The work of Peter von Matt, Switzerland's finest living literary critic, offers a model of humanistic scholarship par excellence: learned, gracious, elegant, dancing nimbly from history and culture to politics and philosophy. Von Matt weaves engaging literary analyses that are simultaneously interpretations not only of authors and texts but also of Swiss nationhood itself. Inspired in particular by his 2012 volume Das Kalb vor der Gotthardpost: Zur Literatur und Politik der Schweiz (The Calf Fleeing the St. Gotthard Mail Coach: On the Literature and Politics of Switzerland; winner of that year's Swiss Book Prize), this interdisciplinary collection of essays by leading North American scholars of Swiss Studies supplies a critical but appreciative engagement with von Matt's writing. Of interest to students of literature and of Switzerland, it is the first volume devoted specifically to probing the legacy of von Matt's thought. It is thus a worthy testimony to the richness and influence of one of late twentieth- and early twenty-first-century Switzerland's leading intellectuals. Die Schriften von Peter von Matt, dem bedeutendsten Literaturkritiker der heutigen Schweiz, sind Beispiele humanistischer Gelehrsamkeit par excellence. Gebildet, anmutig und elegant bewegen sie sich leichtfussig zwischen Geschichte und Kultur zu Politik und Philosophie. Dadurch entstehen ansprechende Literaturanalysen, die nicht nur wichtige Autoren und Texte, sondern auch die Schweizer nationale Identitat an sich interpretieren. Besonders durch sein 2012 erschienenes und mit dem Schweizer Buchpreis gekroenten Buch Das Kalb vor der Gotthardpost: Zur Literatur und Politik der Schweiz inspiriert, liefert diese interdisziplinare Essaysammlung, die von fuhrenden nordamerikanischen Swiss Studies Forschern verfasst wurde, eine manchmal kritische, aber dabei immer auch mit Wertschatzung durchzogene Auseinandersetzung mit von Matts Schriften. Studenten der Schweizer Literatur- und Kulturwissenschaften bietet diese bahnbrechende Sammlung die Moeglichkeit, sich mit von Matts Gedankengut auseinanderzusetzen. Damit legt der vorliegende Band von dem Reichtum und dem Einfluss eines der fuhrenden Schweizer Intellektuellen des spaten 20. und fruhen 21. Jahrhunderts Zeugnis ab.

Metaphors animate Shakespeare's corpus, and one of the most prominent is the image of the body. Sketched out in the eternal lines of his plays and poetry, and often drawn in exquisite detail, variations on the body metaphor abound in the works of Shakespeare. Attention to the political dimensions of this metaphor in Shakespeare and the Body Politic permits readers to examine the sentiments of romantic love and family life, the enjoyment of peace, prosperity and justice, and the spirited pursuit of honor and glory as they inevitably emerge within the social, moral, and religious limits of particular political communities. The lessons to be learned from such an examination are both timely and timeless. For the tensions between the desires and pursuits of individuals and the health of the community forge the sinews of every body politic, regardless of the form it may take or even where and when one might encounter it. In his plays and poetry Shakespeare illuminates these tensions within the body politic, which itself constitutes the framework for a flourishing community of human beings and citizens-from the ancient city-states of Greece and Rome to the Christian cities and kingdoms of early modern Europe. The contributors to this volume attend to the political context and role of political actors within the diverse works of Shakespeare that they explore. Their arguments thus exhibit together Shakespeare's political thought. By examining his plays and poetry with the seriousness they deserve, Shakespeare's audiences and readers not only discover an education in human and political virtue, but also find themselves written into his lines. Shakespeare's body of work is indeed politic, and the whole that it forms incorporates us all.

Metaphors animate Shakespeare's corpus, and one of the most prominent is the image of the body. Sketched out in the eternal lines of his plays and poetry, and often drawn in exquisite detail, variations on the body metaphor abound in the works of Shakespeare. Attention to the political dimensions of this metaphor in Shakespeare and the Body Politic permits readers to examine the sentiments of romantic love and family life, the enjoyment of peace, prosperity and justice, and the spirited pursuit of honor and glory as they inevitably emerge within the social, moral, and religious limits of particular political communities. The lessons to be learned from such an examination are both timely and timeless. For the tensions between the desires and pursuits of individuals and the health of the community forge the sinews of every body politic, regardless of the form it may take or even where and when one might encounter it. In his plays and poetry Shakespeare illuminates these tensions within the body politic, which itself constitutes the framework for a flourishing community of human beings and citizens-from the ancient city-states of Greece and Rome to the Christian cities and kingdoms of early modern Europe. The contributors to this volume attend to the political context and role of political actors within the diverse works of Shakespeare that they explore. Their arguments thus exhibit together Shakespeare's political thought. By examining his plays and poetry with the seriousness they deserve, Shakespeare's audiences and readers not only discover an education in human and political virtue, but also find themselves written into his lines. Shakespeare's body of work is indeed politic, and the whole that it forms incorporates us all.