The American theorists Henry James, Lionel Trilling and Wayne C. Booth have revolutionized our understanding of narrative or story-telling, and have each championed the novel as an art form. Concepts from their work have become part of the fabric of novel criticism today, influencing theorists, authors and readers alike.
Emphasizing the crucial relationship between the work of these three critics, Peter Rawlings explores their understanding of the novel form, and investigates their ideas on:
� realism and representation
� authors and narration
� point of view and centers of consciousness
� readers, reading and interpretation
� moral intelligence
Rawlings demonstrates the importance of James, Trilling and Booth for contemporary literary theory and clearly introduces critical concepts that underlie any study of narrative. This book is invaluable reading for anyone with an interest in American critical theory, or the genre of the novel.

First published in 1993. Including essays by T.S. Eliot, Ezra Pound and H.G. Wells, this is an anthology of critical thought about Henry James, designed to give scholars and students of James' work access to material that they would otherwise have difficulty finding.

Published in 1999. Shakespeare is 'the great author of America' declared James Fenimore Cooper in 1828. The ambiguous resonance of this claim is fully borne out in this collection of writings on Shakespeare by over forty prominent Americans, spanning the period between the War of independence and the outbreak of the First World War. Featured writers include: Ralph Waldo Emerson, Edgar Allen Poe, Herman Melville, Nathaniel Hawthorne, Abraham Lincoln, Walt Whitman and Mark Twain. The essays, many of which are reprinted here for the first time, are arranged in chronological order and provide a fascinating conspectus of American attitudes to Shakespeare, from Revolutionary and Transcendentalist approaches through to the influential interventions of professional American critics in the early twentieth century. The extraordinary and bizarre contribution to the Shakespeare debut by Delia Bacon is exemplified by the inclusion of her 1856 article which is reprinted in its entirety. Americans on Shakespeare charts the emergence of an American literary tradition, and the gradual appropriation of Shakespeare as part of the American search for cultural identity; an identity whose domination is set to continue into the twenty-first century.

The American theorists Henry James, Lionel Trilling and Wayne C. Booth have revolutionized our understanding of narrative or story-telling, and have each championed the novel as an art form. Concepts from their work have become part of the fabric of novel criticism today, influencing theorists, authors and readers alike.
Emphasizing the crucial relationship between the work of these three critics, Peter Rawlings explores their understanding of the novel form, and investigates their ideas on:
� realism and representation
� authors and narration
� point of view and centers of consciousness
� readers, reading and interpretation
� moral intelligence
Rawlings demonstrates the importance of James, Trilling and Booth for contemporary literary theory and clearly introduces critical concepts that underlie any study of narrative. This book is invaluable reading for anyone with an interest in American critical theory, or the genre of the novel.

Published in 1999. Shakespeare is 'the great author of America' declared James Fenimore Cooper in 1828. The ambiguous resonance of this claim is fully borne out in this collection of writings on Shakespeare by over forty prominent Americans, spanning the period between the War of independence and the outbreak of the First World War. Featured writers include: Ralph Waldo Emerson, Edgar Allen Poe, Herman Melville, Nathaniel Hawthorne, Abraham Lincoln, Walt Whitman and Mark Twain. The essays, many of which are reprinted here for the first time, are arranged in chronological order and provide a fascinating conspectus of American attitudes to Shakespeare, from Revolutionary and Transcendentalist approaches through to the influential interventions of professional American critics in the early twentieth century. The extraordinary and bizarre contribution to the Shakespeare debut by Delia Bacon is exemplified by the inclusion of her 1856 article which is reprinted in its entirety. Americans on Shakespeare charts the emergence of an American literary tradition, and the gradual appropriation of Shakespeare as part of the American search for cultural identity; an identity whose domination is set to continue into the twenty-first century.

A collection of prefaces, reviews and articles by Americans on American and European fiction. Charted in these three volumes, which span 1776 to 1900, is the movement from anxious defences of the novel as a necessary vehicle of truth and morality to fully-fledged theoretical exfoliations.

A collection of prefaces, reviews and articles by Americans on American and European fiction. Charted in these three volumes, which span 1776 to 1900, is the movement from anxious defences of the novel as a necessary vehicle of truth and morality to fully-fledged theoretical exfoliations.

First published in 1993. Including essays by T.S. Eliot, Ezra Pound and H.G. Wells, this is an anthology of critical thought about Henry James, designed to give scholars and students of James' work access to material that they would otherwise have difficulty finding.

A collection of prefaces, reviews and articles by Americans on American and European fiction. Charted in these three volumes, which span 1776 to 1900, is the movement from anxious defences of the novel as a necessary vehicle of truth and morality to fully-fledged theoretical exfoliations.

A collection of prefaces, reviews and articles by Americans on American and European fiction. Charted in these three volumes, which span 1776 to 1900, is the movement from anxious defences of the novel as a necessary vehicle of truth and morality to fully-fledged theoretical exfoliations.

A collection of prefaces, reviews and articles by Americans on American and European fiction. Charted in these three volumes, which span 1776 to 1900, is the movement from anxious defences of the novel as a necessary vehicle of truth and morality to fully-fledged theoretical exfoliations.

A collection of prefaces, reviews and articles by Americans on American and European fiction. Charted in these three volumes, which span 1776 to 1900, is the movement from anxious defences of the novel as a necessary vehicle of truth and morality to fully-fledged theoretical exfoliations.

This work presents a collection of prefaces, reviews and articles by Americans on American and European fiction. It draws on such periodicals as the Atlantic Monthly, the Nation, and Galaxy, as well as many of the lesser-known journals and magazines of the period. Charted in these three volumes, which span the period from 1776 to 1900, is the movement from anxious defences of the novel as a necessary vehicle of truth and morality to the fully-fledged theoretical exfoliations of Thomas Sergeant Perry, George W. Lathrop, Henry James, and others.

In this volume, leading scholars assess the contribution of four major U.S. literary figures to the afterlife and reception of Shakespeare and his plays. Focusing on Emerson (in his essays), Melville (in "Moby Dick" and "Pierre)," James (in his short stories, prefaces and criticism) and Berryman (in his poetry and editing of Shakespeare), each essay assesses the double impact of Shakespeare on the figure covered and of the figure on the understanding, interpretation and appreciation of Shakespeare.