This ambitious book presents the most thorough historicist account to date of the development of subjectivity in the medieval period, as traced in medieval literature and historical documentation . Presenting the essence of the modern subject as resting in its subjection to specific historical forms of state power, the author examines literary texts from the Middle Ages that participate in the cultural invention of the subject. Overall, The Subject Medieval/Modern makes a remarkable case for the relevance of studying the Middle Ages to today's world. The book examines the constitution of subjects in literary texts as the result of the interplay of violence, ideology, and political structures as an integral part of the process of state-formation between the ninth and the fifteenth centuries. Each text is considered a singular event, a unique, self-reflexive structure modifying conventions in ideological exploration to offer performative models of subjectivity. Some texts line up with political evolution, others take a critical distance.

"This book provides the reader with a new, challenging, and sophisticated critical analysis of the Song of Roland." Choice

" Haidu s] close reading of the Song of Roland is interesting, informative, and significant... " American Historical Review

"Probably the most sophisticated book ever written on the Song of Roland.... It is at once a work of linguistic analysis, of literary theory, of literary history, and, finally, of history." R. Howard Bloch

Haidu argues that the 12th-century Song of Roland played an essential role in the creation of the nation-state, in that the narrative transforms the independent and violent warriors of the feudal period into the subordinate instruments of the nation-state by enforcing on them the subjection to the rule of monarchy."