Originally published in 1990, this book brought a new rigor and subtlety to the interpretation of film adaptations of Shakespeare. Drawing on traditional literary analysis, psychoanalysis, and current film theory about gender and subjectivity, the author combines close readings of seven films with historical and biographical studies of the directors who made them. Offering substantial readings of Jean-Luc Godard's controversial deconstructed King Lear and of Liz White's independent African-American Othello, Donaldson also applies his provocative and contemporary point of view to more familiar films. He reads Olivier's Henry V in relation to its treatment of sexual difference; Olivier's Hamlet in part as an expression of the director's childhood sexual trauma; Kurosawa's Throne of Blood as an allegory of the relationship between Western and Japanese cinema; and Zeffirelli's immensely popular Romeo and Juliet in the light of its powerful homoerotic subtext. With striking perspectives on Shakespeare, on the movies as an expressive medium, and on the complex processes of cultural change, this is timeless useful reading for teachers and students of film and literature.

Originally published in 1990, this book brought a new rigor and subtlety to the interpretation of film adaptations of Shakespeare. Drawing on traditional literary analysis, psychoanalysis, and current film theory about gender and subjectivity, the author combines close readings of seven films with historical and biographical studies of the directors who made them. Offering substantial readings of Jean-Luc Godard's controversial deconstructed King Lear and of Liz White's independent African-American Othello, Donaldson also applies his provocative and contemporary point of view to more familiar films. He reads Olivier's Henry V in relation to its treatment of sexual difference; Olivier's Hamlet in part as an expression of the director's childhood sexual trauma; Kurosawa's Throne of Blood as an allegory of the relationship between Western and Japanese cinema; and Zeffirelli's immensely popular Romeo and Juliet in the light of its powerful homoerotic subtext. With striking perspectives on Shakespeare, on the movies as an expressive medium, and on the complex processes of cultural change, this is timeless useful reading for teachers and students of film and literature.

In this work, which has survived only in manuscript form and in Italian, Gardiner analyses the great dynastic changes in England's past in order to provide Phillip II with a guide to ruling England and establishing a Catholic dynasty. He adapts historical example to practical political purposes with great subtlety, quoting at length (but without saying so) from Machiavelli to show that a new prince can rule England - if he eliminates those of royal blood and respects the laws and customs of his new possessions. This edition is a carefully edited text of the Italian and Professor Donaldson has provided an English translation and an introduction setting the treatise in its immediate historical context. Gardiner's work is perhaps the clearest example of an attempt to relate Machiavelli's political theories to practical political problems. Its publication will interest historians and students of politics as well as those with an interest in the influence of Machiavellianism as an important strand in European intellectual history.

Machiavelli and Mystery of State, first published in 1989, studies the intersection of sacred and secular conceptions of kingship in the Renaissance by documenting in detail six instances of the attempt to connect Machiavelli's thought to an ancient and secret tradition of political counsel, the arcana imperii or mysteries of state. This book illuminates an important and neglected dimension of Machiavelli's powerful influence on Renaissance political discourse.