We may yet find a precise use for the notoriously elusive category 'postcolonial', but only on the condition that we abandon its usual associations with plurality, fragmentation, particularity and resistance. This book argues that the category is best used to describe an ultimately singular configuration. A singularity is something that generates the medium of its own existence, in the eventual absence of external criteria and other existences. Like other singularities - pertinent comparisons include aspects of Buddhism and Islam, as well as concepts drawn from the philosophies of Gilles Deleuze and Alain Badiou - what is distinctive about a postcolonial discourse or literature is its abstraction from the domain of relationality. Here, Hallward offers a new conceptual distinction between singular and specific modes of differentiation, which should prove influential in a range of discourses. -- .

Slavoj zek is not alone in thinking that Alain Badiou's recent work is the event of contemporary philosophy. Think Again, the first publication of its kind, goes a long way towards justifying his assessment. Badiou is nothing if not polemical and the most suitable way to approach his philosophy is precisely through the controversies it creates. This book, which opens with an introduction aimed at readers new to Badiou's work, presents a range of essays which explore Badious most contentious claims in the fields of ontology, politics, ethics and aesthetics. Alain Badiou has devised perhaps the only truly inventive philosophy of the subject since Sartre. Almost alone among his peers, Badious work promises a genuine renewal of philosophy, a subject he sees as conditioned by innovation in spheres ranging from radical politics to artistic experimentation to mathematical formalization. Slavoj +a Zi+azek is not alone in thinking that Alain Badious recent work is the event of contemporary philosophy. Think Again, the first publication of its kind, goes a long way towards justifying his assessment. Badiou is nothing if not polemical and the most suitable way to approach his philosophy is precisely through the controversies it creates. This book, which opens with an introduction aimed at readers new to Badious work, presents a range of essays which explore Badious most contentious claims in the fields of ontology, politics, ethics and aesthetics.

Ethical questions dominate current political and academic agendas. While government think-tanks ponder the dilemmas of bio-ethics, medical ethics and professional ethics, respect for human rights and reverence for the Other have become matters of broad consensus. Alain Badiou, one of the most powerful voices in contemporary French philosophy, explodes the facile assumptions behind this recent ethical turn. He shows how our prevailing ethical principles serve ultimately to reinforce an ideology of the status quo, and fail to provide a framework for an effective understanding of the concept of evil. In contrast, Badiou summons up an "ethic of truths" which is designed both to sustain and inspire a disciplined, subjective adherence to a militant cause (be it political or scientific, artistic or romantic), and to discern a finely demarcated zone of application for the concept of evil. He defends an effectively super-human integrity over the respect for merely human rights, asserts a partisan universality over the negotiation of merely particular interests, and appeals to an "immortal" value beyond the protection of mortal privileges.

Polemics is a series of brilliant metapolitical reflections, demolishing established opinion and dominant propaganda, and reorienting our understanding of events from the Kosovo and Iraq wars to the Paris Commune and the Cultural Revolution. At once witty and profound, Badiou presents a series of radical philosophical engagements with politics, and questions what constitutes political truth.

Gilles Deleuze was one of the most influential French philosophers of the last century.This book aims to make sense of his fundamental project in the clearest possible terms, by engaging with the central idea that informs virtually all of his work: the equation of being and creativity. It explores the various ways in which, in order to affirm an unlimited creative power, Deleuze proceeds to dissolve whatever might restrict or mediate its expression, including the organisms, objects, representations, identities, and relations that this power generates along the way. Rather than a theorist of material complexity or relational difference, Out of this World argues that Deleuze is better read as a spiritual and extra-worldly philosopher. His philosophy leaves little room for processes of social or historical transformation, and still less for political relations of conflict or solidarity. Michel Foucault famously suggested that the 20th century would be known as 'Deleuzian'; this sympathetic but uncompromising new critique suggests that our Deleuzian century may soon be coming to a close.

Long before a devastating earthquake hit in January 2010, Haiti was one of the most impoverished and oppressed countries in the world. However, in the late 1980s a remarkable popular mobilization known as Lavalas ("the flood") sought to liberate the island from decades of US-backed dictatorial rule. Damming the Flood analyzes how and why the Lavalas governments led by President Jean-Bertrand Aristide were overthrown, in 1991 and again in 2004, by the enemies of democracy in Haiti and abroad. The elaborate campaign to suppress Lavalas was perhaps the most successful act of imperial sabotage since the end of the Cold War. It has left the people of Haiti at the mercy of some of the most rapacious political and economic forces on the planet. Updated with a substantial new afterword that addresses the international response to the earthquake, Damming the Flood is both an invaluable account of recent Haitian history and an illuminating analysis of twenty-first-century imperialism.

Slavoj a Zazek is not alone in thinking that Alain Badious recent work is the event of contemporary philosophy. Think Again, the first publication of its kind, goes a long way towards justifying his assessment. Badiou is nothing if not polemical and the most suitable way to approach his philosophy is precisely through the controversies it creates. This book, which opens with an introduction aimed at readers new to Badious work, presents a range of essays which explore Badious most contentious claims in the fields of ontology, politics, ethics and aesthetics. Alain Badiou has devised perhaps the only truly inventive philosophy of the subject since Sartre. Almost alone among his peers, Badious work promises a genuine renewal of philosophy, a subject he sees as conditioned by innovation in spheres ranging from radical politics to artistic experimentation to mathematical formalization. Slavoj a Zazek is not alone in thinking that Alain Badious recent work is the event of contemporary philosophy. Think Again, the first publication of its kind, goes a long way towards justifying his assessment. Badiou is nothing if not polemical and the most suitable way to approach his philosophy is precisely through the controversies it creates. This book, which opens with an introduction aimed at readers new to Badious work, presents a range of essays which explore Badious most contentious claims in the fields of ontology, politics, ethics and aesthetics.

Concept and Form is a two-volume monument to the work of the philosophy journal the Cahiers pour l'Analyse (1966-69), the most ambitious and radical collective project to emerge from French structuralism. Inspired by their teachers Louis Althusser and Jacques Lacan, the editors of the Cahiers sought to sever philosophy from the interpretation of given meanings or experiences, focusing instead on the mechanisms that structure specific configurations of discourse, from the psychological and ideological to the literary, scientific, and political. Adequate analysis of the operations at work in these configurations, they argue, helps prepare the way for their revolutionary transformation. This first volume comprises English translations of some of the most important theoretical texts published in the journal, written by thinkers who would soon be counted among the most inventive and influential of their generation: Alain Badiou, Yves Duroux, Alain Grosrichard, Serge Leclaire, Jacques-Alain Miller, Jean-Claude Milner, and Francois Regnault. The book is complemented by a second volume, consisting of essays and interviews that assess the significance and legacy of the journal, and by an online edition of the full set of original Cahiers texts, produced by the Centre for Research in Modern European Philosophy at Kingston University, London and accessible at cahiers.kingston.ac.uk.

Concept and Form is a two-volume monument to the work of the philosophy journal the Cahiers pour l'Analyse (1966-69), the most ambitious and radical collective project to emerge from French structuralism. Inspired by their teachers Louis Althusser and Jacques Lacan, the editors of the Cahiers sought to sever philosophy from the interpretation of given meanings or experiences, focusing instead on the mechanisms that structure specific configurations of discourse, from the psychological and ideological to the literary, scientific, and political. Adequate analysis of the operations at work in these configurations, they argue, helps prepare the way for their revolutionary transformation. Volume One of Concept and Form translates some of the most important theoretical texts from the Cahiers pour l'Analyse; this second volume collects newly commissioned essays on the journal, together with recent interviews with people who were either members of its editorial board or associated with its broader theoretical project. It aims to help reconstruct the intellectual context of the Cahiers, and to assess its contemporary theoretical legacy. Prefaced by an overview of the project's rigorous investment in science and conceptual analysis, the volume considers in particular the Cahiers' distinctive effort to link the apparently incommensurable categories of 'structure' and 'subject', so as to prepare for a new synthesis of Marxism and psychoanalysis. Contributors include Alain Badiou, Etienne Balibar, Edward Baring, Jacques Bouveresse, Yves Duroux, Alain Grosrichard, Peter Hallward, Adrian Johnston, Patrice Maniglier, Tracy McNulty, Jean-Claude Milner, Knox Peden, Jacques Ranciere, Francois Regnault, and Slavoj Zizek.