This volume includes 12 character pieces-one for every month of the year-which creates the musical atmosphere, alluded to by their respective titles. Expressive and thoughtful, they are effective performance pieces for intermediate to moderately advanced pianists. The editor has maintained the works in their original form and indicated tempo, dynamics, phrasing and fingering where necessary. Beautifully engraved, the music is widely spaced for easy reading.

Designed for first-year students who are beginning to read music notation, this music activity volume contains eight familiar melodies from The Nutcracker Suite. All student parts are in five-finger position and do not contain dotted rhythms or eighth notes. Optional teacher/parent duets provide additional harmonic and rhythmic support. The activity pages reinforce rhythm patterns, musical terms and theory with games, puzzles and coloring pages

Three of the most outstanding waltzes from Tchaikovsky's ballet masterpiece have been thoughtfully arranged as a 15-minute dance suite by Carl Simpson, who also prepared the new critical edition of the complete ballet. The final waltz is the most familar, but the two others offer quite different perspectives on the familar dance form from the Russian master.

Newly edited and engraved study score for the original 1877 version of Tchaikovsky's first ballet masterpiece. Includes Preface, Synopsis, and Cast of Characters. This is the complete orchestral score, not a piano reduction, based upon the composer's autograph, the first edition issued by P. Jurgenson, and the score from Tchaikovsky's complete works. Swan Lake, Tchaikovsky's first venture into ballet, was only moderately successful in its first production at Moscow's Bolshoi Theatre. Choreographer Julius Reissinger's dances were not well received, and those of his successor Joseph Peter Hansen fared no better. The ballet was propelled into the permanent repertoire only after a brilliant revival mounted by Marius Petipa and Lev Ivanov in St. Petersburg more than a year after Tchaikovsky's death from cholera. A new, reasonably priced study score that will be invaluable to students, conductors, music lovers and ballet aficionados everywhere.

Newly edited and engraved. The composer considered an orchestral suite from his great ballet, but never got around to extracting it. An unknown editor compiled the first version, which was issued by Jurgenson in 1900. The Soviet state publishers produced their own version in 1954, adding 3 dance movements and omitting the finale from the original suite. This new score includes all the movements found in the two different versions of the suite.

Inspired by Canto V of the "Inferno" of Dante's "Divine Comedy," Tchaikovsky initially planned to create an opera on the subject but abandoned the idea in favor the present 24-minute fantasia for orchestra in 1876. Bearing all the hallmarks of the composer's late romantic style, "Francesca da Rimini" takes full advantage of the powerful orchestral forces employed. The first performance was given on March 9, 1877 in Moscow, with the RMS Orchestra conducted by Nikolay Rubinstein. This is a new, digitally enhanced reissue of the score originally published around 1900 in Leipzig by Ernst Eulenburg.