Millicent has been computerised. After a lifetime's work in the Obituary Department of the Morning Telegraph she has been made redundant. The firm, however, has allowed her to go out in style - she can write her last obit in her own hand with her own fountain pen. But whose last obit will it be? An obscure failure? A giant of history? A personal friend? An old lover? She plunders her memories, her fantasies and her long friendship with the daft and the dead before she makes her decision. Peter Tinniswood's black comedy won the Edinburgh Festival Fringe First Award in 1998. Production at the New End Theatre, Hampstead in May 2002

Nancy is at the helm of the unhappy Empson family who, for the sake of Father's health, move to a small country village. Their new house is in a state of disrepair, but they find that a local handyman, Winston, is keen to help them out. He breaks their resistance to him with his irreverent wit, gourmet cooking, free repairs and liberal doses of sexual advice. Gradually the family are transformed by his presence.4 women, 4 men

Divorce Graham asks friends Ernest and Pamela to help out with the holiday visit of his children. The children are brought by his ex-wife and her mother, who disapproves of Graham's lifestyle. Pamela, although childless, has strong views on children and organizes a party for them. By having the adults play both the party guests and themselves as children we are given fascinating and funny glimpses of their pasts, making their scenes as grown-ups all the more pertinent.4 women, 2 men

Plays by one of Italy's greatest dramatists Eduardo de Filippo was one of Italy's leading popular dramatists, a fearless social critic, a supreme man of the theatre, and a humane and compassionate writer. The four plays in this volume present different facets of his prolific output, which focused on the lives of the Neapolitan people, their dubious cunning nourished by centuries of hunger, their fantasies and their love of life. The Local Authority, Grand Magic and Filumena Marturano are translated by Carlo Ardito, and Napoli Milionaria was translated by Peter Tinniswood for the Royal National Theatre's production in 1991.