Now in its second edition, this book provides a practical guide to measured building surveys with special emphasis on recording the fabric of historic buildings. It includes two new chapters dealing with modern survey practice using instruments and photographic techniques, as well as a chapter examining recording methods as used on a specific project case study undertaken by the Museum of London Archaeology Service. Measured surveys for producing accurate scaled drawings of buildings and their immediate surroundings may be undertaken for a variety of reasons. The principal ones are to provide a historic record, and to form the base drawings upon which a proposed programme of works involving repairs, alterations, adaptations or extensions can be prepared. This book provides a practical guide to preparing measured surveys of historic buildings, with special emphasis on recording the fabric. The text assumes little previous knowledge of surveying and begins by describing basic measuring techniques before introducing elementary surveying and levelling. From these principles, the practices and techniques used to measure and record existing buildings are developed in a detailed step-by-step approach, covering sketching, measuring, plotting and drawing presentation. For this new edition the text on hand survey methods has been revised to note where new techniques and equipment can be incorporated, as well as explaining where more advanced survey methods may be best used to advantage. Information on locating early maps and plans, aerial photography and its uses, documentary research, procurement of surveys and conventional photography has been incorporated at various points as appropriate. In addition, Ross Dallas provides two new chapters dealing with modern survey practice using instruments and photographic techniques. Also, the opportunity has been taken to present a wider view of building recording projects by including a new chapter from the Museum of London Archaeological Service (MoLAS) building recording team. It encompasses their five key principles for recording within an illustrative case study.

This volume sets out to discuss a crucial question for ancient comedy - what makes Aristophanes funny? Too often Aristophanes' humour is taken for granted as merely a tool for the delivery of political and social commentary. But Greek Old Comedy was above all else designed to amuse people, to win the dramatic competition by making the audience laugh the hardest. Any discussion of Aristophanes therefore needs to take into account the ways in which his humour actually works. This question is addressed in two ways. The first half of the volume offers an in-depth discussion of humour theory - a field heretofore largely overlooked by classicists and Aristophanists - examining various theoretical models within the specific context of Aristophanes' eleven extant plays. In the second half, contributors explore Aristophanic humour more practically, examining how specific linguistic techniques and performative choices affect the reception of humour, and exploring the range of subjects Aristophanes tackles as vectors for his comedy. A focus on performance shapes the narrative, since humour lives or dies on the stage - it is never wholly comprehensible on the page alone.

This volume sets out to discuss a crucial question for ancient comedy - what makes Aristophanes funny? Too often Aristophanes' humour is taken for granted as merely a tool for the delivery of political and social commentary. But Greek Old Comedy was above all else designed to amuse people, to win the dramatic competition by making the audience laugh the hardest. Any discussion of Aristophanes therefore needs to take into account the ways in which his humour actually works. This question is addressed in two ways. The first half of the volume offers an in-depth discussion of humour theory - a field heretofore largely overlooked by classicists and Aristophanists - examining various theoretical models within the specific context of Aristophanes' eleven extant plays. In the second half, contributors explore Aristophanic humour more practically, examining how specific linguistic techniques and performative choices affect the reception of humour, and exploring the range of subjects Aristophanes tackles as vectors for his comedy. A focus on performance shapes the narrative, since humour lives or dies on the stage - it is never wholly comprehensible on the page alone.