Quintus Horatius Flaccus (65–8 BCE) wrote some of ancient Rome’s greatest poetry, melding languages and cultures with youthful ideals and a realist’s recognition of the dictatorial world around him. Horace is famed for his fine phrases, lyric sex, and guidance on how to live, but he was a poet maddened by war, and many of his most self-revealing poems have rarely been read. He could be sublime and obscene, amusing and abusive, a model of moderation and anything but.
 
In this book, the first modern retelling of Horace’s life, Peter Stothard follows the poet from his birth as the son of a formerly enslaved father through his rise to the highest circles of Roman society. He shines a light on how shattering experiences in the war to save Rome’s republic shaped the loyal servant and revolutionary artist he became. With astute scholarship and sympathy, Stothard follows Horace’s rise from humble beginnings to the social and political heights of the autocracy he had fought to prevent.

'Lets us see how power really worked, in public and private ... Stothard tells this story superbly' Dominic Sandbrook, SUNDAY TIMES 14 CE: The first Roman emperor is dead. A second is about to succeed. The Forum of Rome, once fought over so fiercely, has become hardly more than a museum. The house of all power is up above on the Palatine Hill, about to become the birthplace of Western bureaucracy, a warren of banqueting and bedrooms, a treacherous household where it takes special talents to survive. This is a Roman history with a cast of new men and newly dominant women, those reviled too often in the past as flatterers and gluttons, uppity slaves and former slaves, lawyers-for-hire, chancer arrivistes and unhinged party animals. Palatine uncovers the lives of the Vitellii, perhaps Rome's least admired imperial clan, of Publius, an old-fashioned soldier snared in the politics of the new age, of Lucius, an exceptionally skilled and sycophantic courtier, and of Aulus a genial sluggard whose prowess at the table carries him all the way to the throne before collapsing his family's reputation for ever. Few now remember them. Yet in their creeping ascent to the very summit of the imperial hierarchy lie neglected truths about a lasting legacy of Rome.

'Lets us see how power really worked, in public and private ... Stothard tells this story superbly' Dominic Sandbrook, SUNDAY TIMES 14 CE: The first Roman emperor is dead. A second is about to succeed. The Forum of Rome, once fought over so fiercely, has become hardly more than a museum. The house of all power is up above on the Palatine Hill, about to become the birthplace of Western bureaucracy, a warren of banqueting and bedrooms, a treacherous household where it takes special talents to survive. This is a Roman history with a cast of new men and newly dominant women, those reviled too often in the past as flatterers and gluttons, uppity slaves and former slaves, lawyers-for-hire, chancer arrivistes and unhinged party animals. Palatine uncovers the lives of the Vitellii, perhaps Rome's least admired imperial clan, of Publius, an old-fashioned soldier snared in the politics of the new age, of Lucius, an exceptionally skilled and sycophantic courtier, and of Aulus a genial sluggard whose prowess at the table carries him all the way to the throne before collapsing his family's reputation for ever. Few now remember them. Yet in their creeping ascent to the very summit of the imperial hierarchy lie neglected truths about a lasting legacy of Rome.

The story of Rome’s richest man, who died a humiliating desert death in search of military glory   “A perfectly paced biography.�—Tom Holland, Times Literary Supplement   Marcus Licinius Crassus (115–53 BCE) was a modern man in an ancient world, a pioneer disrupter of finance and politics, and the richest man of the last years of the Roman republic. Without his catastrophic ambition, this trailblazing tycoon might have quietly entered history as Rome’s first modern political financier. Instead, Crassus and his son led an army on an unprovoked campaign against Parthia into what are now the borderlands of Turkey, Syria, and Iraq, losing a battle at Carrhae which scarred Roman minds for generations.   After Crassus was killed, historians told many stories of his demise. Some said that his open mouth, shriveled by desert air, had been filled with molten gold as testament to his lifetime of greed. His story, skillfully told by Peter Stothard, poses both immediate and lasting questions about the intertwining of money, ambition, and power.

'Lets us see how power really worked, in public and private ... Stothard tells this story superbly' Dominic Sandbrook, SUNDAY TIMES 14 CE: The first Roman emperor is dead. A second is about to succeed. The Forum of Rome, once fought over so fiercely, has become hardly more than a museum. The house of all power is up above on the Palatine Hill, about to become the birthplace of Western bureaucracy, a warren of banqueting and bedrooms, a treacherous household where it takes special talents to survive. This is a Roman history with a cast of new men and newly dominant women, those reviled too often in the past as flatterers and gluttons, uppity slaves and former slaves, lawyers-for-hire, chancer arrivistes and unhinged party animals. Palatine uncovers the lives of the Vitellii, perhaps Rome's least admired imperial clan, of Publius, an old-fashioned soldier snared in the politics of the new age, of Lucius, an exceptionally skilled and sycophantic courtier, and of Aulus a genial sluggard whose prowess at the table carries him all the way to the throne before collapsing his family's reputation for ever. Few now remember them. Yet in their creeping ascent to the very summit of the imperial hierarchy lie neglected truths about a lasting legacy of Rome.

'A gripping history' Mary Beard 'A political thriller, and a human story that astonishes' Hilary Mantel 'Atmospheric and gripping, and [his] scholarship is impeccable' Greg Woolf Many men killed Julius Caesar. Only one man was determined to kill the killers. THE LAST ASSASSIN dazzlingly charts an epic turn of history through the eyes of an unheralded man. It is a hunt that an emperor wanted to hide, of torture and terror, politics and poetry, of ideas and their consequences, a gripping story of fear, revenge and survival.

For thirty days I was close by him at historic events -- in the places where writers never are.

Before Britain could help the United States in the war against Saddam Hussein, Tony Blair faced a battle against his own voters, his own party, and his own allies in Europe. These were among the most tense and tumultuous weeks the world had seen since the fall of the Berlin Wall.

In thirty days, Blair took on his opponents and won.

Through it all, Peter Stothard had unprecedented access to Blair -- from Ten Downing Street and the House of Commons through the war summits in the Azores, Brussels, Belfast, and at Camp David. Stothard brings us inside the corridors of power during this extraordinary time, offering a vivid, up-close view of an enormously popular leader facing the challenge of his life.

Finding himself in Alexandria in the winter of 2010, Peter Stothard, editor of the TLS and former editor of The Times, is forced to contemplate his past in circumstances he does not expect. The aftermath of a bombing and the onset of the Arab Spring place obstacles in his plans to complete a long-delayed biography of Cleopatra. Minded by two guides, whose motives are mixed and mysterious, he visits Alexandria's ancient sites and revisits places and people from his own life, an Essex childhood among military engineers, Latin and Greek at Oxford and journalism high and low in London. In this extraordinary book, part memoir and part travel literature, written against the background of the fracturing police state of Egypt, a man and a woman from the author's school days are as pressing as the political minders of today.

For thirty extraordinary days, in March and April 2003, Tony Blair defied street protests, party revolts, allied anger and government resignations in order to send British troops to Iraq to oust Saddam Hussein.
What was it like inside Downing Street during that time? What was it like while the Prime Minister risked his job for such an unpopular cause? Why did he do it? Peter Stothard, who for a month was given unprecedented access to shadow almost every move the Prime Minister made, gives a unique view from the inside.
From the 'den' of Ten Downing Street to the back corridors of the House of Commons, through councils of war in the Azores, recriminations in Brussels, personal diplomacy in Belfast and Camp David, this book takes us backstage. 30 Days throws an intimate - and frequently humorous - light on the domestic and political life of Number Ten at a time of crisis; it shows the Prime Minister's relationships not only with the President of the United States but with the writers, strategists, make-up artists and other members of the close-knit Number Ten team. It illuminates his frankest dealings with the world leaders who both backed and opposed him.
Peter Stothard's fast-paced and compelling narrative is supported by Nick Danziger's remarkable photographs. The result is a groundbreaking record of history in the making, and a gripping day-to-day chronicle of four tense and tempestuous weeks.