This is the first annotated critical edition of works of Lancelot Andrewes (1555-1626), a writer recognized by literary critics, historians, and theologians as one of the most important figures in Elizabethan and Jacobean England. Peter McCullough, a leading expert on religious writing in the early modern period, presents fourteen complete sermons and lectures preached by Andrewes across the whole range of his adult career, from Cambridge in the 1580s to the court of James I and VI in the 1620s. Through a radical reassessment of Andrewes's life, influence, and surviving texts, the editor presents Andrewes as his contemporaries saw, heard, and read him, and as scholars are increasingly recognizing him: one of the most subtle, yet radical critics of mainstream Elizabethan Protestantism, and a literary artist of the highest order.
The centuries-old influence of William Laud's authorized edition of Andrewes (1629) is here complicated and contextualized by the full use for the first time of the whole range of Andrewes's works printed before and after his lifetime, as well as manuscript sources. The edition also showcases the aesthetic brilliance of Andrewes's remarkable prose, and suggests new ways for scholars to carry forward the modern literary appreciation of Andrewes famously begun by T. S. Eliot. A full introductory essay sets study of Andrewes on a new footing by placing his works in the context of his life and career, surveying the history of responses to his writings, and summarizing the history of the transmission of his texts. The texts here are edited to high modern critical standards. The exhaustive commentary sets each selection in its historical context, documentsAndrewes's myriad sources, glosses important and unfamiliar words and allusions, and translates his frequent quotations from the ancient Biblical languages.

Scholarly interest in the early modern sermon has flourished in recent years, driven by belated recognition of the crucial importance of preaching to religious, cultural, and political life in early modern Britain. The Oxford Handbook of the Early Modern Sermon is the first book to survey this rich new field for both students and specialists. It is divided into sections devoted to sermon composition, delivery, and reception; sermons in Scotland, Ireland, and Wales; English Sermons, 1500-1660; and English Sermons, 1660-1720. The twenty-five original essays it contains represent emerging areas of interest, including research on sermons in performance, pulpit censorship, preaching and ecclesiology, women and sermons, the social, economic, and literary history of sermons in manuscript and print, and non-elite preaching. The Handbook also responds to the recently recognised need to extend thinking about the 'early modern' across the watershed of the civil wars and interregnum, on both sides of which sermons and preaching remained a potent instrument of religious politics and a literary form of central importance to British culture. Complete with appendices of original documents of sermon theory, reception, and regulation, and generously illustrated, this is a comprehensive guide to the rhetorical, ecclesiastical, and historical precepts essential to the study of the early modern sermon in Britain.

An updated and expanded edition of The Eli's Cheesecake Cookbook, released in celebration of the 40th anniversary of Eli's Cheesecake. The story of Eli's Cheesecake began more than forty years ago. It rose to prominence originally as the featured dessert at one of Chicago's most popular restaurants: Eli's The Place for Steak, a classic steakhouse, pillar of the city's culinary community, and noted celebrity watering hole. This book details the storied history of one of the nation's most famous desserts, all the way from Eli Schulman's first cheesecake to President Obama's 50th birthday cake to the creation of four towering, 2,000 lb. cheesecakes served at inaugural festivities in Washington, DC. The second edition of the Eli's Cheesecake Cookbook has been fully expanded and updated in honor of the 40th anniversary of Eli's Cheesecake. In addition to the classics featured in the first edition, the new edition features even more cheesecake recipes, including Basque, Cherry Vanilla, Hawaiian, Carrot Cake Cheesecake, and Holiday Cheesecake Dippers-one of Oprah's Favorite Things. You'll also find many more signature dishes from Eli's The Place for Steak, including Chicken Vesuvio, Pepper Steak, Corned Beef Hash, Potato Pancakes, and French Onion Soup, and an all-new chapter showcasing Eli's bakers from around the world sharing their favorite family recipes. Because of his unique baking process, Eli Schulman is often credited with putting "Chicago-style" cheesecake, richer and creamier than its New York counterpart, on the map. This collection will allow home cooks to make the same cheesecakes that helped celebrate five Chicago Mayoral inaugurations, Abraham Lincoln's bicentennial, the City of Chicago's 150th birthday, Illinois' Bicentennial, Hamilton the Musical, the NBA All Star Game, the White Sox World Series, and more. As Eli Schulman might say, it's a helluva book.

This 1998 study describes the most neglected site of political, religious and literary culture in early modern England: the court pulpits of Elizabeth I and James I. It unites the most fertile strains in early modern British history - the court and religion. Dr McCullough shows work previous to his own underestimated the place of religion in courtly culture, and presents evidence of the competing religious patronage not only of Elizabeth and James but also of Queen Anne, Prince Henry and Prince Charles. The book contextualises the political, religious and literary careers of court preachers such as Lancelot Andrewes, John Donne and William Laud, and presents evidence of the tensions between sermon- and sacrament-centred piety in the established Church period. Additional web resources provide the reader with a definitive calendar of court sermons for the period.

The latest volume to be published in The Oxford Edition of the Sermons of John Donne, which presents the largest prose output of one of the most celebrated poets and preachers of the seventeenth century. The edition provides freshly edited texts arranged by place of delivery instead of (often speculative) chronology, and offers a wealth of explanatory material for specialist and non-specialist readers alike. This volume contains the eleven sermons preached by Donne at the court of James VI & I, between Donne's ordination in 1615 and his departure with Viscount Doncaster on a diplomatic embassy to Germany. It includes the first surviving sermon by Donne, here reattributed to the court at Greenwich; the only extant sermon preached for Queen Anne of Denmark; and one of Donne's most admired orations on death and resurrection. In each case an authoritative text has been established by freshly collating multiple copies of the seventeenth-century print editions and contemporary manuscripts. The Introduction describes the institutional and physical context of Donne's early Jacobean court sermons and analyses his style of preaching and doctrinal positions. For the first time, the sermons appear with a full critical apparatus: headnotes to each sermon describe its textual state and supply local historical context and suggestions for further reading, while extensive commentaries trace Donne's use of his sources, translate passages in foreign languages, and gloss important and unfamiliar words.

What would you do if you learned that all myths and folktales have their roots in reality, and the myth-monsters and creatures of power live just the other side of a very thin and invisible Dividing Wall? At ten years old, Kinlea Waltham has spent his entire life listening to people tell him he is dying and can not be cured. Everyone who sees him takes it as a foregone conclusion. He may as well be dead already, for all that he has never left his house or made a single friend. When his parents send him to stay with family friends in the country (to "die in cleaner air"), he learns that he is not ill, but cursed with a powerful enchantment, and he is suddenly immersed in a new world of magic, danger, and responsibility. Because he was born to be the Keeper of Haneth's End, a small but pivotal corner of the world's magical realm, a time comes when Kinlea must face the ones who have made him the target of their loathing since his infancy. Their perplexing, seemingly chaotic actions endanger not only Haneth's End, but the world, and even magic itself. Without Kinlea to stand in the way, everything might fold in upon itself, and the world might have to learn the true meaning of the words "the end." "This series is a treat for Diehl's handling of magic and magical creatures from different cultures, as well as her deft weaving of old ballads, poetic prose, traditional magical creatures, and great characters with a compelling plot." - Deena Fisher of Drollerie Press