From time immemorial Afghanistan has been both a fortress of faith and a mountainous crossroads. Through its high valleys merchants traded Chinese porcelains, bundles of indigo cloth, sacks of lapis lazuli, golden jewellery, emeralds and fine carvings from both east and west. Ancient scrolls and beliefs entered the land in the satchels of Buddhist pilgrims and in the baggage of military invaders - from Alexander the Great to Mughal, Persian and Arab conquerors and even the ill-fated armies of the British Raj. In this resonant account, Peter Levi seeks the clues which each migration left, in the company of the young Bruce Chatwin. Since his journey in the 1970s, Afghanistan has suffered forty years of invasion and civil war, making it all the more poignant to rediscover, with Levi, not a rocky wilderness guarded by fearsome tribes, but 'this highway of archangels/this theatre of heaven/the light garden of the God-forgiven angel King.'

In "The Hill of Kronos", Peter Levi paints a radiant portrait of the Greece he came to know through a lifetime of exploration. As a young scholar he sought out its ancient spirit, the keys to its mythology and civilisation, in its ruined cities and majestic mountains. Later, as a priest working as a diplomat and a friend of the oppressed, he lived in Athens through the dark days of the dictatorship. Then the sinews of political life led back to secret alliances made during the civil war and the earlier occupation of Greece, back to murder, starvation and corpse-filled quarries. Lastly, it is seen through the mature eyes of a family man, with the ripened sensibility of an acclaimed poet. This is a precious fusion of experience, a gift of insight from one philhellene to all those who have come to love Greece.

This volume contains a selection of early works by Yevgeny Alexandrovich Yevtushenko who blazed a trail for a generation of Soviet poets with a confident poetic voice that moves effortlessly between social and personal themes. 'Zima Junction' vividly describes his idyllic childhood in Siberia and his impressions of home after a long absence in Moscow. Private moments are captured in 'Waking', on the joys of discovering the unexpected in a lover, and 'Birthday', on a mother's concern for her son, while 'Encounter' depicts an unexpected meeting with Hemingway in Copenhagen. 'The Companion' and 'Party Card' show war from a child's eye, whether playing while oblivious to German bombs falling nearby or discovering a fatally wounded soldier in the forest, while Yevtushenko's famous poem, 'Babiy Yar', is an angry expose of the Nazi massacre of the Jews of Kiev.

"Children swarmed to him like settlers. He became a land." W.H. Auden Edward Lear - beloved nonsense poet, author of such adored poems as The Owl and the Pussycat, inventor of otherworldly characters like Quangle Wangles and of the modern limerick; lauded artist and illustrator - was a genius who defies classification. Gregarious and popular, Lear had a wide circle of friends, but was often lonely and subject to frequent bouts of depression and debilitating epilepsy, the shame of which he struggled with all his life. In this captivating biography, fellow poet Peter Levi renders descriptions of Lear's sketches and watercolours (of which he painted some 10,000 in the course of his career) and provides incisive portraits of his classic poems, such as 'The Jumblies', 'The Owl and the Pussycat' and 'The Yonghy-Bonghy-Bo', setting them in the wider context of traditional nursery rhymes. Lear belonged to the great tradition of adventurous British travellers, undertaking extensive journeys in Italy and Greece, in Albania, Turkey, Egypt, Palestine and India and these always-eventful journeys are related here, alongside extracts and quotations from his letters and diaries - an essential biography for all lovers of this remarkable British literary figure and now recognised as one of the greatest nineteenth-century landscape painters.

Pausanias's classic account of every Greek city and sanctuary includes historical introductions and a record of local customs and beliefs. Volume 1 covers central Greece, the country around Athens, Delphi, and Mycenae; Volume 2 describes southern Greece, including Olympia, Sparta, Arcadia, and Bassae.

This is an account of the life and career of John Milton. The book traces the development of Milton's poetry from the Latin intimations of his boyhood through the lyrical poems of his youth, "Lycidas", "Comus" and the "Hymn on the Morning of Christ's Nativity" to the achievements of "Paradise Lost" and "Samson Agonistes", offering Levi's own interpretations of the poems and placing them in the context of Milton's contemporaries and his times. Levi's own translations of some of Milton's Latin poems are also included.

'I mentioned our design to Voltaire,' wrote Boswell. 'He looked at me as if I had talked of going to the North Pole . . .' As it turned out, Johnson enjoyed their Scottish journey (although the land was not quite so wild and barbaric as perhaps he had hoped), and Boswell delighted in it. The year was 1773, they were sixty-three and thirty-two years old, and had been friends for ten years. Their journals, published together here, perfectly complement each other. Johnson's majestic prose and hawk eye for curious detail take in everything from the stone arrowheads found in the Hebrides, to the 'medicinal' waters of Loch Ness and 'the mischiefs of emigration'. Meanwhile, it is very lucky that as Johnson was observing Scotland, Boswell was observing Johnson. His record is perceptive, highly entertaining and full of sardonic wit; for him, as for us, it is an appetizer for The Life of Johnson.