"On War" is the most significant attempt in Western history to understand war, both in its internal dynamics and as an instrument of policy. Since the work's first appearance in 1832, it has been read throughout the world, and has stimulated generations of soldiers, statesmen, and intellectuals.

The essays in this volume analyze war, its strategic characterisitics and its political and social functions, over the past five centuries. The diversity of its themes and the broad perspectives applied to them make the book a work of general history as much as a history of the theory and practice of war from the Renaissance to the present. "Makers of Modern Strategy from Machiavelli to the Nuclear Age" takes the first part of its title from an earlier collection of essays, published by Princeton University Press in 1943, which became a classic of historical scholarship. Three essays are repinted from the earlier book; four others have been extensively revised. The rest--twenty-two essays--are new.

The subjects addressed range from major theorists and political and military leaders to impersonal forces. Machiavelli, Clausewitz, and Marx and Engels are discussed, as are Napoleon, Churchill, and Mao. Other essays trace the interaction of theory and experience over generations--the evolution of American strategy, for instance, or the emergence of revolutionary war in the modern world. Still others analyze the strategy of particular conflicts--the First and Second World Wars--or the relationship between technology, policy, and war in the nuclear age. Whatever its theme, each essay places the specifics of military thought and action in their political, social, and economic environment. Together the contributors have produced a book that reinterprets and illuminates war, one of the most powerful forces in history and one that cannot be controlled in the future without an understanding of its past.

'War is merely the continuation of policy by other means' On War is one of the most important books ever written on the subject of war. Clausewitz, a Prussian officer who fought against the French during the Napoleonic Wars, sought to understand and analyse the phenomenon of war so that future leaders could conduct and win conflicts more effectively. He studied the human and social factors that affect outcomes, as well as the tactical and technological ones. He understood that war was a weapon of government, and that political purpose, chance, and enmity combine to shape its dynamics. On War continues to be read by military strategists, politicians, and others for its timeless insights. This abridged edition by Beatrice Heuser, using the acclaimed translation by Michael Howard and Peter Paret, selects the central books in which Clausewitz's views on the nature and theory of war are developed. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Originally published in 1976, "Clausewitz and the State" presents a comprehensive analysis of one of the significant thinkers of modern Europe. Peter Paret combines social and military history and psychological interpretation with a study of Clausewitz's military theories and of his unduly neglected historical and political writing.

This timely new edition includes a preface which allows Paret to recount the past thirty years of discussion on Clausewitz and respond to critics. A companion volume to Clausewitz's On War, this book is indispensable to anyone interested in Clausewitz and his theories, and their proper historical context.

The compelling story of the military campaign that changed how we think about war Responding to the enemy's innovation in war presents problems to soldiers and societies of all times. This book traces Napoleon's victory over Prussia in 1806 and Prussia's effort to recover from defeat to show how in one particular historical episode operational analyses together with institutional and political decisions eventually turned defeat to victory. The author moves from a comparative study of French and Prussian forces to campaign narrative and strategic analysis. He examines processes of change in institutions and doctrine, as well as their dependence on social and political developments, and interprets works of art and literature as indicators of popular and elite attitudes toward war, which influence the conduct of war and the kind and extent of military innovation. In the concluding chapter he addresses the impact of 1806 on two men who fought on opposing sides in the campaign and sought a new theoretical understanding of war-Henri Jomini and Carl von Clausewitz. Fields of history that are often kept separate are brought together in this book, which seeks to replicate the links between different areas of thought and action as they exist in reality and shape events.

A new view of the years of Prussian reform is presented here, showing the military impact of Revolutionary and Napoleonic France on Prussia, the nature of the challenge, the efforts of Prussian institutions and society to master the new situation, the obstacles, and changes. Originally published in 1966. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Carl von Clausewitz's major theoretical work, On War, has retained its freshness and relevance since it first appeared 160 years ago. Clausewitz was also a wide-ranging, innovative historian--his acerbic history of Prussia before 1806 became an underground classic long before it could be published--and a combative political essayist, whose observations on the affairs of Germany and Europe combine social egalitarianism with a nearly Bismarckian Realpolitik. In this companion volume to On War, the editors bring together Clausewitz's political writings and a selection of his historical works--material that is fascinating in its own right, important as a commentary on his theories of war, and a valuable source for understanding European ideas and attitudes during and after the Napoleonic era. None of these works has previously appeared in English, with one exception, which was published in a corrupt, censored text that has now been restored to its original form. The editors have contributed introductions for the historical and for the political parts of the volume, as well as brief introductions to the individual selections. Their analyses and the texts themselves reveal Clausewitz to be an exceptionally independent observer both of the past and of his own times, whose outlook is distinguished by an unideological pragmatism and a keen sense of the possibilities and shortcomings of state power. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Anything but a detached theorist, Clausewitz was as fully engaged in the intellectual and cultural currents of his time as in its political and military conflicts. Late-eighteenth century thought helped shape the analytic methods he developed for the study of war. The essays in this volume follow his career in a complex military society, together with that of other students of war, both friends and rivals, providing a broad perspective that leads to significant documents so far unknown or ignored. They add to our understanding of Clausewitz's early ideas and their expansion into a comprehensive theory that continues to challenge our thinking about war today.

Carl von Clausewitz's major theoretical work, On War, has retained its freshness and relevance since it first appeared 160 years ago. Clausewitz was also a wide-ranging, innovative historian--his acerbic history of Prussia before 1806 became an underground classic long before it could be published--and a combative political essayist, whose observations on the affairs of Germany and Europe combine social egalitarianism with a nearly Bismarckian Realpolitik. In this companion volume to "On War, " the editors bring together Clausewitz's political writings and a selection of his historical works--material that is fascinating in its own right, important as a commentary on his theories of war, and a valuable source for understanding European ideas and attitudes during and after the Napoleonic era. None of these works has previously appeared in English, with one exception, which was published in a corrupt, censored text that has now been restored to its original form. The editors have contributed introductions for the historical and for the political parts of the volume, as well as brief introductions to the individual selections. Their analyses and the texts themselves reveal Clausewitz to be an exceptionally independent observer both of the past and of his own times, whose outlook is distinguished by an unideological pragmatism and a keen sense of the possibilities and shortcomings of state power.

Originally published in 1992.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

A new view of the years of Prussian reform is presented here, showing the military impact of Revolutionary and Napoleonic France on Prussia, the nature of the challenge, the efforts of Prussian institutions and society to master the new situation, the obstacles, and changes. Originally published in 1966. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

These essays provide an introduction to Carl von Clausewitz and enlarge the history of war by joining it to the history of ideas and institutions and linking it with intellectual biography. Reflecting Peter Paret's three decades of study of Clausewitz and of the history of war, they examine Clausewitz's theoretical work in the context of his time and in relation to war as a general historical phenomenon. Although the analytical strength of "On War" makes it far more than a historical document, Clausewitz's ideas and the methods he employed to express, develop, and test them become clearer when his work is seen against a historical background. The first six essays analyze military power in European history and discuss the transformation of war at the end of the 18th century. They provide the historical setting for the following nine essays, which address significant aspects of Clausewitz's life and thought, from the logic of his theories to his aesthetics and his reactions to the revolutions of 1830. The concluding essay examines the history of war as a scholarly discipline. Together these pieces shed light on Clausewitz, on the age in which he lived, and on his theories, which reta

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1977.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1977.

The conflict between National Socialism and Ernst Barlach, one of the important sculptors of the twentieth century, is an unusual episode in the history of Hitler's efforts to rid Germany of 'international modernism.' Barlach did not passively accept the destruction of his sculptures, but protested the injustice, and continued his work. Peter Paret's discussion of Barlach's art and struggle over creative freedom, is joined to an analysis of Barlach's opponents. Hitler's rejection of modernism, often dismissed as absurd ranting, is instead interpreted as a internally consistent and politically effective critique of liberal Western culture. That some radical national socialists nevertheless advocated a 'nordic modernism' and tried to win Barlach over, indicates the cultural cross-currents running through the early years of the Third Reich. Paret's closely focused study of an artist in a time of crisis seamlessly combines the history of modern Germany and the history of modern art. Peter Paret is Mellon Professor in the Humanities Emeritus of the Institute for Advanced Study in Princeton and Spruance Professor Emeritus at Stanford University. He is a member of the American Philosophical Society, which awarded him the Thomas Jefferson Medal and a Fellow of the American Academy of Arts and Sciences. The German government has awarded him the Officer's Cross of the Order of Merit. His other works include, German Encounters with Modernism, 1840-1945 (Cambridge, 2001), Imagined Battles: Reflections of War in European Art (Univ, of NC, 1997), The Berlin Secession: Modernism and its Enemies in Imperial Germany (Harvard, 1989), and Clausewitz and the State (Oxford, 1985).

The conflict between National Socialism and Ernst Barlach, one of the important sculptors of the twentieth century, is an unusual episode in the history of Hitler's efforts to rid Germany of 'international modernism.' Barlach did not passively accept the destruction of his sculptures, but protested the injustice, and continued his work. Peter Paret's discussion of Barlach's art and struggle over creative freedom, is joined to an analysis of Barlach's opponents. Hitler's rejection of modernism, often dismissed as absurd ranting, is instead interpreted as a internally consistent and politically effective critique of liberal Western culture. That some radical national socialists nevertheless advocated a 'nordic modernism' and tried to win Barlach over, indicates the cultural cross-currents running through the early years of the Third Reich. Paret's closely focused study of an artist in a time of crisis seamlessly combines the history of modern Germany and the history of modern art. Peter Paret is Mellon Professor in the Humanities Emeritus of the Institute for Advanced Study in Princeton and Spruance Professor Emeritus at Stanford University. He is a member of the American Philosophical Society, which awarded him the Thomas Jefferson Medal and a Fellow of the American Academy of Arts and Sciences. The German government has awarded him the Officer's Cross of the Order of Merit. His other works include, German Encounters with Modernism, 1840-1945 (Cambridge, 2001), Imagined Battles: Reflections of War in European Art (Univ, of NC, 1997), The Berlin Secession: Modernism and its Enemies in Imperial Germany (Harvard, 1989), and Clausewitz and the State (Oxford, 1985).

In German Encounters with Modernism, Peter Paret traces the reception of modern art, from the 1840s through the Nazi era, through the lens of social and political developments in Germany. Addressing broad cultural topics, such as the early history of Expressionism, the role of anti-Semitism in German reactions to modernism, and the impact of World War I on the arts, he also includes new interpretations of the work of artists such as the sculptor Ernst Barlach. Based on new archival discoveries, this study combines a strong narrative approach with interdisciplinary analysis.

In German Encounters with Modernism, Peter Paret traces the reception of modern art, from the 1840s through the Nazi era, through the lens of social and political developments in Germany. Addressing broad cultural topics, such as the early history of Expressionism, the role of anti-Semitism in German reactions to modernism, and the impact of World War I on the arts, he also includes new interpretations of the work of artists such as the sculptor Ernst Barlach. Based on new archival discoveries, this study combines a strong narrative approach with interdisciplinary analysis.

Gerhard Ritter's biography of Frederick the Great onglnated in a series of lectures, which were published with scarcely any revisions in 1936. In this translation, based on the third edition, published in 1954, Paret has tried to convey the hard and precise style that characterizes the German text, while eliminating some of the numerous adjectives and parallel phrases that a lecturer might have found useful for emphasis but which seem unnecessary on the printed page. With the author's agreement also excluded is the brief introduction and epilogue of the original, since they are addressed specifically to the German reader and to German conditions. Gerhard Ritter died in 1967, shortly after the translation was completed.