Oscar-winning production designer Peter Lamont worked behind the scenes on 18 lames Bond films, beginning with the 1960s classics starring Sean Connery and George Lazenby. From the 1980s onwards he was the production designer of the films starring Roger Moore, Timothy Dalton, Pierce Brosnan and Daniel Craig. Along the way, he worked with director James Cameron and contributed to The Ipcress File and Chitty Chitty Bang Bang, some of the other films made by Bond producers Albert R Broccoli and Harry Saltzman. The Man With the Golden Eye is a richly illustrated memoir that provides an unparalleled insight into some of the best-loved films ever made.

Timothy Dalton plays James Bond for the first time, leaving behind the high camp of the Roger Moore years for a relatively straight reading of the famous secret agent. The action this time sees Bond running around various exotic spots (Gibraltar, Afghanistan) in pursuit of a couple of seedy dealers in arms, drugs and diamonds. There is as much action and gadgetry as ever, but a slightly less tongue-in-cheek script keeps 007's romantic liaisons down to a minimum. Caroline Bliss makes her debut as Miss Moneypenny.

The second and final of Timothy Dalton's outings as James Bond sees 007 leave Her Majesty's Secret Sevice and branch out on his own. The trouble begins when drug baron Franz Sanchez (Robert Davi) makes an unexpected appearance at the wedding of Felix Leiter (David Hedison), Bond's good friend, leaving the groom maimed and the bride dead. Bond has no choice but to seek his revenge and, with a little help from the obligatory 'Bond girl' (Carey Lowell) and the ever-present Q (Desmond Llewellyn), sets out after the villainous Sanchez. Causing a storm on its release because of its violence and dark plot, the film was originally given an 18 certificate before studio cuts.

The 13th Bond adventure, again starring Roger Moore, places 007 up against the glamorous Octopussy (Maud Adams) and a bunch of evil Soviets who have plans to plunder Tsarist treasures and create a nuclear explosion in a German NATO base. Bond's bag of tricks this time includes a hot air balloon, a folding mini-jet and a superpowered rickshaw. The title song is performed by Rita Coolidge.

Since the early nineteenth century, mesmerists, mediums and psychics have exhibited extraordinary phenomena. These have been demonstrated, reported and disputed by every modern generation. We continue to wonder why people believe in such things, while others wonder why they are dismissed so easily. Extraordinary Beliefs takes a historical approach to an ongoing psychological problem: why do people believe in extraordinary phenomena? It considers the phenomena that have been associated with mesmerism, spiritualism, psychical research and parapsychology. By drawing upon conjuring theory, frame analysis and discourse analysis, it examines how such phenomena have been made convincing in demonstration and report, and then disputed endlessly. It argues that we cannot understand extraordinary beliefs unless we properly consider the events in which people believe, and what people believe about them. And it shows how, in constructing and maintaining particular beliefs about particular phenomena, we have been in the business of constructing ourselves.

Since the early nineteenth century, mesmerists, mediums and psychics have exhibited extraordinary phenomena. These have been demonstrated, reported and disputed by every modern generation. We continue to wonder why people believe in such things, while others wonder why they are dismissed so easily. Extraordinary Beliefs takes a historical approach to an ongoing psychological problem: why do people believe in extraordinary phenomena? It considers the phenomena that have been associated with mesmerism, spiritualism, psychical research and parapsychology. By drawing upon conjuring theory, frame analysis and discourse analysis, it examines how such phenomena have been made convincing in demonstration and report, and then disputed endlessly. It argues that we cannot understand extraordinary beliefs unless we properly consider the events in which people believe, and what people believe about them. And it shows how, in constructing and maintaining particular beliefs about particular phenomena, we have been in the business of constructing ourselves.

With Sean Connery returning to the role after sitting out one instalment, James Bond is ready for his latest mission. And what does M want of him this time? To infiltrate a worldwide diamond smuggling operation. The action - which moves between Amsterdam, Los Angeles, Las Vegas and the desert - sees Bond encounter Plenty O'Toole (Lana Wood), steal a moon buggy, get beaten up by a couple of female karate experts known as Bambi and Thumper, before finally bringing him face-to-face with a Howard Hughes-type recluse who is intent on nuclear blackmail and world domination.

A useful manual for any magician or curious spectator who wonders why the tricks seem so real, this guide examines the psychological aspects of a magician's work. Exploring the ways in which human psychology plays into the methods of conjuring rather than focusing on the individual tricks alone, this explanation of the general principles of magic includes chapters on the use of misdirection, sleight of hand, and reconstruction, provides a better understanding of this ancient art, and offers a section on psychics that warns of their deceptive magic skills.