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The promises, dreams and hopes of architects for future cities are now inextricably linked to climate change. Architects, Sustainability and the Climate Emergency: A Political Ecology chronicles how architects have shaped their ideas of the city-and sustainability-as knowledge of the climate emergency has unfolded. Have architects responded to the climate crisis too slowly? Describing a political ecology of architecture, Peter Raisbeck draws on architectural history, theory and practice, and the climate imaginaries of architects themselves. This exploration indicates how architects have viewed the climate emergency and positions architecture alongside the politics of climate and development studies. Raisbeck questions to what degree the traditional agency of architects leads to a political authority isolated from nature, human-environment systems and the nonhuman ecological subjects rapidly approaching tipping points. The fluidity of the climate emergency itself and its unfolding relationship to architectural knowledge suggests that new approaches, agencies and subjectivities are urgently required. As architects struggle to respond to the climate emergency, this book is an important and timely contribution to sustainability, climate and development debates. Architects, Sustainability and the Climate Emergency: A Political Ecology is a necessary provocation of a critical topic.
Since the 1980s the architectural profession across the world has been driven by globalisation. The factors shaping this globalisation include neo-liberal economics, digital transformation and the rise of social media against the background of the profession's entrenched labour practices. In describing architecture as a global system, this book outlines how globalisation has shaped architecture and explores the degree to which architecture remains a distinct field of knowledge. The book identifies four categories of architects in this global system: scavengers, tribes, warlords and megafirms. By employing this institutional-logics approach, the author looks beyond the surface spectacle of iconic projects, celebrity architects and cycles of urban focused media outrage. From this perspective, the book illuminates the archipelagos and outposts of disciplinary knowledge that architectural actors traverse and highlights the frontiers at which architectural knowledge is both created and eroded. The author argues that to retain their future agency, architects must understand the contours and ecologies of practice that constitute this global system of architectural production. This book provides a clear-sighted analysis to suggest the points that need reconfiguring in this global system so that architects may yet shape and order the future of cities.
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