Pomerantsev is emerging as the pre-eminent war reporter of our time. Observer From one of our leading experts on disinformation, the incredible true story of the complex and largely forgotten WWII propagandist Thomas Sefton Delmer - and what we can learn from him today. In the summer of 1941, Hitler ruled Europe from the Atlantic to the Black Sea. Britain was struggling to combat the powerful Nazi propaganda machine, which crowed victory and smeared its enemies. But inside Germany, there was one notable voice of dissent from the very heart of the military machine, Der Chef, a German whose radio broadcasts skilfully questioned Nazi doctrine. He had access to high-ranking German military secrets and spoke of internal rebellion. His listeners included German soldiers and citizens. American officials and even the President tried to to decipher what it meant for the future of the war. But what these audiences didn't know was that Der Chef was a fiction, a character created by the British propagandist Thomas Sefton Delmer, just one player in Delmer's vast counter-propaganda cabaret, a unique weapon in the war. As author Peter Pomerantsev uncovers Delmer's story, he is called into a wartime propaganda effort of his own: the global response to Putin's invasion of Ukraine. This book is the story of Delmer and his modern-day investigator, as they each embark on their own quest to seduce and inspire the passions of supporters and enemies, and to turn the tide of information wars.

'Electrifying.' Anne Applebaum 'Mesmerising.' Financial Times 'Seductive and terrifying in equal measure.' The Times 'Required reading.' Observer A journey into the glittering, surreal heart of 21st century Russia: into the lives of Hells Angels convinced they are messiahs, professional killers with the souls of artists, bohemian theatre directors turned Kremlin puppet-masters, supermodel sects, post-modern dictators and oligarch revolutionaries. This is a world erupting with new money and new power, changing so fast it breaks all sense of reality, where life is seen as a whirling, glamorous masquerade where identities can be switched and all values are changeable. It is home to a new form of authoritarianism, far subtler than 20th century strains, and which is rapidly expanding to challenge the global order. An extraordinary book - one which is as powerful and entertaining as it is troubling - Nothing is True and Everything is Possible offers a wild ride into this political and ethical vacuum.

Pomerantsev is emerging as the pre-eminent war reporter of our time. Observer From one of our leading experts on disinformation, the incredible true story of the complex and largely forgotten WWII propagandist Thomas Sefton Delmer - and what we can learn from him today. In the summer of 1941, Hitler ruled Europe from the Atlantic to the Black Sea. Britain was struggling to combat the powerful Nazi propaganda machine, which crowed victory and smeared its enemies. But inside Germany, there was one notable voice of dissent from the very heart of the military machine, Der Chef, a German whose radio broadcasts skilfully questioned Nazi doctrine. He had access to high-ranking German military secrets and spoke of internal rebellion. His listeners included German soldiers and citizens. American officials and even the President tried to to decipher what it meant for the future of the war. But what these audiences didn't know was that Der Chef was a fiction, a character created by the British propagandist Thomas Sefton Delmer, just one player in Delmer's vast counter-propaganda cabaret, a unique weapon in the war. As author Peter Pomerantsev uncovers Delmer's story, he is called into a wartime propaganda effort of his own: the global response to Putin's invasion of Ukraine. This book is the story of Delmer and his modern-day investigator, as they each embark on their own quest to seduce and inspire the passions of supporters and enemies, and to turn the tide of information wars.

When information is a weapon, everyone is at war.

We live in a world of influence operations run amok, a world of dark ads, psy-ops, hacks, bots, soft facts, ISIS, Putin, trolls, Trump. We've lost not only our sense of peace and democracy - but our sense of what those words even mean.

As Peter Pomerantsev seeks to make sense of the disinformation age, he meets Twitter revolutionaries and pop-up populists, 'behavioural change' salesmen, Jihadi fan-boys, Identitarians, truth cops, and much more. Forty years after his dissident parents were pursued by the KGB, he finds the Kremlin re-emerging as a great propaganda power. His research takes him back to Russia - but the answers he finds there are surprising.

This collection of texts by writers, historians, philosophers, political analysts, and opinion leaders combines reflections on Ukrainian history and analyses of the present with outlines of conceptual ideas and life stories. The authors present a multi-faceted image of Ukraines memory and reality touching upon topics from the Holodomor to Maidan, from the Russian aggression to cultural diversity, from the depth of the past to the complexity of the present. The contributors include Ola Hnatiuk, Irena Karpa, Haska Shyyan, Larysa Denysenko, Hanna Shelest, Andriy Kulakov, Yaroslav Hrytsak, Serhii Plokhy, Yuri Andrukhovych, Andriy Kurkov, Andrij Bondar, Vakhtang Kebuladze, Volodymyr Rafeenko, Alim Aliev, Leonid Finberg, and Andriy Portnov. The book was initially published by Internews Ukraine and UkraineWorld with the support of the Ukrainian Cultural Foundation.

Richly observed, this witty and yet deeply moving tale of Charlotte Hobson's year travelling around Russia takes us to the heart of a country that we are continually interested in, yet can struggle to understand. As the TLS put it, Hobson writes with 'such a beguiling directness that it is hard not to feel intimate with her and her characters. Few books evoke so much of Russian life, with so little effort.''Each chapter is a bonne bouche, possessing its own particular flavour, from sweet to acrid-bitter. Hobson's characters are often wonderfully quixotic and so is the spirit she finds everywhere at this crux in Russia's history. She drinks with derelicts, hangs out with gypsies, and watches investigators go about the grim business of exhuming purge victims, and giving them the Christian burial they have been denied for seventy years. Her style is deft: she manages to render the scenes through which she passes with needle-sharp precision.' Financial Times

In the new Russia, even dictatorship is a reality show. Professional killers with the souls of artists, would-be theater directors turned Kremlin puppet-masters, suicidal supermodels, Hell's Angels who hallucinate themselves as holy warriors, and oligarch revolutionaries: welcome to the glittering, surreal heart of twenty-first-century Russia. It is a world erupting with new money and new power, changing so fast it breaks all sense of reality, home to a form of dictatorship--far subtler than twentieth-century strains--that is rapidly rising to challenge the West. When British producer Peter Pomerantsev plunges into the booming Russian TV industry, he gains access to every nook and corrupt cranny of the country. He is brought to smoky rooms for meetings with propaganda gurus running the nerve-center of the Russian media machine, and visits Siberian mafia-towns and the salons of the international super-rich in London and the US. As the Putin regime becomes more aggressive, Pomerantsev finds himself drawn further into the system. Dazzling yet piercingly insightful, Nothing Is True and Everything Is Possible is an unforgettable voyage into a country spinning from decadence into madness.