Barely four years after winning an Oscar, Charlie has sunk into the ranks of Hollywood bottom-feeders -- reduced to living in his nephew's pool house, kiting checks and taking the bus to his weekly Debtors Anonymous meeting, where he meets a mysterious ex-CIA agent who proposes to resuscitate Charlie's foundering career -- in the beyond surreal world of reality TV.

Charlie puts his tap shoes on to sell a show about a ruthless Uzbek warlord and his family ("think "The Osbournes" meets "The Sopranos"") to a rogue division of ABC, known as ABCD, which operates out of a skunkworks in Manhattan Beach, California, and whose mandate is to develop, under top secret cover like that for the Manhattan Project, extreme reality TV shows to bolster the network's ratings.

"Warlord" becomes a breakout hit and results not only in causing one of America's largest entertainment conglomerates to go into full damage-control mode but also in shifting the balance of power in Central Asia and in proving that in show business it's not over till the mouse sings.

The First Time I Got Paid for It is a one-of-a-kind collection of essays by more than fifty leading film and television writers, with a foreword by screenwriting legend William Goldman. Linked by the theme of a writer's "first time",usually the first time he got paid for his work, but sometimes veering off into other, more unconventional, "first times",these always entertaining (and sometimes hilarious) pieces share what it takes to succeed, what it takes to write well, and other aspects of maintaining creativity and integrity while striving for a career in Hollywood. Richard LaGravanese ( The Fisher King , The Horse Whisperer , Living Out Loud ) confesses that his first paid writing job was crafting phone-sex scripts. Nicholas Kazan ( Reversal of Fortune , Matilda ) explains why, in Hollywood, an oral "yes" often turns out to be a written "no." Peter Casey writes about the unparalleled pitch meeting for the award-winning series Frasier . Virtually every big-name writer in Hollywood has contributed to this collection, making it essential research material for anyone trying to make it in the entertainment industry, and a perfect read for movie and television buffs everywhere.

Senator Woody White is being blackmailed by his wife, sued by his ex-wife, shaken down by a Vermont maple syrup kingpin, terrorized by his neo-fascist housekeeper, and dragged into litigation over a fender bender in the Senate parking garage. But when he is stricken with an ill-timed case of ED (Erectile Dysfunction), the desperate player faces his biggest campaign killer of all and goes to hilarious extremes to keep himself in the running. Peter Lefcourt holds a perfectly cracked mirror to the spin-filled world of Washington's sexual politics and asks a penetrating question: How hard does a politician have to be?