Data has emerged as a key component that determines how interactions across the world are structured, mediated and represented. This book examines these new data publics and the areas in which they become operative, via analysis of politics, geographies, environments and social media platforms. By claiming to offer a mechanism to translate every conceivable occurrence into an abstract code that can be endlessly manipulated, digitally processed data has caused conventional reference systems which hinge on our ability to mark points of origin, to rapidly implode. Authors from a range of disciplines provide insights into such a political economy of data capitalism; the political possibilities of techno-logics beyond data appropriation and data refusal; questions of visual, spatial and geographical organization; emergent ways of life and the environments that sustain them; and the current challenges of data publics, which is explored via case studies of three of the most influential platforms in the social media economy today: Facebook, Instagram and Whatsapp. Data Publics will be of great interest to academics and students in the fields of computer science, philosophy, sociology, media and communication studies, architecture, visual culture, art and design, and urban and cultural studies.

Data has emerged as a key component that determines how interactions across the world are structured, mediated and represented. This book examines these new data publics and the areas in which they become operative, via analysis of politics, geographies, environments and social media platforms. By claiming to offer a mechanism to translate every conceivable occurrence into an abstract code that can be endlessly manipulated, digitally processed data has caused conventional reference systems which hinge on our ability to mark points of origin, to rapidly implode. Authors from a range of disciplines provide insights into such a political economy of data capitalism; the political possibilities of techno-logics beyond data appropriation and data refusal; questions of visual, spatial and geographical organization; emergent ways of life and the environments that sustain them; and the current challenges of data publics, which is explored via case studies of three of the most influential platforms in the social media economy today: Facebook, Instagram and Whatsapp. Data Publics will be of great interest to academics and students in the fields of computer science, philosophy, sociology, media and communication studies, architecture, visual culture, art and design, and urban and cultural studies.

The rapid changes currently taking place in our urban, political and institutional environments have shifted spatial practice to centre stage both in civic life and academic research. Social networking, political projects, cross-border movements, artistic interventions, urban and environmental initiatives, self-organized educational practices - all articulate the challenges involved in organizing the spaces we share. In this volume, visual culture scholars from around the world discuss the "practical turn" in different fields of critical engagement, proposing fresh ways to assert an interpenetrated space of research and intervention.

Based at Goldsmiths, University of London, Networked Cultures is a collaborative venture between artists, architects and urbanists that investigates the cultural transformations underway in Europe by examining the potential and effect of networked spatial practices. Beginning with the hypothesis that networks have become the defining characteristic of twenty-first century social and spatial organization, this publication traces the development of Networked Culture's multifaceted project. Network creativity is traced by following the routes laid out by artists, architects, urbanists, curators and activists. The interrelationship of space and conflict is investigated by mapping contested international regions, by examining the architecture of conflict and by analyzing models of geocultural negotiation. Numerous interviews, urban interventions, public art projects and architectural experiments gathered from the groups, practices or initiatives encountered during the research provide a wealth of illustrative material.