1950s British film noir starring Adrienne Corri and William Russell. Fed up with living his mundane life, travel agency employee Bill Anderson (Russell) siezes his opportunity for a change when a customer returns tickets to Panama. Bill decides to take the tickets and go to Panama himself. While at the airport, however, he is distracted by the alluring Diana Maxwell (Corri). When the flight is delayed until the following day, Diana manages to get Bill involved in all manner of misadventures. Will he be glad of this change from the humdrum of his daily existence?

Title: A Topographical Dictionary of Palestine ... to illustrate the geography of the Holy Scriptures, etc.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The GEOGRAPHY & TOPOGRAPHY collection includes books from the British Library digitised by Microsoft. Offering some insights into the study and mapping of the natural world, this collection includes texts on Babylon, the geographies of China, and the medieval Islamic world. Also included are regional geographies and volumes on environmental determinism, topographical analyses of England, China, ancient Jerusalem, and significant tracts of North America. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Graham, Peter; 1836. viii. 262 p.; 8 . 10077.e.16.

"Deserves to be as widely read as were the originals when they were first published."—Biological Journal of the Linneas Society. Includes five chapters from The Origin of Speices,complete and unabridged; significant extracts from the works that precede and develop the theory of evolution: The Voyage of the Beagle, The Descent of Man, and The Variations of Animals and Plants; scientific papers, travel writings, letters, and a family memorial; plus a chronology and biography.

The French New Wave is an essential anthology of writings by and about the critics and filmmakers of this revolutionary cinematic movement, which has had a radical impact on film practice and the way we think and write about film. The volume includes foundational writings such as Francois Truffaut's A Certain Tendency in French Cinema and Andre Bazin's La Politique des auteurs, as well writings by Jean-Luc Godard, Claude Chabrol and Alexandre Astruc. This new edition now represents writings by and about women critics and film-makers, including important articles by the critics Evelyne Sullerot, Michele Firk and Francoise Aude, addressing issues of gender and representation, as well as considering New Wave films in the context of contemporary political events, notably France's colonialist war on the Algerian independence movement. To accompany the case study of Godard's A bout de souffle, the new edition includes a case study of the critical reception of two films by Agnes Varda: La Pointe Courte and Cleo de 5 a 7 . The articles have been specially translated for the volume by Peter Graham, and some are published for the first time in English. These classic writings are accompanied by contextualising introductions by Ginette Vincendeau, updated for this new edition, to form a unique resource on this key cinematic movement and its practitioners.